01
NEWS
cover
Mr. Shen Peng's new work "Olympic Skating"
Interpretation: Hands and feet are both and Tilian, infinite gravity is held by the hearts. Concord Great Self Allows Heaven and Earth, and "Ode to Joy" sings human nature.
Su Shishu: The Complete Works of Shen Peng will play an exemplary guiding role in the national calligraphy, art and cultural circles
Zhang Rui Book Law
02
dynamic
Two sessions of sound
Chen Hongwu: Establish a "Digital Library of Traditional Chinese Calligraphy and Painting"
Zhang Ji: The font library industry should strictly control the quality of calligraphy fonts
Feng Yuan: Aesthetic education is a systematic project related to the cultivation of national comprehensive quality in the new era
Yan Fuchu: It is recommended to organize the implementation of the research and dissemination project of Chinese calligraphy art
Wu Weishan: Strengthen the aesthetic education of the whole people with virtue and beauty
See the exhibition
Snow Rhyme Ink Fragrance - Exhibition of Zhang Ge's Calligraphy Works
New book tour
"The Charm of Words: Selected Works of Zhu Qi's Seal Engraving" was published by Xiling Printing Press
Information Square
Academic dynamics
Calligraphy Review: Why and What
At present, the era of literary and art criticism is highly valued, and the party and the state have introduced a series of literary and art policies to make calligraphy criticism have a correct orientation and a clear position. In the pattern of contemporary calligraphy, commentary has the important significance of grasping the pulse of the times and leading the value orientation. In order to better promote teaching and research, the Central University of Finance and Economics launched a discussion on the topic of "Calligraphy Commentary: 'Why' and 'What'". The China Calligraphy Newspaper has compiled its views for the benefit of readers. (Editor)
03
creation
Toshihiko Young Man
Chang Meng: Melting seals, grass in li
Hao Zhijian: Ink color is the explicit expression of the writer's emotions
Fang Shen'ao: The shape of the Han Monument with his own will
Liu Hongjian: Miscellaneous studies
04
concern
Bloom in March, listen to female calligraphers tell their "calligraphy dreams"
In ancient times, calligraphy was an important way for literati to live and cultivate their self-cultivation, and due to the limitations of history, women often had few opportunities to ask for poetry and calligraphy. However, with the development of society and the changes of the times, more and more women study calligraphy and emerge in the book world, which has played a positive role in promoting the prosperity and development of the contemporary book world, and has aroused widespread concern in the calligraphy community and society. Under the guidance of their conscious aesthetic consciousness, they have distinct artistic pursuits, showing their unique artistic talents and humanistic accomplishments, making the art of calligraphy more splendid and colorful. On the occasion of the "March 8th" International Women's Day, China Calligraphy Daily specially planned the column "Blooming in March, Listening to Female Calligraphers Tell Their 'Calligraphy Dreams'" to show the talents and interests of female calligraphers for the benefit of readers. Featured writers in this issue: Yin Fenghua, Li Wenxia, Hu Zhaoxia, Xu Yan, Huang Hongqiong, Kan Aiping (in alphabetical order). (Editor)
Qi window yin night moon, ink incense wrapped in the green pavilion Wen 丨 yin fenghua
Walking with calligraphy Wen 丨 Li Wenxia
Zi Huai Zhu Axis Wen Shu Hu Chaoxia
Xiao Xian gave me the strength of Wen Shu Xu Yan
Wu Wen 丨 Huang Hongqiong
To the Taiwanese female scholar Pan Shumei Wen 丨 Kan Aiping
05、08
classic
Zhang Ruitu cursive "Painting Horse Song Scroll"
Zhang Ruitu and his "Bai Hao'an" Wen Shu Wang Shoumin
From the moment a temple becomes an academy, it is already destined to have extraordinary encounters. Bai Hao'an was not far from Zhang Ruitu's house, and the teenager who heard the bells and rushed in the sea breeze received enlightenment education here. Zhang Ruitu has been gifted and intelligent since childhood, and he has become a reciter, and he is a Hongru who came out of the BaiHao Temple.
06
Special
Zhang Rui's book style is a corner - taking the apocalypse years as an example Wen 丨 Kang Yaoren
A year after returning to Beijing, in the seventh year of the Apocalypse (1627), or because of the political turmoil in the imperial court and the fluctuation of inner emotions, Zhang Ruitu's works this year were not stable, and the signatures changed back and forth, sometimes writing, sometimes cursive. Its calligraphy and writing have re-added Su Shi's morphological structure, but the cursive writing is more arrogant than before, the lines are more old and spicy, and the posture is more indulgent. On closer inspection, the texture of its lines presents a purer "meter upside" element. Perhaps not as quietly as before to copy small characters, this year Zhang Ruitu is keen on the high head axis, and has revealed the beginning of the book style during the Chongzhen years, it can be said that this year is Zhang Ruitu's transition period from "apocalyptic style" to "Chongzhen style".
link
Zhang Rui's Book Law Tasting Meeting was held at the Jinjiang Museum
07
academic
Stele Jian Zhen Wen 丨 Wang Jia Kui
Recently, Qin Baozhai of Shaanxi Province held a special lecture on stele posts, Wang Jiakui gave a special lecture entitled "The Authenticity and Falsification of Stele Stone Tuoben", and the 6th edition of the 358th issue of China Calligraphy Newspaper published the first part of the lecture content, "Talking about Stele Treatise", clarifying the relevant concepts of "stele", "stele", "stele" and "thesis", and the second part of this publication, mainly taking "He Junge Dao Stele" as an example, tells the authenticity of the stele stone, in order to entertain readers. (Editor)
Ming Dynasty female calligrapher and painter Wen Li Wen Shu Zhou Yongxin
Ming Dynasty calligrapher and painter Wen Li, good at painting flowers, birds, plants, insects, etc., pay attention to sketching, his paintings have been handed down to the world, with "Materia Medica" is the most famous, calligraphy inherits family learning, there are seals, li, calligraphy ink ink passed down, especially fine Xiao Kai. He and his husband Zhao were both engaged in ancient book collection. His achievements played an irreplaceable role in female calligraphers and painters in the Ming Dynasty.
Producer: Yang Chao, Zhu Zhongyuan
Editor: Xue Hao