When national treasures are mentioned, people's minds are probably presented with cultural relics: when they were made, where they are now, what their meanings are, and what their values are geometric... The realm is born of the elephant, and it is beyond the image. The reason why each piece of national treasure exudes infinite charm is not only due to the skill or skill, "National Treasure" clearly presents the external realm of national treasures.
Find the "life" of a national treasure
A national treasure does not mean to be famous or valuable, but it must convey a vibrant humanistic spirit, revealing extraordinary creativity and imagination.
The humble copper-gilded wooden core stirrup may not be enough to attract attention, but it is indeed a great invention that has changed the world's military history, and Joseph Needham, an expert in the history of Science and Technology in Britain, believes that it is "China's stirrups that initially helped the establishment of the European feudal system." Hidden in the rusty stains, the jingo iron horse of the steppe of northern China shines with the dazzling light of the European knight era.
Qianlong handwritten Fu zi dou fang
The Jiahu bone flute, made of light and thin poultry bones, is no more than a foot long, without any decoration, and is yellowed throughout, and it is it that pushes the source of Chinese musical relics to more than 8,000 years ago, and in the distant Neolithic Age, it plays the standard tone in modern music with seven sound holes with exactly the same diameter. "National Treasure" to find the "life" of the national treasure, not only to reproduce the time of yesterday, but also to jump out of the national treasure of the elephant, the big show across the ninety thousand miles of people brilliant spirit.
Presenting the "heredity" of national treasures
"Personnel have metabolism, and exchanges have become ancient and modern." The owner of the national treasure or the craftsman who made it has long since entered history, but the context carried by the national treasure has been passed down to this day.
The cloud thunder pattern on the Shang Dynasty and the auspicious cloud symbol of the Beijing Olympic Games are "close relatives", the Spring and Autumn "Sun Tzu Art of War" has won Mandela and other "fans" on five continents in the world, the FangSheng ideal of the Warring States Shangmartin continues into a modern unified measurement standard, the Yunnan shell storage vessel of the Western Han Dynasty is transformed into Yang Liping's dance element, Gu Kaizhi's "Luoshen Futu" of the Eastern Jin Dynasty gave birth to the popular dance "Luoshen Underwater Flying", Wei Jin's "Emissary Map" portrait bricks endorsed China Post several times, and the Tang Dynasty's "Fuxi Nuwa Tu" On the UNESCO magazine, the Glass Pagoda of dabao'en Temple in the Ming Dynasty was written into a fairy tale by Hans Christian Andersen, and the word "Fu" of Qianlong Ye appeared on the gates of thousands of households... "National Treasures" presents the "inheritance" of national treasures, not only combing the history of the evolution of artifacts, but also jumping into the image of national treasures, looking up and down the five thousand years of fire.
Part of "Roselle Futu"
Visit the "former residence" and "new home" of the national treasure
One side of the water and soil to support one person, one side of the people to keep the other side of the national treasure. The climate of Shenzhou is diverse, the products are different, and the national treasure hides its own unique way of life and production.
According to the Ming and Qing Imperial Palaces of Kun Ling and the circle of imitation of Tai Zi, the Forest of Steles of Xi'an where Bao carved Yuanxue and Khan Qing yongzhao, the classical gardens of Suzhou that are full of lofty ambitions and elegant styles and building heaven within easy reach, the Potala Palace in Tibet that guards the pure land of Po Shu and rides on the majestic winds of the snowy realm, the Dunhuang Mogao Grottoes that trample on the ancient and modern and the four major civilizations, the Mausoleum of the First Emperor of Qin, which has eight tables and the same wind and opens the great unification of China, the Confucius Temple, the Confucius Temple, the Confucius Palace, the Confucius Temple, the Confucius Temple, the Confucius Forest, the Confucius Temple, the Confucius Forest, the Guanghan Sanxingdui that has been sleeping for thousands of years and waking up to the world, the Golden Wind shocks, and the Anyang Yin Ruins... Twenty-five museums, museums or ruins, condensed with colorful regional civilizations.
Sunset-style "Cai Feng Mingqi" seven-stringed piano
"National Treasures" visits the "former residence" and "new home" of national treasures, not only to trace the origin according to Tu Suoji, but also not to depict the colorful and vivid colors of different regional civilizations in different periods represented by cultural relics, jumping into the image of national treasures, we see the accumulation of mutual learning between China and the world. The book "National Treasure" not only adapts to fragmented reading, but also constructs historical context and logical clues. In ten minutes, you can get a glimpse of a national treasure, uncover a dusty past, and remember a Chinese memory. (Bai Ying)