A melodious old song can evoke countless good memories; a colorful painting can also stimulate the poet's imagination. Su Shi once wrote a famous poem "Evening View of Huichongchun River", in which the Spring River Plumbing Duck Prophet was amazing.
In fact, there are many similar examples, many talents are poets and calligraphers, they are versatile, quick thinking, writing poetry has seven steps of talent, painting is also dependent on Marco. The following is an inscription poem by Huang Tingjian, which is sad and deep, and it is worth pondering carefully.
Title Yang Guantu
Northern Song Dynasty: Huang Tingjian
There is no invisible shadow in the sound of the broken intestine, drawing a silent and broken intestine.
Think of Yangguan more west road, the north wind low grass to see cattle and sheep.
Huang Tingjian was a famous talent in the Northern Song Dynasty and the founder of the Jiangxi School of Poetry. He carefully pondered the creative style of Tang poetry and put forward the idea of revamping the bones. The valley borrows from the mood of ancient poetry, but does not copy its contents, but uses another expression and rhetoric in order to facilitate reprocessing or renovation.
This way of writing requires a thorough understanding of the works of the ancients, a deep understanding of their sentence meanings and ideas, and at the same time an extraordinary ability to summarize and analyze, in order to skillfully recreate in their own language, this inscription poem reflects the unique skills of the valley.
"Yangguan Tu" is a famous work by the Song Dynasty painter Li Gonglin, depicting the artistic conception in the Tang Dynasty poet Wang Wei's "Sending Yuan Er envoys to Anxi". In his work, Wang Wei shows a vivid farewell scene: a friend is about to rush to the border pass of the yellow sand and white sun, where people are sparsely populated, the water and soil are unsatisfactory, and it is difficult to receive information from relatives and friends.
The author expressed his reluctance to give up with "the green and willow color of the guest house"; and also expressed his deep affection and wishes for his friends with "persuading the king to have a glass of wine". In just four sentences, it is soaked with deep friendship, and in a cup of jelly, it incorporates all the concerns and concerns of the poet.
Huang Tingjian has been familiar with poetry since he was a child, and of course he is also very familiar with this masterpiece. However, with zhuyu in front, it was extremely difficult for the valley to make a breakthrough. Just like Li Bai came to the Yellow Crane Tower, looked up and saw Cui Hao's inscription poem, he immediately felt ashamed of himself.
However, his friend asked him to write a poem, and Huang Tingjian could not help but hold the scene, he searched for dry intestines, not only to highlight the content of the painting, but also not to stick to Wang Wei's verses, so he had to find another way and adopt his method of taking the fetus and changing the bones.
The first sentence of "invisible shadow in the sound of broken intestines", a yangguan three stacks of melodious and melodious, let people listen to a lot of melancholy, especially the wanderer who is about to go away, can better appreciate the grievances and sorrows in the ancient songs. As if before the trip was completed, he had already sensed the desolation in the desert and the ruthlessness of the border fire, how could it not be heard?
The second sentence inherits the "invisible shadow" of the first sentence, and the author shifts from the poetry of the Tang Dynasty to the painting, and further sensationalizes, "painting a silent and broken intestine". Although the painting and calligraphy are silent, because the viewer sees the separate scenes in the painting with strong emotions, he will unconsciously think of the parting moment he has experienced, so he "also breaks his intestines". The author adopts a further way of writing, which not only extends the poetic mood, but also highlights the aesthetic value of painting.
The last two sentences return to Wang Wei's poem, "Think of the Yangguan More West Road, the north wind and low grass to see cattle and sheep." The valley slightly changed the original poem "West Out of Yang Guan No Reason", using a "more" word, imagining more distant and rich.
At the same time, the author also turned out the verse in the "Song of Shule", "The wind blows the grass and the cows and sheep are low." However, the reader soon found that Huang Tingjian made changes again, not only did the word "North Wind" describe it more tragically, but also the word "low grass" compared to "grass low", not only taking into account the problem of flatness, but actually more accurately showing the desolate atmosphere of the border plug.
Because the grass is low, it means that the wind will blow the grass to bend over; and the low grass conveys that the climatic conditions here are harsh, only suitable for the growth of bargen grass, and even the grass that is very easy to survive is not tall, which is really emotional.
Looking at Huang Tingjian's inscription poem, the sentences are sad and deep, and the valley is worthy of being an outstanding talent of the Great Song Dynasty. The author uses two "broken intestines" in the first two sentences, but does not feel cumbersome, but gradually deepens the tragedy of the farewell scene.
The last two sentences are more skillful, the author must first be familiar with the artistic conception of the other two masterpieces, and then do not fall into the trap, he must have new ideas, in order to impress the reader. "North Wind, Low Grass" reflects the kung fu of tempering words and sentences in the valley, and also clearly conveys the creative style of the Jiangxi Poetry School, which is worthy of people's appreciation!