Since Nan LiangJiang drowned in the "Farewell" to write "the soul destroyer, only the other is enough", the parting in classical poetry seems to have been set in a sad mood. From the homeland of the homeland, to the flesh and blood relatives, to the best friends and colleagues, the scene of the farewell scene that is reluctant to go is the lingering parting feeling in the poet's heart.
Among the differences between the homeland, flesh and blood relatives, and close friends and colleagues, the difference between the local areas is the most touching. Because throughout the ages, no matter when, wherever, and whoever, as long as they leave their hometown, they will always have the emotional willingness to return to their hometown.
For example, Tang Xuanzong Tianbao Sanzai (744), eighty-six-year-old He Zhizhang, after leaving his hometown for more than fifty years, resigned his official post and returned to his hometown, and when he stepped into that familiar and unfamiliar land again, he wrote a famous poem "The Book of Returning to his Hometown" to express his worries for many years and his infinite feelings after facing the vicissitudes of the world.
"Homecoming Doll Book"
The young man left home and returned to the old man, and the township voice did not change the sideburns.
Children don't know each other, laughing and asking where the guests come from.
"The little boy left home and returned to the old mane, the township voice did not change the sideburns", when he left his hometown when he was young, he was old when he came back, although the township tone has not changed, but the hair of the sideburns has become rare and white. When he was young, He Zhizhang went out to seek an official, and his style was flourishing, and when he was old, He Zhizhang resigned from the official and returned to his hometown, becoming old and decadent. The few visible numbers summarize the fact that He Zhizhang ran away all his life and visited his hometown for a long time.
It is worth noting that although these two poems reveal more of a state of change in life and the vicissitudes of time, they also highlight a fact that has not changed, that is, the rural tone has never changed. On the one hand, "no change in the sound of the countryside" represents He Zhizhang's concern for his local relatives, on the other hand, it also makes a good preparation for the following children's questions.
"Children don't know each other, laugh and ask where the guests come from", the children in my hometown saw me, none of them knew me, but smiled and asked me, this guest, where are you from? Although the fragments described in these two poems can be regarded as an interesting life scene, the speaker has no intention, and the listener has a heart, which can be described as a heavy blow to He Zhizhang's heart.
The seemingly bland question made He Zhizhang have to face the fact that he was old and decadent, which led to He Zhizhang's endless feelings about the vicissitudes of the world. Just as the so-called "years of leaving his hometown are many years, and recently the personnel is half consumed", he Zhizhang has left more than fifty years, and there are too many changes in himself and his hometown, and a thousand words cannot be said, only endless emotions and helplessness are left.
Looking at He Zhizhang's "Book of Returning to the Hometown", it can be said that it is just 28 words, the language is simple, but the connotation is profound, its local feelings, its feelings and helplessness about the vicissitudes of the world, including the interesting picture of children asking questions, are all touching, because it has universality, not only He Zhizhang will sigh "a little away from home, the old mane, the hometown voice has not changed the sideburns", countless Chinese sons and daughters will be.
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