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Reading The Occasional Tale of the Night | (3)

Night Reading (3)

Jiang Baobing

People in middle age, experienced too many ups and downs, accustomed to seeing the clouds cirrus clouds, vicissitudes and mulberry fields, the mood calmed down. In the silent night, it is customary to touch an idle book, under the lone lamp, leaning on the bed to idle reading, relaxing the tired nerves. Recently, You Like reading Song Ci and feel that the mood of Song Ci is very good for my middle-aged spleen and stomach, among them, You Like to read Su Dongpo's words. The night is deeper, the silence is quiet, through the heavy night, the spiritual communication with the sages, through the thousand years of time, to be a confidant of the ages.

Three

"Kako No Dust in the Night"

There is no dust in the night, the moon is like silver, and when the wine is poured, it must be ten points full.

Fame and fortune, vain and laborious. Sigh in the colt, fire in the stone, dream body.

Although holding the article, open the mouth who kisses. And pottery, happy innocence.

When will I go home and be an idler. To a piano, a pot of wine, a stream of clouds.

Reading The Occasional Tale of the Night | (3)

This word may be a work of the Song Zhezong Yuanyou period (1086-1093). The words express the author's nostalgia for the time of the moon, reveal the feeling that life is short and it is difficult to find a voice, and express the author's desire to get rid of the world's troubles of retirement and birth.

Writing the scene, the night air is fresh, the dust is gone, and the moonlight is as clean as silver. Putting wine to the moon is often a kind of yaxing of the poet: wine is honorable, alone, looking up at the night sky, reverie is endless. The Tang Dynasty poet Li Baiyue danced when he drank alone, and expressed his wild romantic passion. Su Shizheng was troubled by political strife and was in a depressed mood, so he did not "ask the wine to the sky" or "dance to clarify the shadow", but seriously pondered the meaning of life.

The moonlit night is wide and mysterious, silent and unoccupied, just calmly thinking about life, in order to seek liberation. After describing the lyrical environment, the word enters metaphysical speculation. In this poem, the author expresses the theme idea of "life is like a dream" more clearly and more concentrated. He wanted to show that people's pursuit of fame and fortune is futile and laborious, that everything in the universe is short-lived, and that man's life is only as fleeting as "a colt in a gap, a fire in a stone, and a body in a dream".

In order to illustrate the nothingness of life, the author found three habitual metaphors from ancient texts. "Zhuangzi Zhibei Tour" Yun: "Between the heavens and the earth of life, if the gap between the white colt is suddenly over." "The ancients praised the sun shadow as a white colt, which means that life is as short as the shadow of the sun moves through the gap in the wall. The "Anthology" Pan Yue's "Heyang County Works" quotes the Ancient Lefu poem "Chiseling Stone to See Fire Can Be Time" and Bai Juyi's "Sending This Body in the Light of Stone Fire" in Bai Juyi's "To Wine", also known as life is like the fire of flint. The "Zhuangzi Qiwu Theory" says that people "fang qi dream also, do not know their dreams, in the dream occupy their dreams, and then know their dreams; and have great awareness and then know this big dream, and the fool thinks he is aware." The Tang Dynasty Li Qunyu's "Self-Dispatch" "Floating Life Temporary Sending Dream Body" is the meaning of Zhuangzi. Su Shi is brilliant, and the poem's epilogue is an admirable use of three words that represent the nothingness of life, constituting a metaphor, and all have sources.

Reading The Occasional Tale of the Night | (3)

At the beginning of the next film, the understanding of the nothingness of life is supplemented by a sighing tone. "Although holding the article, opening the mouth who kisses" is the ancient scholar's "lack of use of the macro material", not known to meet the sigh. Although Su Shi Yuanyou was favored by the imperial court, he actually did nothing, "the group is like grinding cattle, stepping on the traces", and he attacked the group small, so he had a sense of righteousness. When he was in a depressed mood, he sought a way to liberate himself. Being good at self-liberation from troubles, disputes, and pain, and being bold and enlightened, this is the characteristic of Su Shi's attitude towards life. His way of liberation is to pursue realistic pleasures and beg to retire when he has the opportunity. "And pottery, happy innocence" is its way of realistic pleasure. "Tao Tao", a joyful look, only in the regular "Tao Tao" seems to have recovered and acquired human nature, forgetting all the troubles of life. The best way to get out of the way is to get away from the bureaucracy and retreat to the countryside. However, Su Shi did not intend to retire immediately, and it was difficult to predict "when he would return". Playing the piano, drinking, enjoying the landscape, chanting the wind and making the moon, leisure and leisure, this is an ideal way of life for mainland literati, and Dongpo summarizes this as follows: "a piano, a pot of wine, a stream cloud" is enough.

When will I go home and be an idler. In fact, how many people in today's society can do this? How hard is it to be an idler? The ancients could only sigh: when to return, be an idle person, to a piano, a pot of wine, a stream of clouds. Most people are in a mood when they see these words, their heartstrings are touched, and then they dream that there will be a day when they will return home, drink tea and play the piano, read books and pick chrysanthemums, and live an ideal life like idle clouds and wild cranes.

About the author: Jiang Baobing, Zi Jian Mei, Number Sword Mei Lou Lord, Qingfeng Hall Master. He is a member of the Chinese Essay Literature Association, a member of the Whole Committee of the Dezhou Writers Association, a member of the Dezhou Calligraphers Association, a director of the Yucheng Writers Association, and an editorial board member of Yucheng Literature.

The work "Night Reading Lu Xun" won the second prize of the national "Walking with the Republic, Good Books Grow with Me" Reading essay competition, and "Looking at Social Changes from Dietary Changes" won the first prize of the National Day Essay contest for the 60th anniversary of the founding of the People's Republic of China. "The Green Plane Tree" won the third prize for outstanding literary and artistic works in practicing the core values of socialism. "Growing Up with the Great Motherland" won the first prize of the "Lucky Color Cup, I and New China" with an award for essays. "The Ancient Road of the Yellow River" won the Excellence Award in the Prose Group in the 4th China Xiajin Yuguo Poetry (Prose) Competition.

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