Western Jin Dynasty gold chain from Luoyang Museum
Tang Dynasty Sancai pastel box from Luoyang Museum
"Yunxiang Clothing - Silk Road Costume Culture Special Exhibition" is being held at the Chengdu Museum. The reporter learned yesterday that the 18 cultural relics of the Hanjing Diyang Mausoleum Museum and the Luoyang Museum, which were previously "late" due to the epidemic, have successfully arrived in Rong a few days ago, and these cultural relics are collectively renewed today.
Among the cultural relics is a dress-shaping painted female figurine from the Hanjing Emperor Yang Mausoleum Museum in Xi'an, Shaanxi Province. The Hanyang Mausoleum is the joint burial garden of Liu Qi and his empress, the Emperor of the Han Dynasty. This figurine unearthed in the funerary cemetery, with a rich face, a dignified demeanor, a slender figure, slender and feminine, is the true portrayal of the handmaidens of the Han Dynasty.
After a thousand years, the color of the clay figurine is still bright, it is painted throughout, mainly white, and the eyebrows and hair are outlined with black color. A total of three layers of standing collar right robes are worn inside and outside, and the outermost layer is a milky white dark robe, and the placket is painted with red, brown and blue brocade edges. A scarlet belt is tied around the waist, and the skirt is drooping and the hem is flared. It can be seen from the image of the pottery figurines that the clothing is brightly colored and the style highlights the beauty of the body, which fully reflects the aesthetic fashion of the Han Dynasty.
The armor figurines also excavated from the Hanyang Mausoleum show a strong and confident style of the times. It is painted in orange and red throughout, and its hair, eyebrows, and pupils are black. Archaeological indications indicate that the armored samurai figurines were originally installed with movable wooden arms, wearing silk or hemp battle robes, and leather or leather armor in addition to the robes, due to their age, resulting in decaying clothing and graying of wooden arms, but still can see clear traces of armor from the bottom of their necks to the surface of the dirt attached to their knees.
The four pieces of ancient jewelry such as dragon head jade belt hooks, gold earrings, gold chains, and three-colored pastel boxes from the Luoyang Museum will be exquisitely shaped and beautiful, opening a window for the audience to explore the aesthetics of ancient life.
This exhibition relies on scientific and technological means to break through physical limitations and achieve a richer and more diversified exhibition experience. Unlike the cultural relics that stand silently, the exquisite and gorgeous immersive images flow and flow, which is dazzling. Under the reflection of multiple projectors, the picture is intertwined with light and shadow, reflecting on the curved wall in front, reproducing the exquisite story paintings of Dunhuang, the image of the costumes of the painted figures, the animal head brocade excavated from the Loulan site in Xinjiang, and the various colored embroideries from the Niya site... With superb visual effects, the audience is immersed in the flow of the long river of history, and personally feels the magnificence and fantasy of Yangyang Chinese costume culture. (Chengdu Daily reporter Duan Zhen, courtesy of Chengdu Museum)