The new era needs literary and artistic masters, and it is also completely capable of creating literary and artistic masters! The new era needs a literary and artistic peak, and it can also cast a literary and artistic peak! In the long history of China for 5,000 years, there is a brilliant brilliance of artistic changes and amazing creativity everywhere, and it is their brilliant brilliance that enables Chinese civilization to live endlessly in the long river of history.
Zhou Xuancheng
Zhou Xuancheng, a native of Daoxian County, Yongzhou, Hunan, a member of the Communist Party of China, a meritorious artist of the Chinese Propaganda Department, chairman of the National Calligraphy and Painting Art Committee, vice chairman of the Art Development Center of the Ministry of Culture, executive vice president of the Confucius and Mengmeng Cultural Research Institute, vice president of the Chinese Academy of Chinese Painting, president of the Landscape Painting Research Institute of the Chinese Academy of Painting, national senior artist, national first-class artist, member of the China Association of Calligraphers and Painters, vice chairman of the Hong Kong Artists Association, executive director of the Working Committee of the China Federation of Calligraphy and Painting, visiting professor of the Working Committee of the National Architecture Research Association, visiting professor of the Confucius Museum of Art, Senior Researcher of Beijing Xinhai Culture and Art Research Institute, "Special Consultant of Guoli Culture Network, National Treasure Level Art Master", Honorary Doctor of Confucius Institute, Chulalongkorn University, Thailand.
In 2016, he participated in the 8th National Chongyang Festival Painting Exhibition held in Wuhan and was selected to participate in the exhibition.
In 2017, the 9th was entered into the China Chongyang Exhibition, and the Guangzhou Division won the silver medal; The 9th, 10th, 2016 and 2017 volumes were included in the "Directory of Contemporary Calligraphers and Painters"; In 2017, he was appointed as the president of the China Academy of Chinese Painting and the Institute of Landscape Painting, and was included in the compilation and painter, and won the honorary title and medal of "Famous Artist of The Great Power".
In 2018, the Hanmo Fenghua National Poetry calligraphy and painting exhibition competition won the second prize, and the Beijing Elderly Poetry Calligraphy and Painting Invitational Competition won the first prize.
In 2019, he won the "Gold Award" of the first New Literati Crown Artists Exhibition, and his works were collected by the New Literati Crown Art Museum, and won the honorary certificate of "Top 100 Chinese Painters" and "Chinese Art Wealth Figures".
Calligraphy and painting masters 100-meter long scroll creator calligraphers and painters, the most representative painters in the contemporary Chinese art and wood industry and other honorary certificates. Artists of the People's Republic of China entering Thailand and Malaysia cultural and art exchange exhibition works are permanently collected by Thailand and Malaysia, won the honorary certificate of China-Fengfeng Friendship Exchange Ambassador, honored to be hired as an honorary artist of Chinese artists into Thailand Culture and Art Exchange Exhibition, and won the Golden Phoenix Crown Trophy (the highest award) Gold Medal of Famous Masters of Foreign Diplomacy calligraphy and painting of major countries. Special Artist of Malaysia Cultural and Art Exchange Exhibition.
Rooted in the traditional cultivation of the Fa Degree Hun Hou Hua Zi drunken performance - remember the famous painter Zhou Xuancheng
Looking at the landscape, flowers and birds of the famous contemporary painter Zhou Xuancheng, from the perspective of form, there must be a strangeness of "unprecedented in eternity", but a careful study of its degree of law is the foundation of the deep source tradition. Therefore, it can be concluded that he used extremely traditional pen and ink to open up a new world of Danqing's performance. With the help of the two-wheel drive of inheritance and innovation, the artistic purpose of pen and ink with the times has been realized.
His landscape must have pleasing form beauty, and there is no lack of vivid charm. The ancients talked about Danqing, which had both forms and gods, and especially gods were precious. Mr. Zhou's landscape is also a unique expression of both form and god, but also tangible and noble. Since he is a landscape, he no longer distinguishes the form from the god as the guest, but is the same as the subject, so the shape can be charming, the god can be wise, and the form and god are unified into one, and this painting method is not only the promotion of the painting path!
In order to express the beauty of the landscape, he very wisely amplified the expressiveness of pen and ink. Writing lines, there are freehand majestic imagery, the lines have been treated in a block-style manner, outlining and rubbing are almost synthetic, so a stroke is very painful to lay out the feeling, the pen is straight, and you can revel in the true happiness of the situation! Others make landscapes, because sketching and rubbing can not be integrated into each other, so the phenomenon of "drawing" and "painting" is a fraud, and it is not very good to express the spirit of landscapes. Mr. Zhou made landscapes, outlining the rubbing can be made in one go, one at a time, so the pen walks the dragon and snake, swinging freely, is the real "writing painting" authentic, for the landscape performance enriched the brush language, people do not feel sigh: the spirit of the landscape, can also be painted in this way! Pen as a bone, good at writing recklessly!
Color does not hinder ink, ink does not hinder the rendering of color landscape, but also the source of Mr. Zhou's landscape is wonderful. Thick ink can be accumulated, layer by layer, seven or eight layers, more than ten layers, will not be a mess, still clear layers, vigorous and pleasing to the eye. You can also break the ink to write the water, the water breaks the ink, the ink breaks the water, the dry and wet are bearded, the virtual reality is reflected, and the five inks are refreshed, and it is clear at a glance. Heavy color dot dyeing is quite bold, colorful and vulgar, and must be a vivid and elegant pattern. His ink color will not only be harmonized by the water into wonderful, but also the hue changes brought about by the factors of light and shadow, and the ink color imagery of Chinese painting and the oil paint light and shadow impression of Western painting are mutually borrowed and integrated, so that the landscape is more natural, and the aesthetic tension suddenly emerges, with the pleasing expressionist characteristics of contemporary landscapes. Teaching ancient methods, but not sticking to the paradigm, Mr. Zhou's landscape paintings are a testimony to the integration of contemporary landscape cultures. Thick and thick, the light and shadow are mysterious, so that the landscape into the characteristics of expressionism, which is also a sample of the internationalization of Chinese painting.
Rooted in the traditional cultivation degree, thick Hua Zi drunken performance. His flower and bird works also have the expressive power brought about by the rendering of heavy ink and heavy colors, safflower ink leaves, elegant and popular appreciation. The space treatment is quite full, the color rendering is very majestic, first from the visual impact, and then from the connotation of brewing the book, rich in contemporary art decoration, glittering colors show the integration of traditional law and the spirit of the times. The Fa does not lose its roots, and the merit does not deceive the world!
Famous calligraphy and painting critic Liu Zhenming July 30, 2020