After only 1 day of broadcasting, "Changfeng Du" won the soaring list, and the acting skills of the old drama bones were amazing

What kind of theme is the most marketable summer file?

Some people say that it is a suspense drama, with a brain-burning plot and exciting stories, which are easy to get out of the circle and create explosive models. But the strongest schedule for suspense dramas is usually not in the summer.

Some people say that it is a period drama, CCTV's "The Sea in the Dream" is broadcasting, the ratings are as hot as a rainbow, but the period drama can hit the most, not in the summer file.

The answer must be ancient puppets.

I don't know when it started, ancient puppet dramas have gradually become the main force of domestic dramas in the summer season.

There is almost no difficulty in shooting, the risk is small, the new generation of audiences love to watch, once the big explosion, the profit space is almost unlimited.

In the past 3 years alone, the big hit ancient puppet dramas include Liu Yifei and Chen Xiao's "Menghualu",

Guo Qilin, Song Yi's "Sister-in-law", and Bai Jingting's "Qing Qing's Daily".

However, this year's ancient puppet drama can be called explosive, there is currently only one "Long Moon Ember Ming", the real battlefield of ancient puppet dramas, in the summer file.

Among the 85 flowers, Yang Mi, Zhao Liying, and Liu Shishi each hold a trump card, and Yang Zi's new drama is also ready to go.

But each family is watching each other.

Until last night, the "peach factory" shot first - a "Changfeng Du" led by Bai Jingting and Song Yi,

On the first day, 6 episodes were released, directly rushing to the first place in the soaring list.

The popularity of iQiyi's station has exceeded 7,000, and the popularity of the whole network is even closer to "The Sea of Dreams".

Stay up late and brush 6 episodes, and found that this drama is really a little different from other ancient puppet dramas, three highlights, let it become the existence that changes the ecology and ceiling of ancient puppet dramas in 2023.

The next question, will the first shot of the summer national drama be started by it?

First, the angle of the topic is novel, ancient puppet + drama, the atmosphere is relaxed, enough to eat

Ancient puppets are often easy to fall into the trap of "female competition" and "palace fighting".

Before the hero and heroine are "sweet", they always have to experience sadomasochism, dog blood routines and various whole lives, and the finale is nothing more than a high-sweet ending.

But "Changfeng Du" is different, the play tells the story of Liu Yuru (played by Song Yi), the daughter of a Yangzhou cloth merchant who has been tempered since childhood, married to the famous local Qiao Gu Jiusi (played by Bai Jingting), and the two gradually developed feelings in the misplaced marriage, coinciding with troubled times, working together to protect the people and compose good stories.

The face of the ancient puppet and the inside of the main drama are the foundation of this play.

But before the main drama is rolled out, the play first brings three major scenes of ancient puppets.

Scene 1: Big marriage.

The first layer of "Changfeng Du" is still an ancient puppet.

Yes, fall in love.

It's just that this ancient doll is a bit non-mainstream.

I really haven't seen the male and female protagonists meet for the first time, and they are yin and yang weird.

The story begins with heavy snowfall.

It is a good scenery in Jiangnan, but the heroine Liu Yuru has made a difficulty. Although he is brilliant, he is a model lady in Yangzhou.

But the mother was sick, but the head of the family spoiled the concubine and did not spoil his wife, the snow closed the city, the price of medicine rose, the mother fell ill after taking medicine, and the aunt who held the family's wealth not only did not give money, but also sold the mother's most expensive fox fur at a low price.

The heroine's first reaction was not to find the girl to settle the account, but to return the clothes sold.

And it was the male protagonist who bought the fox.

Gu Jiusi, who is the number one in Yangzhou City, is skipping school at this time, entering the flower building to have fun and entertainment, and he does not watch the girl dance, concentrates on playing cards, and looks at the two eyes with him, and is reprimanded by him for not paying attention.

The female protagonist waiting at the door of the flower building asked the maid to ask for it, and the male protagonist asked your master why he couldn't come, and the maid said that it was inconvenient for my master to come to this kind of place.

Good guy, looking for the clothes I want to buy, still so arrogant?

But the male protagonist, as the first gentleman, has a really good temper, and if he is not angry, he will stuff the female protagonist with a piece of gold and let her buy it again.

The heroine doesn't want money, she wants clothes! Then loudly reprimanded the male protagonist for not learning and not knowing.

After scolding, the male protagonist turned around and draped his valuable cloak over the beggar on the corner.

A scene quickly opened the unique story style of ancient puppet dramas, and also created a vivid image of Gu Jiusi, a male protagonist different from other ancient puppet dramas——

Throughout domestic costume dramas, I have never seen such a kind and good-tempered pants.

Do you think that how many episodes of the hero and heroine's laughing cause will be performed next?

Unexpectedly, in the first episode, the heroine sat directly on the sedan and married into the Gu family in the next second.

Here, the foreshadowing of the drama is quietly buried: Why is the Gu family in a hurry to marry?

Because King Liang, who intended to rebel, intended to marry the Gu family, the richest man in Jiangnan, he also sent an envoy to force Gu Jiusi to marry the princess.

But Gu's father, who was Qing of the dynasty, did not want his son to go to this muddy water, and it happened that Gu Jiusi said in front of the public that Liu Yuru would not marry.

That's easy to do, hurry up and cut the mess, first do the marriage, come to a raw rice to cook mature rice, let King Liang eat a dumb loss.

But Gu Jiusi was not cold to Liu Yuru at all, and he didn't want to participate in the wedding. Until he heard the messenger of King Liang rushing at his father.

A phrase "Who says weddings are fake?" "Hold hands, chapel.

First marriage and then love, there is a taste of "Do You Know".

Scene two is immediately arranged: house fight.

Ancient puppets, how can there be no house fight plot?

However, the house fight is not in the Gu family where the heroine marries in, but in her maiden family.

A return to the door, a good show.

The surface is a harmonious mess, but the maid of the heroine's mother directly broke the window paper, because she was cleaned up by the girl, and the mother had been kneeling in the Buddhist hall all night, and her legs were full of blood.

The heroine wants to get justice for her mother? The head of the family directly said back: You are not our family now, you are splashed water.

also reached out to hit the heroine.

Want to fight? When the male protagonist is fake? A dashing appearance, insinuating words, everywhere waking up the heroine scum father who was arrogant just now - behind your daughter, now there is my Gu family to support her.

Then there was some overt and covert pressure, forcing the head of the family to return the child given to the aunt to the heroine.

Finally, he gave the maid of the hostess a key card to enter and exit the Gu family, and asked her to come and get through once in three days, "If you can't see her in three days, then——".

It is equivalent to a move that not only saves the life of the girl who speaks for the heroine's mother, but also protects the normalization of the mother-in-law.

This operation, the cow to fly.

You can see it.

Compared with the grievances of the house fight in many plays, the house fight part of "Changfeng Du" is a proper cool drama. Every time you open a copy, you will usher in a series of clever psychological battles, so cool that you can fly!

Wear.

The third appearance of the scene is the tamer.

The female protagonist, who was touched by the male protagonist, was determined to marry in and have a good life.

Since the male protagonist is a stubborn and unruly boy on the surface, break him back.

The male protagonist loves to go to the flower building, so he will bring him back.

In the next big drama, the heroine carries a knife to the flower building.

This momentum is really exploding.

At this end, the guards of the flower building came out, and on the other end, the Gu family Ding behind the heroine punched one by one, and directly opened a way.

In the end, the heroine took the knife and tamed the husband, reprimanded, and directly lifted the person back.

Since then, the two couples have had an interlocking battle of touching fish and counter-touching fish, and when the people under the male protagonist are all subdued by the female protagonist.

The male protagonist has no other way but to be coquettish - "I have a headache, a leg pain and a stomachache as soon as I read a book".

Heroine: "What does that have to do with me, I just want to be a commanding lady".

This unusual ancient puppet love scene made me into the play.

And with the official appearance of Luo Zishang, played by Liu Xueyi, the number one villain in the whole drama, the taste of a conspiracy has also come out.

Next, it was the heroine and his first official confrontation.

From here, a chess game of court intrigue, business war showdown, family feud, and children's love really unfolds.

Good show, just started.

Second, Bai Jingting fake waves, Sha Yi is really funny, Hu Ke is "really ruthless", and there are 5 good actors who have just started

One of the biggest misconceptions about ancient puppet dramas is that ancient puppet dramas do not require acting skills.

In fact, of all the popular ancient puppet dramas, there is not a single one that is not supported by acting skills.

As soon as "Long Wind Crossing" opened, five good actors had already emerged.

1, Bai Jingting, Song Yi surprise

As one of the "four walls" in the entertainment industry, Bai Jingting has not only been popular in the past two years, but also one after another, "The Beginning" and "Qingqing Daily" are popular, and he also starred in "South to North" directed by Zheng Xiaolong, and his acting skills have undoubtedly been recognized by the drama circle.

Going back to playing ancient puppets, compared to those students who are still mixing in the ancient puppet circle, that is a dimensionality reduction blow.

Acting Gu Jiusi, Bai Jingting is playing a fake wave.

The surface is not in tune, smelly fart and screaming, in fact, sincere and free, open-minded and cheerful, with a naked heart. When he encounters a great change in his family, he will eventually change from a cockfighting and gambling Yangzhou Qiao to a talent who is wise and brave, saving Jiangshan Sheji.

Especially the scene of him stubbornly fighting with the rebels, he is even more handsome.

Such a growth character is undoubtedly his masterpiece, and at the beginning of the story, Bai Jingting not only performed the fake side, but also used several scenes to perform the hidden side of the character's foundation.

This role, it will not be bad.

Look at the heroine, Song Yi.

From the cold agent in "The Pretender" to becoming a costume drama celebrity with "Qing Yu Nian" and "Son-in-law", Song Yi's image of everyone's beauty has long been deeply rooted in the hearts of the people.

In this drama, even if there are no lines, just looking at the static picture, you can feel Liu Yuru's beautiful demeanor.

And the good drama of this role is behind, as she begins to manage money and do business, it will eventually make the Gu family in exile prosper again.

Song Yi performed the kindness and tenacity of the character at the beginning, led the team into the flower building to find a husband, and acted the character's calmness and daring to think and dare to do it heartily, and the only flaw was crying.

Standing on this role, Song Yi's acting skills are enough, but to be brilliant, it depends on whether Song Yi can play the edge of the role.

2. The old drama bones are amazing

However, compared to young actors, after all, ginger is still old and spicy.

In most ancient puppet dramas, the supporting roles are always the same.

Because they are the tool people who set off the male and female protagonists, every appearance is to highlight the beauty of the female protagonist and the wisdom of the male protagonist, and every motivation is to help the female protagonist achieve a sweet marriage.

But this drama is different, the vicious girl, the funny richest man, the scheming villain... The characters are three-dimensional and plump, and they are all impressive.

First of all, even Sha Yi and his wife.

Let's start with Hu Ke.

Her role as Aunt Yue is the most hated role in the first six episodes, not only is it not good for the concubine Liu Yuru, but also overwhelms the right wife as an aunt.

It is necessary to have such a villain in ancient puppet dramas, the villain is not ruthless enough, and the decent is almost meaningful

Hu Ke plays well if he doesn't leave a way back for the role at all, evil is evil to the end, and the audience wants to flatten her when he sees the character, which is a competent villain.

Besides, Sha Yi, his wife plays the stepmother of the female protagonist, and he plays the father of the male protagonist.

How annoying the former is, how likable the latter is.

As the richest man in Jiangnan, he does not like to intrigue or count money, and his only hobby is to fiddle with a room full of flowers and plants.

The son skips school every day, the money for visiting the flower building is still enough, and he is not afraid to face the threat of King Liang, and he would rather offend the powerful than push his son into the fire pit, which is simply the most ideal richest father after 00.

Sha Yi's performance can be said to be weightless, seemingly out of tune, but in fact, behind it is great wisdom.

I especially like the scene where Bai Jingting rushes into the flower and grass room to scare his father, watching Sha Yi say "how did I give birth to such a thing as you", and I couldn't hold back my laughter.

There are not many scenes in this character in the original work, and I hope that the screenwriter can make magic changes and make Sha Yi's scenes as much as possible.

The third surprise to me was Zhang Yiyan, the actor of Aunt Kang in "Do You Know".

In the past, this powerful person played a ruthless lord, but I didn't expect that this time she played the heroine mother who was bullied by the girl on her head.

This role may be too simple for Zhang Yiyan, but he is a good actor who can complete the 180-degree reversal of the role.

The fourth place is national first-class actor Wu Mian.

The old lady who plays the head of the family is too powerful.

The villain played by Hu Ke is a demon in her house, and she just appeared when she was about to hit the heroine, and walked out of the momentum,

A casual "give me out" makes the villain shudder.

But when he turned his head to the heroine, his eyes were full of love and tenderness.

The acting skills of the old drama bones are excellent.

Finally, it is worth mentioning the glimpse of Liu Xueyi in the seventh episode trailer.

It's really good, as soon as the manners and original lines come out, the taste of power overflows from the screen.

In addition to the old drama bones, even the small supporting roles are outstanding.

For example, the maid next to the heroine and the fat entourage next to the heroine.

One is responsible for guarding the female protagonist, the other is responsible for pretending to protect the male protagonist, and then the female protagonist disappears instantly with a roar.

The key point is that the audience can find them cute.

There are really many good actors in "Changfeng Du", and Ding Yongdai, He Shengming, He Guohua, who have not yet appeared, are all real acting skills, and they are the key actors in the story power line.

Although the drama does not have the "fierce material" of other sweet pet dramas like industrial saccharin, as long as these good actors have their acting skills, the audience can't help but raise the corners of their mouths.

After all, watching the performances and fighting methods of this group of dramatists is much more interesting than the male and female protagonists falling in love.

Third, sweet pet + house fight + home country, "Changfeng Du" is going to walk a big way for ancient puppet dramas

"Changfeng Du" can be released at the beginning of the summer ancient puppet war, which is enough to see the platform's confidence in its quality.

In the past few years, Chinese dramas have been bitter for a long time.

What the audience is afraid of is not the genre of "ancient dolls".

But I am afraid that watching domestic ancient dolls because of the pursuit of profit, on the road to routineization, dog blood, and breaking the audience's mouth to feed industrial saccharin.

"Changfeng Du" Yin Tao has filmed ancient puppet masterpieces such as "Liuli" and "Youth Song Xing", and has also filmed controversial works such as "Ancient Jue Dust" and "And Try the World".

This "Changfeng Du" can be said to be his breakthrough work, and it can be regarded as a sample for domestic ancient puppet dramas.

First of all, the drama + ancient puppets.

Audiences who have seen the original work know that the original story actually has a strong formal drama attribute, but "Changfeng Du" does not follow the full realistic style of "Do You Know", but hovers between light comedy ancient puppets and formal dramas.

The plot lines, atmospheric rhythm, and color grading of the first six episodes are closer to "Menghualu" and "Qing Qing Daily", but with the upcoming family changes, the story will soon develop in the direction of the main drama of the family and the righteousness.

This opens up a new path for ancient puppet dramas.

Secondly, it is full of ancient style.

The service of the drama is indeed attentive, especially the Chinese-style wedding of the male and female protagonists' wedding is absolutely beautiful and moving.

Although the drama is designed in the air, it is not difficult to see the ancient rituals and human feelings in the original work.

It is not difficult to make the division of dictatorship and the richest man in Jiangnan befriended by important ministers of the imperial court from the design of the festival, so that people can automatically substitute into some dynasties in ancient times.

There is an ancient style, it is an ancient puppet.

The third is that it uses modern stories and perspectives to change the routines of old ancient dolls.

For example, Gu Jiusi is not actually a real disciple, he is kind-hearted and responsible, and although Liu Yuru was forced to marry into the Gu family, she also followed Gu Jiusi's advice, learned to think independently, and ran a business.

Especially Gu Jiusi's words of encouragement when she was married, absolutely said in the hearts of many modern women: material is the most important.

Dare to say that you don't practice fake tricks, and casually have a stack of silver tickets.

As the story unfolds, it will quickly get rid of small loves and small loves, and comprehensively spread out the elements of house fighting, business, power intrigue and home country.

In more and more Chinese drama themes encountered constraints, crime, reality, historical dramas... When there is too much uncertainty, the ancient puppet is more secure in all aspects.

But "Changfeng Du" seems to be beginning to take a new path of eclectic ancient puppet dramas: put those elements that are not easy to shoot and cannot be filmed into ancient puppets.

For ancient puppet audiences, this means not having to see the same bridges repeated.

For national dramas, this means a new "long wind crossing".

If the drama is integrated, both get what they want.