The last time I watched Yi Qianxi's work, it was still "The Twelve Hours of Chang'an", because he frowned all the way back to the ancient text and couldn't read it, this time watching "Miracle Stupid Child" can be regarded as seeing his progress, and the Douban score was given four stars.
But this piece is not well named, a smell of chicken soup.
First, a brief introduction to the plot:
20-year-old Jing Hao came to Shenzhen alone with his 6-year-old sister, Jing Tong has a congenital disease, it is best to operate before the age of 8, the total cost is nearly 500,000. For his sister's surgery fees, Jing Hao, who did mobile phone repair/refurbishment business, began to constantly look for and create opportunities, and after several twists and turns, he was finally recognized by the top management of the mobile phone company, in addition to the operation fee, he also started his own career.
Jing Hao, a maintenance worker who is proficient in mobile phone disassembly and installation, will standardize the work process for dissemination, read foreign news materials to find benchmarks, not be humble in front of the group's senior management, try to complete the progress, and play high-risk odd jobs to support the entrepreneurial plan. It is clear that it is a talented, hard-working model youth!
However, policy tendencies, capital favors, timing, geographical advantages, people, these are indeed indispensable to miracles. Although the introduction only uses "several twists and turns" to describe Jing Hao's ups and downs, what he experienced in the movie is far more than these four words, but a more real life.
Just happened to watch 2006's "Crazy Stone" in 2006, a story that took place in the golden age of real estate, and "Miracle Stupid Child" in 22 years, a story that took place during the explosion of the electronics industry (2012). Looking back at the real estate in 2021, the transformation of industrial development is surprising, and the time is too fast to make people have time to return to God.
However, before that, a series of old films of the last century, including "Mourning Middle-Aged", "Long Live the Wife", "Tea House", etc., are about similar to our daily life, and here, time is desperately slow.
The success of Jing Hao in the film is behind thousands of former servants and successors, Qin Erye, entrepreneurs, and entrepreneurs, who fail, and they do not even deserve to have names; the transformation of the wind-chasing teenagers, behind them are the migrant workers who are still crowded in the Sanhe talent market; even behind the lovely Tong Tong, there are countless desperate families.
In 2018, Japan's NHK television station filmed a documentary on the Sanhe Talent Market, a land where everything is possible in Shenzhen.
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The three gods who sell identity cards, the mother and son who go south to work, the young people who escape reality in Internet cafes, the teenagers who drop out of school due to poverty...
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These people do not seem to live in the same land as the standard "Li Ping" (the master's elite in "Miracle Stupid Child") in Shenzhen.
Fortunately, all this was directed by the director into "Miracle Stupid Child" and was seen by more people. Wen Muye, also the director of "I Am Not a Medicine God", every detail: the cramped urban village housing, the smoky Internet café, the "boss" of the small traders, the crowds in the talent market and the clear price marking, the landmark bullet building and the window-cleaning Spider Man... All are the true portrayal of Shenzhen, and also the true imprint of the times.
Wang Chunmei, a female worker who is almost deaf due to factory noise in the film, sues the boss fruitlessly, and is constantly threatened by hooligans to withdraw the lawsuit. In the not-so-distant year of 2019, Jiang Nengjie's documentary "Miners, Grooms, Pneumoconiosis" seems to have been put on the big screen in another form.
Screenshot of "Miners, Grooms, Pneumoconiosis"
Zhong Bo, a veteran of the War of Resistance Against Japanese Aggression in the film, a Tianjin man who lost his leg during the war, lives namelessly in a small nursing home in Shenzhen.
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Thinking of the recent "Beginning", although his structure is not very novel - after all, the circular theme has been played by neighboring Japan, and the 90-10 years of the World Fantastic Story series can find no less than three stories of the circular theme - but it is also valuable that it is the mark of the times, and the directors are recording this era exclusively with the lens.
Fortunately, these nameless Shenzhen people are seen by more people, unfortunately, life will still not change at all, people can only be bound by time, through the survivor bias to accumulate another "miracle".