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Li Chun Qi, appreciate the Xin abandoned disease "Han Palace Spring Li Spring Day"

Han Palace Spring Spring Day

【Southern Song Dynasty】Xin abandoned the disease

Spring has returned, look at the beauty on the head, and look at the spring flag. Unprovoked wind and rain, refusing to collect the remaining cold. When the swallows are young, they are expected to dream of the West Garden this evening. Hun has not done, yellow mandarin recommended wine, more rumors of green leek stacking plate?

But laughing at the east wind since then, it has been stained with plums, and there is no leisure. In his spare time, he came to the mirror again and changed Zhu Yan. Qing is constantly worried, who to ask, who will solve the chain? Afraid to see, the flowers blossom and fall, and the geese will return first.

Li Chun Qi, appreciate the Xin abandoned disease "Han Palace Spring Li Spring Day"

Translations

Spring has returned, and look at the heads of the beauties, the spring flags, and the wind beckons. There was a storm for no reason, refusing to take the last trace of the cold. At the end of the year, the southern swallows, want to come to this evening, must dream of returning to the West Garden. There is no purchase at all, the curd wine made of yellow citrus cheese, why talk about transmitting to each other, green leek stacking plate?

It's just that the spring breeze has been blowing plum blossoms and willows green since then, and there is no time to relax. The bleak melancholy is continuous, and I would like to ask if anyone can untie this chain of jade? Afraid to see, the flowers blossom and fall, wake up in the morning, sai geese first return to the central plains.

exegesis

Haruhata: Spring Flag. This refers to the small flag on the head worn by the beauty.

Yellow Mandarin Wine: Wax wine made from yellow mandarin. Clear Sorrow: Bleak sorrow.

Appreciation

This is a spring poem by the Southern Song Dynasty poet Xin Renjie.

Spring has returned, and look at the heads of the beauties, the spring flags, and the wind beckons. This is written "The Custom of Li Chun". The old custom is to set up a spring day or hang a spring flag in the treetops, or cut silk into a small banner, and embellish the hairpin at the head to show the meaning of welcoming spring. Southern Dynasty Chen Xuling's "Miscellaneous Songs": "The spring calendar day is new, and the spring flag of the first month must be dead." "It's the same custom.

There was a storm for no reason, refusing to take away the last trace of cold. This is written "Li Chun Yu Han". Although spring has been established, the cold of winter is still there, and when the wind and rain come, it is still cold in spring.

At the end of the year, the southern swallows, want to come to this evening, must dream of returning to the West Garden. This is written "Li Chun No Yan Gui". The swallows will fly back from the south in the spring, and at this time they must be preparing to return to the north, presumably even imagining what the old garden looks like in their dreams.

There is no purchase at all, the curd wine made of yellow citrus cheese, why talk about transmitting to each other, green leek stacking plate? This is the writing of "The Mood of Li Chun". Here, on the contrary, su Dongpo's poem "Li Chun Ri Small Collection Drama Xin Duan Uncle" is quoted: "Xin Pan gets green leeks, and the wax wine is yellow oranges." "Because the dream of the Northern Expedition in the hearts of the writers has not yet been completed, and the age is one year old, it gives birth to the sorrow of not meeting the talent and not meeting the ambition. Here is also another custom of Li Chun Day, that is, buying yellow citrus wax wine and green leek stacking plates.

It's just that the spring breeze has been blowing plum blossoms and willows green since then, and there is no time to relax. "Imagination of Li Chun". Imagine that in the spring wind, everything recovers, dyes plum willow kaoru, blows the sideburns, and blows the old age. The spring breeze is so beautiful and easy to pass away, isn't the same for the years? At this moment, the lyricist does not have the idle feeling of "laughing at the spring breeze from now on, and being a longevity immortal in the world", and some are only when "the king is in the world, winning the name of the posthumous life." Poor White happens" anxiety.

The bleak melancholy is continuous, and I would like to ask if anyone can untie this chain of jade? This is written "Li Chun No Qing Sorrow". A "sad" word can be used as a full word, and also sets the emotional tone of the whole word. The lyricist borrows the allusion of "Qi ren xiehuan" to say sadness. According to the "Warring States Strategy, Qi Ce", King Qin Zhao sent an envoy to the State of Qi, sent a string of jade rings, and asked the Qi people to untie the rings. The crowd is confused. Qi Hou broke it with a vertebrae, that is, the ring was dissolved. That is to say, unless the Central Plains are recovered, this "sorrow" word will eventually be difficult to understand.

Afraid to see, the flowers blossom and fall, wake up in the morning, sai geese first return to the central plains. This is the main purpose of writing "Li Chun". On the surface, it is written that Sai Yan returned to the north, but in fact, it is an expression of the lyricist's return to the north, which brings out the lofty ambition of recovering the rivers and mountains. It's just a pity that this ambition and pride can't be realized, so it will give birth to this spring of pure sorrow.

The poet's spring day is the spring day of recovering the rivers and mountains, and the sorrow in his eyes is not the sorrow of the children, but the sorrow of the hero who dominates the world. Fortunately, I am happy to have a prosperous world, and I no longer have this sorrow. I wish you all a spring day, everything you want to do, and all the best!

Author: Yan Yong, Master of Arts. Columnist of "Daily Appreciation" on the learning platform of the Central Propaganda Department. He is a member of the Chinese Poetry Association, a member of the Jiangsu Writers Association, and a member of the third batch of the National Young Writers Class. He has published a collection of literature and history, "Taizhou History: The City by the Salt River", a collection of essays "Reading Travel", and an essay collection "Fengyun Taizhou". He has published more than 500 articles. He is currently the editor of the newspaper.

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