In the season when spring is getting stronger and spring is just right, spring flowers, spring breezes and spring scenery have become the theme of desirable travel. In ancient times, it was the same. Whether it is the spring light map written by the calligrapher or the spring sunrise scene carved on the utensils, it records the sentiments of the ancients to go out in the spring. Through the collection of cultural relics in the Luoyang Museum, you may wish to follow the footsteps of the ancients and enter a different spring in the cultural relics.
"Spring Night Feast Peach Li Tu": The taste of spring, when the peach blossoms are in full bloom, drinking and poetry with friends
Chen Zhan's "Spring Night Feast Peach and Plum Diagram" in the Calligraphy and Painting Museum is a masterpiece by the Qing Dynasty painter Feng Yan, with a length of 139 centimeters and a width of 76.5 centimeters. The work is based on the Tang Dynasty great poet Li Bai's "Spring Night Feast Peach and Li Tu Sequence". In this work, the reporter found the symbol of spring - peach blossoms blooming and wicker hanging.
Feng Yan used the technique of gong pen to record the spring night, peach plum and feast in detail, the whole picture has a total of ten characters, the look, posture is different, the nearby plants use stone green, stone green dot dyeing, to create the effect of layers of forest dyeing, the distant swing, bright moon, willow trees are long and elegant.
In the center of the picture, there is a square table with wine utensils, food and four treasures of the study room. There were four men sitting around the square table, all with different looks. One of them was dressed in a long blue robe, and he raised a glass in one hand and stroked his beard with the other. In addition, the figures of the three men are all dressed in long robes and wearing crowns. This painting shows the scene of the characters feasting and drinking on the spring night, drinking and giving poetry, and the painting is similar to Li Bai's poem "Floating like a dream, for the joy of geometry".
According to the relevant person in charge of the Luoyang Museum, the whole painting is beautiful in brushwork and elegant in color, reflecting the skillfulness of the painter's technique, and is a masterpiece of the silk paintings in the Luoyang Museum.
Rosewood side birds and phoenix embroidery hanging screen: the breath of spring, flowers and birds vivid national color and fragrance
Among the cultural relics on display in the Luoyang Museum, there are many cultural relics related to "peonies". In the palace cultural relics exhibition on the second floor, the "phoenix wearing peony" on the embroidery hanging screen of the rosewood side birds and phoenixes confides the fragrance, allowing visitors to feel the breath of spring in one step and one scene.
The phoenix and peony on the phoenix-side phoenix embroidery hanging screen are the most eye-catching. According to the person in charge, the phoenix is the most well-known sacred bird in ancient times on the mainland, and the ancient saying says, "there is a phoenix to come to the ceremony", "the phoenix is flying", "the blowing pipe leads the phoenix", "the phoenix is rising", this spirit bird has become a symbol of auspicious happiness and a metaphor for beautiful love.
"The work presents a piece of life, so that visitors have unconsciously entered the 'spring'." The person in charge said that under the towering plane tree, a phoenix with colored feathers danced, surrounded by hundreds of birds, or flying, or playing, with a variety of spirits, lively and noisy; at the lower end, there were rockeries, green grass flowers, and a pair of colorful Mandarin ducks in the pond playing in the water...
"Hanging screens, as a special ornament on the walls of the temple, have a long history in the mainland." The person in charge said that the screen is a common form of decoration in ancient times, which is divided into hanging screens, seat screens, curved screens and interstitial screens according to the body shape and form. Before the Song Dynasty, hanging screens were carved from bamboo, wood, jade, stone and other materials. In the early Qing Dynasty, the ancients mostly used hanging screens instead of painting scrolls to hang on the wall, which was a highly ornamental and decorative category.
"Seven Words of the Book of Conduct": The romance of spring, feel the pieces of willow dancing with the wind in the late spring
Yan Fu's "Seven Sayings of the Book of Conduct" is 123 centimeters long and 29 centimeters in width; the upper link "Songyin Circumferential Crane Opposite" is from Tang Yaohu's "Yuzhen Guan Searching for Zhao Zunshi Does Not Meet"; the lower link "Liu Shu Gai XiYu Zheng Fei" is from Tang HanWei's "Bu Yin".
From the lower link of the work, you seem to see a long stream, the stream meanders into the distance, the green willows on the shore blossom and seed, the breeze blows, and the pieces of willow flutter with the wind. Visitors can feel the romantic scene of "willow fluttering" in the late spring in this couplet.
The lines of this couplet are rhythmic and the priorities are handled very well. He takes Yan Shu as the skeleton, the body is expanded, and Wang Xizhi and Sun Guoting are the bloodline, and the pen tone is fluent.
According to the person in charge, Yan Fu is a famous educator, translator and thinker in modern China, in fact, he should be a calligrapher. He is good at calligraphy and is known for his calligraphy. From his calligraphy works, we can see that he studied the shadows of Wang Xizhi, Su Dongpo and others, and from the pen, he was also influenced by He Shaoji and Weng Tonggong. (Luo Bao Rong Media Luoyang Network reporter Jia Zhen correspondent Wei Wei Du Jiafei text/photo)