"Forbidden City • Priceless Treasure" is an authoritative production of CCTV's "National Treasures" column, based on the top national treasures and cultural relics of major museums across the country, with precious metal materials as the carrier, and the world's most advanced gold minting process to carefully create commemorative gold. The 20 top national treasures of the 12 museums are collected at once, unlocking the thousand-year-old context and passing on the excellent traditions and profound connotations carried by the cultural relics.
Release background
"National Treasures" is based on the treasure house resources of Chinese culture, through combing and summarizing the cultural relics one by one, interpreting the story and history behind the cultural relics. In order to let more audiences appreciate the beauty of cultural relics at the same time, pass on the historical and spiritual core carried by cultural relics, and arouse the public's attention to the protection of cultural relics and the protection of civilization, the "Forbidden City • Priceless Treasure" is specially launched, so that more people can follow the vein of cultural relics, understand the glorious history of China for 5,000 years, feel the depth of traditional culture, and let everyone become the guardian of national treasures.
Forbidden City: Priceless Treasure
20 precious commemorative gold
The "Priceless Treasure" cultural relics commemorative gold is not only to highlight the historical value of cultural relics, but also to carry forward the traditional Chinese culture, show the splendid and brilliant history of the Chinese nation, and fully realize the great vision of cultural inheritance. What we collect is not only a national treasure and cultural relics, but also history, culture, and the national integrity and spiritual belief that have been passed down from generation to generation in China for 5,000 years!
"A Thousand Miles of Rivers and Mountains" commemorative gold
"A Thousand Miles of Rivers and Mountains" is a silk color painting created by the Northern Song Dynasty painter Wang Ximeng, the whole picture is well-composed, the colors are gorgeous, and the brush is fine, which not only shows the vast weather of the mountains, but also carefully outlines the endless state of nature such as the Youyan Valley, the peak flat slope, and the flowing stream and the flying spring, so that the Qianli River and Mountain are both open and boundless, but also tortuous, fully demonstrating the grandeur of the motherland's mountains and rivers, and is a prominent representative work of the Song Dynasty's green landscape paintings.
Roselle Gift
"Luoshen Futu" is a painting by Gu Kaizhi of the Eastern Jin Dynasty, which is divided into three parts, which depicts the sincere and pure love story of Cao Zhi and Luoshen in a detailed and layered manner. The character arrangement is dense and appropriate, naturally alternating, overlapping and exchanging in different time and space, and in the depiction of mountains and rivers, all show a kind of spatial beauty. Among the extant ancient Chinese paintings, the Roselle Futu is considered to be the first painting adapted from a literary work.
"On the Balcony Post" commemorative gold
"Shangtai Ti" is Li Bai's self-written poem, which is the only authentic calligraphy of Li Bai, and is also a "national treasure" in the national first-class cultural relics, known as "first-class A". The whole volume is vigorous and majestic and ethereal, with a pen indulgent, fast and smooth, and the law is eclectic, just like Li Bai's bold and handsome poetic style. The fully fitted knot body is also uneven, and the care is affectionate and interesting.
"Jin Ou Yonggu Cup" commemorates Jin
The Palace Museum has a collection of Qianlong Gold Inlaid Treasure Jin Ou Yonggu Cup, on one side of the central seal book "Jin Ou Yonggu", on the other side of the "Qianlong Year System" four characters; the outer wall is full of Zhen Bao Xiang flowers, the flower buds are mainly pearls and red and sapphire; on each side there is a deformed dragon ear, there are beads on the dragon head; the three legs are elephant head style, the elephant ears are slightly smaller, the tusks are curled nose, and the forehead and eyes are also embedded with jewelry.
"China's First Porcelain King" commemorative gold
This bottle combines a variety of processes and techniques from generation to generation. So many glazes, colors, recipes and firing temperatures are not the same, need to be in accordance with the different requirements of underglaze, glaze and high temperature, low temperature, many times into the kiln firing, the process is extremely complex. And such a variety of glazes and ornaments are arranged for the winners and followers to coordinate, staggered. Its firing marks the unprecedented peak of china's ancient porcelain-making process, which is a masterpiece, so it is known as the "King of Chinese Porcelain".
"Gold Inlaid Pearl Celestial Globe" commemorative gold
The base of the Qingqianlong gold inlaid pearl celestial globe is a circular enamel plate base, with a filament coiled with a tangled branch pattern throughout the body, inlaid with a burnt blue and light blue enamel glaze, which changes the monotony of pure gold with colorful tones. The feet of the cloisonné base are shaped by four dragon heads, and the high relief method is adopted, which is very decorative. The gold-inlaid pearl celestial globe is the only model of the celestial globe made of gold that has been handed down to this day, which is extremely precious.
"Silk Lotus Pond Milk Duck Diagram" commemorative gold
The whole width is woven with colored silk threads, rich in color, fine and suitable, and clearly layered. In the picture, the two ducks float among the grasses, accompanied by milk ducks and a pair of egrets next to them. Kingfishers and red dragonflies dot the area, the slope is bluestone, the texture is solemn, surrounded by flowers and plants such as white lotus, lotus, and grass, with elegant colors, exquisite lines, and full of fun.
"Da Ke Ding" commemorative gold
Western Zhou Da Ke Ding is a very important bronze ware in the Western Zhou Dynasty, but also a historical bibliography, well-known heavy instruments, the inscription on the top of the Big Ke Ding, whether it is the font layout, or the casting effect are very exquisite, the font size is unified but flexible, the written test is round and powerful, presenting a stretchy, elegant style.
"Deer King Bunsen" commemorative gold
"Deer King Bunsheng Tu" is a mural of the Northern Wei dynasty in Cave 257 of Dunhuang Mogao Grottoes. "Deer King Bunsheng" tells the story of Shakyamuni's previous life as a nine-colored deer king, who saved a person who fell into the water and was about to drown and was betrayed by this person. Bunsen's story is a manifestation of the theme of "sacrificing oneself to save others", with strong religious overtones, promoting the idea of retribution for good and evil, and praising the selfless spirit of the Nine-Colored Deer King.
"Viva Tongtian Sticker" commemorative gold
"Long Live the Heavenly Thesis" is also known as Tang G's "Wang Xi Yi Men Shuhan" and "Wang's Treasure Chapter Collection". The hard yellow paper, cursive, is a fine collection of Tang G calligraphy by Wang Xizhi and other seven people and ten posts in the Eastern Jin Dynasty.
"Zeng Hou Yi Chimes" commemorative gold
Zeng Houyi chimes are a set of large-scale ceremonial instruments of Zeng Guojun in the early Warring States period, which is the largest number of chimes found in China so far, the best preserved, the most complete rhythm, and the most magnificent set of chimes, representing the highest achievements of China's pre-Qin lile civilization and bronze casting technology, and has had a huge impact in archaeology, history, musicology, science and technology history and other fields.
"Lady Good Owl Zun" commemorative gold
In the Shang Dynasty, the shang dynasty women were good owls, and the inner wall of the cultural relics was cast with an inscription with the word "women's good". The overall shape adopts an anthropomorphic expression method: with the owl as the prototype of life, the wide beak and high crown, the round eyes and vertical ears, the head is slightly raised, the chest is upright, the wings are feathered, the feet are thick and powerful, and the wide tail with the hanging ground constitutes a plane, giving people a sense of calm. Each ornament can be expressed independently or intertwined with each other.
"Du Hu Fu" commemorative gold
The Warring States DuHu Fu, commonly known as the "Du Hu Fu", is a soldier symbol of the Qin State in the late Warring States period. The full symbol form is vivid, curved back, curly tail, hanging abdomen, bent forward foot, the whole body is composed of round curves, soft and rigid, both serious and appreciative value, is an important material for the study of politics, military, writing and calligraphy art in the Warring States period.
"Dish Fang" commemorative gold
It is a wine vessel of the late Shang Dynasty, which is based on cloud thunder patterns and decorated with animal face patterns, dragon patterns, and phoenix bird patterns. The shoulders are flanked with amphora rings, and a beast's head is placed under the front abdomen. The corners of the four sides and the centers of each side are decorated with eight protruding long hook-shaped ribs. The whole instrument is a set of standing carving, relief carving, line carving in one, the shape of the instrument is huge, majestic, exquisitely carved, magnificent, its shape, decoration style comes from the Shang Dynasty palace and temple architecture.
"Changxin Palace Lamp" commemorative gold
Western Han Dynasty Changxin Palace lamp, Chinese Han Dynasty bronzes. The overall shape of the palace lamp is that of a kneeling palace maid holding the lamp in both hands. The head, body, right arm, lamp holder, lamp plate and lampshade are cast and assembled. The surface of the palace lamp does not have too many modifications and complex patterns, and it is relatively simple in the court utensils of the same era.
"Ma Ta Fei Yan" commemorative gold
Copper galloping horse, also known as "horse stepping flying swallow", Eastern Han bronze, galloping horse three-legged take-off, a stepping flying swallow, flying swallow looking back in shock, but also enhance the galloping horse's rapid forward momentum, showing a kind of courage to go forward heroic ambition, is a symbol of the great temperament of the Chinese nation.
"Kneeling Samurai Warriors" commemorative gold
"Kneeling Samurai Warriors" is a typical representative of the archer figurines in the Terracotta Warriors of Qin Shi Huang. The soldier's facial expression was serious, and his physical movements reflected his alert psychology, and he seemed ready to join the battle at any time. The whole work has a clear face, vivid image, accurate body structure, natural movements, and is full of internal power, reflecting the superb carving skills of the sculptors of the Qin Dynasty.
"Qinling Copper Carriage horse" commemorative gold
Qinling copper carriage horse production process is complex, reasonable structure, accurate proportions, exquisite casting, the comprehensive use of casting, welding, embedded casting, inlay and a variety of mechanical connections and other process technology, condensing the brilliant achievements in metal manufacturing technology more than 2,000 years ago, in China and the world metallurgical history and metal technology history, occupies a very important position.
"Bronze Crane" commemorative gold
The bronze crane is accurate in shape, truly reproducing the "perfect posture" of the crane, from head to toe, every body part is no different from the real, in line with the anatomical relationship. The excavation of the bronze crane has given people a new understanding of the decorative characteristics of the qin dynasty bronze manufacturing process, which not only integrates a variety of casting techniques, but also shows a variety of artistic shaping techniques of the craftsmen of the Qin Dynasty; as a craft image, the modeling and decoration of the bronze crane of the Qin Shi Huang Mausoleum has great aesthetic value.
"Bronze Longitudinal Mask" commemorative gold
The bronze longitudinal mask is a bronze ware of the middle and late Shang Dynasty, known as the "King of Masks", and is one of the two largest masks in bronze excavated from Sanxingdui. The size of the body is extraordinary, the mask lines are smooth and beautiful, the silhouette is clear and bright, reflecting the beauty of the agility, and its surreal shape reveals the mysterious solemnity, majesty and atmosphere, giving people a strong sense of shock.
Exquisite minting craftsmanship
Each commemorative gold carries a piece of history, records a legendary story, 20 commemorative gold throughout the Chinese 5,000 years of civilization, its rich and profound cultural connotation is self-evident.
Cases of market appreciation
The ordinary theme of the large bronze medal is worth tens of thousands of yuan, as a national treasure theme of the gold medallion, the future appreciation potential is immeasurable!
Value analysis
Value one, shock!
At the appeal of Tibetan friends across the country, the priceless treasure commemorative gold was issued in shock, including 20 top national treasures, which is an unprecedented great feat.
Value two, precious!
Each commemorative gold carries a legendary story, and 20 commemorative gold runs through the 5,000 years of Chinese civilization, and its preciousness cannot be measured by money.
Value three, exquisite!
Minted using the world's most advanced coinage technology, not only the content pattern is delicate, but also the appearance is golden, which can be called a miracle in the mint world.
Value four, look forward to!
The large bronze medal created a high price of 800,000 yuan, and the treasure theme commemorative gold is self-evident, which will harvest both cultural wealth and material wealth in one fell swoop.
Value five, rare!
The country is only looking for 2,000 national treasure guardians, and an average of 700,000 people have one lucky opportunity not to be missed.
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