I had been walking on a pedestrianized avenue, I hadn't picked up what I was looking for, and after reflection, I turned into a deep alley that was inaccessible and picked up what I wanted.
Tradition is a needle, innovation is a line, and the thread that penetrates the pinhole no matter how it is wound, it revolves around tradition.
For the way of art, you are innovative, sticking to the ancient law and not changing the final material, only by inheriting the ancient law without falling behind, can you establish a portal on your own.
One or two awards are not lifelong achievements, and lifelong achievements require lifelong struggle.
If you keep repeating yourself, copying yourself, it means that there is only this little thing in your head.
Part 1: "New Horizons , Lotus" Part 2: "Autumn Light Is Intoxicating"
Stepping on other people's footprints, leaving other people's footprints.
The tighter you embrace tradition, the less room for innovation.
Tradition is like a shoe, wear it and you'll go far.
The scenery in the distance is beautiful, but few people have ever watched it, because there is a river of unknown depth in front of me, and I jumped down without hesitation...
Stepping out of the dark sky, stepping on the swaying canoe bridge, colliding in a deep alley that is rarely visited, looking for the direction of the dream.
The prototype of vivid works is nature, and to paint works that are higher than life, we must be close to nature, integrate into nature, and feel the wonder of nature.
The art cell is sometimes like a hibernating turtle, you don't want to touch it, it doesn't want to move, the only way to activate it is to use it.
A painter who has a pursuit, ambition and confidence in art will not put fame and fortune above art, and only from the heart of love and perseverance can he continue to make breakthroughs in art and achieve higher achievements.
If an artist is passionate about fame, popularity, title, title, etc., there will be no outstanding achievements, because the direction of the effort is wrong.
Part 1: "Fragrant Breeze" Part 2: "Hua And Shi"
Tradition is the cornerstone of building a wide building, not a piece can be less, how much you drop, how much will be revealed on the screen, will be due to your lack of foundation instability and wind and rain, affecting the construction of a higher level.
Touching paintings rely on understanding and talent, enlightenment is obtained, superior pen and ink rely on lasting tempering, retreat into a tomb, broaden the horizon by being knowledgeable, traveling at home and abroad, and being familiar with ancient and modern times.
To paint a new meaning is to distance itself from tradition, to draw novelty, to widen the distance from tradition, to paint a strange, to throw tradition into the sky
Paint silently, think quietly, hoping that the sweat shed will turn into a bright light, illuminate the future, see hope, and look for my ideal poem and far away.
Never changed the direction of innovation, the sea of hearts often swings new waves, innovation and tradition this pair of interdependent brothers often fight, not allowed to accept who to let go, but I have my own thinking and imagination, innovation and change is the unquestionable general direction, from the development plan, innovation road is long.
One by one, dazzling Sparks fell on the dry firewood I had been collecting for many years, and the fire rose rapidly, illuminating me, warming me, and illuminating my way forward... Dear ones! It was Gong that ignited me.
For things that are not understood, people usually ask: What is this? I've also been asked what kind of painting you're painting? I said it was sauce painting, and they said: "I only know that there are watercolors, rock paintings, tempera paintings, but I have never heard of sauce paintings, I replied: No one in history painted, now I paint alone, I have closed the door of propaganda again...
How to judge whether a painter has potential, there is a very simple way, that is, to see whether the painter is focusing on art or fame and fortune, because the core of the value of the painter is artistic achievement, if you deviate from this core, it is another result.
Part 1: "Song of The Great Pond" Part 2: "Fossil Series Fish"
I don't paint what others have painted, I don't use other people's techniques, I want to go my own way, set up my own wind vane, this is the vast heart before entering beijing for study, the words are really harsh, it is inevitable that sneering, drunk people are talking nonsense, arrogant to the extreme, it is really a collection of degrading words. I belong to the rabbit but I have the character of a cow, there is no lack of patience and persistence, innovation is my eternal pursuit and practice, will not change because of him, along the creek to find the big river, along the big river to find the sea...
The more simple and more concise the painting, it is a manifestation of the maturity of freehand painters, and the current popular painting in the painting industry is large, thin, dense and complex. Stretching like floor tiles, tens of meters longitudinally, my comments on this type of painting are: "Painting the size of the talent, play some bitter meat." ”
(Text/Yang Lin)
Artist Profile:
Yang Lin, a native of Yancheng County, Henan, a member of the China Artists Association, a national first-class artist, the founder of Chinese sauce painting, entered the Beijing Academy of Painting in 2006, studied under Wang Peidong, Wang Mingming, Guo Yizu, and was selected for more than 50 national art exhibitions sponsored by the China Artists Association and won awards.