Liu Shijun has exquisite calligraphy skills, and with skills as the carrier, he is affectionately attached to calligraphy! Huai Su has an understanding of the secular world that "all circumstances are false, and the heart is self-satisfied", and cursive writing is used to nourish the sex and express the emotions of the crazy and light world. Liu Shijun has gratitude for the prosperous world, and his pen and ink have the main purpose of praising the times. Let the calligraphy have the theme of rich truth, goodness and beauty, and cursive writing is free, and so on.
"Su Shi Guan Chao", "Jia Chenglong's Poems, Sauvignon Blanc, etc.", etc.
Looking at Liu Shijun's calligraphy works, the overall style is the elegance of the fiber edge, and there are no vulgar drawbacks. It is better to be indifferent, and there is no deliberate glitz. The pen is calm as the main tone, the speed and strength control are very harmonious, not biased towards stagnation, not biased towards excitement, the overall creative process is quiet and harmonious, there is also elegant demeanor, polite and polite, not exciting. The pen and ink carry the intimacy of the Jin Dynasty literati Xinzha calligraphy. Looking at calligraphy is like reading a scroll. Pleasing to the eye and very down-to-earth. It is not artistic, but also full of practical value!
"Tao Yuanming Four Hours", "The Tiger Roars and the Wind Is Far Away, the Dragon Rises and the Waves Are High"
The grass is a form that he is very handy, and the requirements for the law of creating the grass are very strict, and the performance of the activity is also in place. The law is fundamental. The method of taking is derived from the posts of "Orchid Pavilion Preface", "Seventeen Posts", "Yanshan Ming", and "Chibi Fu", and the heart chases the hand and gets the form to take the god. One time for the foot, two times for a little bit of the original, three or four times must be written until the pen and ink are smooth. If not, don't give up! Therefore, his calligraphy has a state of proficiency and freedom, which is the result of practicing according to law and practicing to perfection.
"Heavenly Blessings", "Smell the Chicken Dancing"
Moreover, his calligraphy also has an innovative view of the lawless law, using the lawless method to make his own works stand on their own, with the independence of the teacher without restraint. The flexibility of calligraphy with an indefinite method is the work of writing. The calligraphy that comes alive is expressed in the form of change, which can teach the image of all kinds and write vividly and interestingly. It's a great taste of Hanmo! Everything has a tao, And Liu Shijun's calligraphy method also has a method derived from nature, and the Dao law is natural. The pen and pencil continue to change, endlessly, endlessly. Fayuan trunk road, lines and structure habits follow the natural form, write out the nature of nature, the form of god and god at the same time!
If calligraphy is only bound to the law, it is called a calligrapher, if calligraphy is only for writing, it is called a lake of work! Liu Shijun's calligraphy properly combines the Fa with the living. Both the Dharma and the visual beauty present good qualities. The pen is strong, the ink contains literary quality, and the smooth pen and ink and the prudent structure benefit each other. You can let Shu Lang's flowing calligraphy show a lyrical rhythm! Calligraphy has feelings, it is the realm!
(Text/Shi Feng)
Artistic Resume:
Liu Shijun is currently a member of the Chinese Calligraphers Association, a national first-class calligrapher, a standing director of the Calligraphy Art Research Association of the China Yuelian Society, and the vice president of the Beijing Ancient and Modern Hanmo Calligraphy and Painting Institute.