Qing Ren Bo Nian Blessed by heavenly officials
The theme of Ren Bonian's work is very auspicious.
Blessings from Heavenly Officials", from the "Liangyuan Emperor's Will": "Shangyuan is the birthday of the blessing of the Heavenly Officials; The Middle Yuan is the Day of forgiveness of sins by the Earth officials; and the Lower Yuan is the Day of Liberation." Later, Taoism was born on the fifteenth day of the first month of the first month of the Yuan Dynasty, the fifteenth day of the seventh month of the Zhongyuan Diguan, and the fifteenth day of the tenth month of the Lower YuanShui Bureau. The Ming carved "Three Sects search for gods" Volume 1 "Three Yuan Emperor" contains: "Shangyuan Yipin Tianguan blessed the Ziwei Emperor group, the fifteenth day of the first month of the birth." "Chinese folk begin with the Spring Festival (Lunar New Year), paying homage to the heavenly officials in anticipation of the gospel.
Ren Bonian's handling of the lines of the characters in the painting is extremely exquisite. At first glance, it does not seem surprising, but when you look closely, you are amazed that each set of lines is arranged just right and plays an indispensable and important role. Its characters are under the rich and refined lines, which is an accurate interpretation of the character modeling. Painting a tiger is easy to draw and difficult to draw, and Ren Bonian has made the image of the character accurate and thorough through rich artistic expression techniques.
Qing Ren Bo Nian Dedicated Shou Tu
In this "Dedication to Life", the old man in the painting is facing the viewer, with a square fan in his hand, a scarf robe belt, a quiet and kind face, and a long hair flying, quite a fairy wind Dao bone. The woman on the side looked square and looked back to the left. A person holds his fist and bows his hand to the old man, and a sword boy next to him holds a peach in his hand, as if to give it to this person to dedicate to the old man, and the whole picture atmosphere is peaceful and quiet. The figure modeling has both traditional layout forms and innovative painting techniques. Through the careful layout of the other three, the author naturally directs the viewer's eyes to the elderly, highlighting the theme, which can be described as ingenuity.
From this work, it can be seen that Ren Bonian's works are popular and popular. He never considered himself a literati, did not have the arrogance of a literati, but had more truth than a literati. It draws nourishment from folk art, is rooted in traditional painting, and is refined into Western art. He has first-class realism ability, which has laid a solid foundation for him in popular painting, perfectly combined Western painting with Chinese painting, taking the shape of the West and the ink of China, and achieving the perfect unity of form and ink.
Qing Ren Bo Nian a hundred years of good union
The painting style of "One Hundred Years of Good Union" is simple and natural, and the pen and ink tend to be simple and indulgent. A pair of cute pigeons play on the pen and ink on the simple fist stone, a clump of daffodils, several dried red bamboo, hidden behind the stone, the long inscription is laid out and in the picture, the heavy ink color and the simple picture form an excellent contrast. The whole painting is set in a clear and elegant way, forming a part-time work belt writing, bright and warm style, vivid and lively image, unique style.
Ren Bonian (1840-1896), mingyi, outstanding painter of modern mainland China, one of the "Four Masters of the Hai School". His paintings originated in folk art, and his techniques are comprehensive, and he cannot do anything about landscapes, flowers, birds, and figures. In particular, his figure painting can be described as a unique leader, opening a new era, leading and guiding the development direction of Chinese painting, and is a well-deserved master of figure painting.