Spring is a season full of poetry. A grass and a tree, a flower and a bird, can become a poem. "Three or two branches of peach blossoms outside the bamboo, spring river plumbing duck prophet", "staying and playing butterflies from time to time, free and delicate warblers just crying", "spring colors can not be closed in the garden, a branch of red apricots out of the wall", in the hundred gardens of ancient poems, there are a large number of famous sentences describing spring scenes and emotions. Pick a few flowers at random, they are all competing.

For example, the representative work of the Tang Dynasty poet He Zhizhang, "Wing Liu", is a famous work depicting the typical scenery of Yang Liu in spring. In this poem, He Zhizhang mainly highlights the vigorous vitality of Yang Liu and the posture of verdant Yuanna. At the same time, it also uses anthropomorphic techniques to portray a skillful image of spring wind that can nurture all things, and then shows the infinite beauty of spring.
Wing Liu
Jasper is made up of a tree high, and ten thousand green silk ribbons hang down.
I don't know who cut the fine leaves, and the spring breeze in February is like scissors.
First of all, the first sentence of the poem, "Jasper dressed as a tree high", is He Zhizhang's overall impression of Yang Liu. Willow is like a beauty who has been dressed up, dressed in a tender green, standing tall. The word "jasper" comes from the Southern Dynasty Xiao Xuan's "Lotus Picking Fu" "Jasper Little Family Girl", which originally meant a beautiful young woman from a small household, which is mainly used to highlight the tender green of the willows.
The second sentence that follows, "Ten Thousand Strands of Green Silk Hanging Down", is a partial description of wicker. Because in the first sentence it is written that Willow is like a beauty who has dressed up in makeup, it is natural to think that the green silk skirt she wears is woven from many soft and slender wickers. Obviously, this is He Zhizhang's portrayal of willow tree Yuanna's charm.
Then, the three or four sentences of the poem, "I don't know who cut the fine leaves, the spring breeze in February is like scissors", is a detailed description of the willow leaves. In He Zhizhang's eyes, the delicate young leaves of the willow are cut by the spring breeze in February with dexterous jade hands. It is worth mentioning that the "February" here and the "jasper" at the beginning take care of each other, because the willows in February will be tender green, and in the late spring and early summer, the willow branches and leaves are luxuriant, and the color becomes more and more green.
From the perspective of expression techniques, three or four sentences have both questions and metaphors, as well as anthropomorphic techniques throughout the text. It is also their ingenious combination that highlights the magic of nature and shows the beauty of spring. As a typical scene in spring, there are not a few poets singing willows, but like He Zhizhang's poem, there are very few who are not only novel in meaning, but also full of charm.
Looking at He Zhizhang's "Wing Liu", although there are only four sentences and twenty-eight characters, it is clearly structured, first writing his overall impression of the willow tree, and then writing the wicker and willow leaves, from the total to the point. Between the lines, it perfectly shows the vigorous and verdant side of Yang Liu, as well as the image of the spring wind that cannot be seen or touched. It makes the infinite beauty of spring concrete, and it can be said that it has exhausted the beauty of spring.
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