The green and green long skirt is elegant and beautiful, the bronze mask is majestic, and the Jiangnan landscape is clear and beautiful... Chinese New Year's Eve night, the Spring Festival Gala of the Year of the Tiger arrived as promised. The evening party has both Chinese cultural heritage and the aesthetic pursuit of the times, and "moisturizes and silently" shows the beauty of history, the beauty of mountains and rivers, and the beauty of culture. And these "highlight moments" reflect the passing on and endless inheritance of China's excellent traditional culture, allowing us to see the strong appeal and attraction of Chinese culture.
A dance drunk green: "Only this green" dance paints thousands of miles of rivers and mountains
"Green mountains and green waters, since and now the long is drunk." The volume of "A Thousand Miles of Rivers and Mountains" is colored with green and green, depicting the splendid mountains and rivers of the motherland.
"Only this green" Spring Festival Gala live photo. Courtesy of the organizer
On the stage, the dancers dragged their long skirts to the ground, waving their sleeves and waving the wind, dancing out of the sense of dependence between mountains and rivers. As soon as the "green waist" came out, it even attracted the audience's amazement. If you can accommodate the hills and valleys in your heart, you can only meet the mountains and rivers under the pen. The modesty, calmness and coldness of "green and green" were vividly displayed on the stage of the Spring Festival Gala.
Stills from "Only This Green". Courtesy of China Oriental Performing Arts Group
"Dancing out of the spirit of Greater China" "Bringing "A Thousand Miles of Rivers and Mountains" to life" ... After the program was broadcast, the audience's praise instantly "brushed the screen" on the network.
This dance excerpt is from the dance poetry drama "Only This Green" jointly produced by the Palace Museum, China Oriental Performing Arts Group and People's Network Co., Ltd. Because of their dedicated study of "A Thousand Miles of Rivers and Mountains", the exhibition volume people followed the outline of the chapters of "Exhibition Volume, Asking Seals, Singing Silk, Searching for Stones, Learning Brush, Quenching Ink, and Entering Paintings", walked into the heart of the painter Wang Ximeng, explored the accident and inevitability of "Thousands of Miles of Rivers and Mountains", and understood the emotional connection between ancient cultural relics and modern people.
Three thousand years at a glance: a large bronze mask brings ancient Shu greetings
"Silkworm bushes and fish, the founding of the country is at a loss." The ancient Shu Kingdom, shrouded in mist, left the world with endless reverie.
On the stage of the Spring Festival Gala, Zhang Guoguo, the docent of "National Treasure" No. 001, together with Ran Honglin, director of the Sanxingdui Archaeological Research Institute of the Sichuan Provincial Institute of Cultural Relics and Archaeology, released a bronze mask of cultural relics unearthed from Sanxingdui on the spot, reproducing the ancient Shu style of "sleeping for thousands of years and waking up to shock the world".
Large bronze mask. Photo by Jiang Cong, State Administration of Cultural Heritage
The large bronze mask is 131cm wide, 71cm high and 66cm deep, which is the largest and well-preserved large bronze mask excavated from the Sanxingdui site known, dating back more than 3,000 years, reflecting the understanding and thinking of the ancient Shu ancestors on the natural things and the world of gods and gods.
The creative dance "Golden Face" immediately followed is a work that draws new inspiration and creative elements from the Sanxingdui civilization. In the form of love double dance, "Golden Face" takes the audience through the long river of history and visits the ancient Shu kingdom thousands of years ago through CG design and production + optical motion capture technology, providing the audience with a romantic, mysterious and aesthetic visual feast.
One Step Between Heaven and Earth: "Remembering Jiangnan" interprets the poetry and painting of mountains and rivers
"The Changchuan River is not spring and green, and the reflection of a thousand peaks falls in the middle." The scenery of Jiangnan will always be a bondage that cannot be put down in the hearts of literati and inkers.
Between the opening and closing of the paper umbrella, ink paintings come to the face. Accompanied by Feng Yuanzheng's chant of "Fuchun", a "Fuchun Mountain Residence Map" that travels through time and space and reflects ancient and modern times comes into view of the audience. In the woodcutter mountain, Tsai Wei and the fisherman river are boating, and the spiritual feelings of tranquility and detachment from nature jump on the painting. "But the distant mountains are long, the clouds and mountains are chaotic, and the Mountains are green." After Pu Cunxin's vocal and emotional interpretation, Su Shi's poems added a bit of charm and pushed the program to a climax.
The creative music and dance poetry painting "Remembering Jiangnan" combines the famous work "Fuchun Mountain Jutu" into a reunion. The program adopts cinematic shooting methods, uses a variety of special effects means, integrates poems, books, paintings and prints, integrates song and dance and other performance forms into the traditional landscape painting artistic conception, depicts the mountains and rivers around the Fuchun River in early autumn with elegant brush and ink, brings the audience an immersive aesthetic experience of "a roll in hand, unlimited rivers and mountains", and fully demonstrates the artistic tension and infinite charm of China's excellent traditional culture.
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Source: People's Daily News