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At the end of the art, it is indeed a Chinese painting, and foreign hyper-realistic painters are in love with the Chinese style

Art has no borders, but each country has its own unique artistic characteristics and atmosphere, as a country with 5,000 years of cultural heritage, we have a deep artistic heritage. Speaking of art, we have to mention Chinese national painting, and it is no exaggeration to say that Chinese painting has influenced the artistic style of the world. In the sixteenth and seventh centuries, Japanese painters were influenced by Chinese painting and painted ukiyo-e half-imitating and semi-innovatively, and then ukiyo-e directly influenced the birth of French Impressionism, which in turn directly influenced the modern and contemporary public aesthetics. Picasso once said: "When talking about art in this world, the first is Chinese art; secondly, Japan, which in turn originated in China." ”

At the end of the art, it is indeed a Chinese painting, and foreign hyper-realistic painters are in love with the Chinese style

Cultural self-confidence can be reflected at least in the field of art, so we should not be arrogant, we should be proud when we should be proud. In recent years, the cultures of all countries in the world have been exchanging, colliding and merging with each other, especially in the field of art. If you want to say what the end of art is, then say that the end of art is a Chinese painting, presumably no one disagrees. Chinese painting is very deeply rooted in the hearts of the people in foreign countries, many artists in the creation of works of art, will integrate some elements of Chinese painting, today Xiao Dai to share with you this hyper-realist painter, but also fell in love with Chinese painting, fell in love with the Chinese style.

At the end of the art, it is indeed a Chinese painting, and foreign hyper-realistic painters are in love with the Chinese style

Artist Alexandra Manukyan from California is well known for her ultra-realistic oil paintings of the Dark Series, and her themes are mostly young female characters, combining thickness and softness, strength and flow, creating a strong contrast and drama. Her paintings incorporate a large number of elements of Chinese painting, and the freehand of flowers and birds is reflected in almost every one of her works. In this unique way, the artist depicts the balance of strength and beauty, elegance and strength of women. At the same time, the large number of wild animals and marine life that appear in the picture also conveys Alexandra Manuk Rock's concern for nature and ecology. With her rich, profound and mysterious paintings, she encourages the audience to explore and discover more practical meaning and depth. The integration of Chinese style makes Alexandra Manukyan's hyper-realistic paintings more visually impactful and more flavorful, so let's enjoy the wonderful works created by this artist together.

At the end of the art, it is indeed a Chinese painting, and foreign hyper-realistic painters are in love with the Chinese style
At the end of the art, it is indeed a Chinese painting, and foreign hyper-realistic painters are in love with the Chinese style
At the end of the art, it is indeed a Chinese painting, and foreign hyper-realistic painters are in love with the Chinese style
At the end of the art, it is indeed a Chinese painting, and foreign hyper-realistic painters are in love with the Chinese style
At the end of the art, it is indeed a Chinese painting, and foreign hyper-realistic painters are in love with the Chinese style
At the end of the art, it is indeed a Chinese painting, and foreign hyper-realistic painters are in love with the Chinese style
At the end of the art, it is indeed a Chinese painting, and foreign hyper-realistic painters are in love with the Chinese style
At the end of the art, it is indeed a Chinese painting, and foreign hyper-realistic painters are in love with the Chinese style
At the end of the art, it is indeed a Chinese painting, and foreign hyper-realistic painters are in love with the Chinese style
At the end of the art, it is indeed a Chinese painting, and foreign hyper-realistic painters are in love with the Chinese style
At the end of the art, it is indeed a Chinese painting, and foreign hyper-realistic painters are in love with the Chinese style
At the end of the art, it is indeed a Chinese painting, and foreign hyper-realistic painters are in love with the Chinese style
At the end of the art, it is indeed a Chinese painting, and foreign hyper-realistic painters are in love with the Chinese style
At the end of the art, it is indeed a Chinese painting, and foreign hyper-realistic painters are in love with the Chinese style

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