Shen Zhou was a famous painter of the Ming Dynasty and a master who hid in the city. He likes to paint works on mountain dwellings to express his love for natural landscapes. Some people may wonder, since they envy the life of a hermit, why not move to the deep mountains and old forests to get what they want? Don't forget, there is a word called "big hidden in the city", and being in the red dust can still cultivate your body. Shen Zhou is a hermit in the red dust, so he can paint his own cheerful taste, and he can also take into account the elegance and customs.
Above this painting there is the seal of the Qing Emperor's appreciation, which destroys the beauty of the picture. Obviously, it was a pleasant feeling, and the big seal on the plutonium immediately became flat and stable. In a good direction, the "saboteur" technique is inferior, and it seems that Shen Zhou's technique is superb. Then start with the composition and enjoy this painting of "High Talk on the Cliff".
Shen Zhou Cangya spoke tall
The main theme of this painting can be summed up in one sentence, living in seclusion in the mountains without vulgar feelings. The landscape is the main body, and the free and leisure is the charm. In the composition, kit-kat needs to be more vivid in order to show the desired mood. The composition of traditional landscape painting is basically fixed, and it is difficult to have much freshness. Shen Zhou was very clever, and he thought of a good way. Look closely, two hermits sit on the stone cliffs and sketch the structure with stick figures. The contrast between the very small figures and the tall mountains sets off the majesty of the mountains.
Shen Zhou's mountains are tall and tall, and they are by no means the hilly landforms common in the Jiangnan region. He also painted two pine trees on the stone cliff to increase the level of the picture. In this way, the momentum of the mountain is there, and the space is deep enough to make people have a novel feeling. Shen Zhou creates an imposing space in composition, which is different from the tranquility and freshness pursued by other painters.
Shen Zhou Cangya high speech partial
The charm of pen and ink allows Shen Zhou to further improve the space in the painting. Some people use the phrase "from the ancients" to summarize his artistic achievements, which explains both his creative style and his creative philosophy. Ancient and different from the ancients, this is Shen Zhou's pursuit of the goal. He studied various pen and ink techniques, transitioning from the mid-edged fine-brush landscape to the flanking freehand landscape, forming a simple but not simple aesthetic.
Simplicity is his pursuit of pen and ink, with slightly rough brushstrokes, releasing inner happiness. Between the pen and ink, I felt Shen Zhou's confidence and excitement. Seeing thickness in strength, boldness in solidity, and toughness in dyeing, this is Shen Zhou, the painter who is hidden in the city.
Shen Zhou Cangya high speech partial
Shen Zhou's painting has a sense of vicissitudes, and the mountain stones in this painting "High Talk on the Cliffs" do not emphasize the outline of the stones, but emphasize the texture of the stones. In this way, it creates a feeling of firmness and strength, as if it has been weathered by wind and frost. The natural wind and rain could not erase the hardness of the stones, and shen zhouwen's body contained proud bones. He was upright and unyielding in order to paint this kind of beauty.
Shen Zhou's painting style had a great influence on later generations, and it can also be seen from the "Cangya High Talk" that some works of the Jinling School of painting in the Qing Dynasty still imitate the technical characteristics of Shen Zhou. Such a famous artist, his influence can not be underestimated. In modern times, there are also painters who follow the footsteps of Shen Zhou's creation and explore new artistic directions.
Shen Zhou Cangya high speech partial
"Cangya High Talk" is not Shen Zhou's masterpiece, and the significance of appreciating this painting is to appreciate his artistic ideas. Although learning techniques can be improved, only by understanding his intentions can we have an equal dialogue with him.