"Inverted small top violin", "trampoline flying pole", parkour churning, ladder chase, spotlight, Nie Er is alive! This drama sets music, dance, fusion magic, burlesque, song and dance, drama and other artistic expressions, with a shocking new audiovisual art, beating out of the circle.
In order to implement the spirit of the instruction of "telling the story of Nie Er and the national anthem" and present a gift for the 100th anniversary of the founding of the CPC, on October 20, Yunnan Cultural Investment Group held a large-scale acrobatic stage play "Nie Er" media meeting and premiere of the play. The play Bacon casts the soul, praises the communist belief and patriotic spirit of the great revolutionary musician Nie Er, and wins the audience full of color with a refreshing and innovative expression, and is highly praised by all walks of life.
First, reproduce the strongest patriotic voice at the moment of national peril, and tell the story of Nie Er and the national anthem with ingenuity.
Nie Er, born in Yunnan, has left a rich spiritual legacy for Yunnan and even the Chinese nation. The large-scale acrobatic stage play "Nie Er", created and arranged by Yunnan Acrobatic Troupe Co., Ltd., a subsidiary of Yunnan Cultural Investment Group, was listed as a high-quality creation project by the Propaganda Department of the Yunnan Provincial Party Committee in 2020 and 2021, respectively, and in 2021, it was jointly issued by the Organization Department of the Yunnan Provincial Party Committee, the Propaganda Department of the Yunnan Provincial Party Committee and the Yunnan Provincial Federation of Trade Unions (Yun Xuantong [2021] No. 3) as the key recommended plays for the theme education activities (drama performances) celebrating the 100th anniversary of the founding of the Communist Party of China. After more than two years of meticulous creation and continuous repeated carving, once "Nie Er" was staged, it pointed directly at people's hearts with its unique ideological penetration and artistic appeal, full of the enthusiasm of leading the audience to pay attention to the most advanced aspects of mankind and the deepest part of the human spiritual world, and successfully set a new benchmark for cultural programs.
The drama lasts 90 minutes, condensing the historical juncture of the destruction of the country and the death of the family, under the leadership of the Communist Party of China, Nie Er actively cooperated with the party's underground organization to create and take the lead in singing anti-Japanese salvation songs. He was concerned about the suffering of the people, and he went deep into the lowest level of society, writing songs and shouting for the toiling masses. With a pure heart, he created a series of songs with revolutionary themes, such as "Song of Selling Newspapers", "Singer Under the Iron Hoof", "Song of dock workers", "Song of the Road" and so on. In the course of the struggle, he gloriously joined the Communist Party of China. Due to the stalking and persecution of the enemy, the organization had no choice but to let Nie Er hike other countries temporarily hide their safety. Based on Tian Han's words, he composed the strongest patriotic voice, "March of the Volunteer Army," sounded the clarion call for the liberation of the Chinese nation at the darkest moment, and with his highly agitated, sonorous and powerful melody and inspiring lyrics, expressed the strong resentment and spirit of resistance of the Chinese people against imperialist aggression, and embodied the heroic spirit of the great Chinese nation of bravery, strength, and unity in the face of foreign insults. The generals sang the "March of the Volunteer Army" he composed, rushed to the battlefield of killing the enemy, and they braved the enemy's artillery fire to go forward and follow, advance, and charge!
The play has lofty intentions, Nie Er represents a spirit, and the legend created by Nie Er in his limited life is a microcosm of the legend of the Chinese Communist Party, which still affects generations of Chinese. He composed dozens of revolutionary songs, and a series of his works have influenced Chinese music to this day. His music creation has a distinct sense of the times, serious ideology, high national spirit and outstanding artistic creativity, which has pointed out the direction for the development of Chinese proletarian revolutionary music and set an example for Chinese music creation. The main purpose of the large-scale acrobatic stage play "Nie Er" is to praise the communist belief and patriotic spirit of the great revolutionary musician Nie Er, with the intention of carrying forward the main theme of socialism, using novel artistic expressions that the masses of the people are happy to hear, showing fragments of revolutionary history, conveying the spirit of sacrifice and dedication of the older generation of revolutionary fighters who are not afraid of difficulties and bravely moving forward, arousing the patriotic enthusiasm of the masses of the people, and enabling the masses of the people to exert enthusiasm and sweat on the journey of realizing the great rejuvenation of the Chinese nation and constantly struggle for the realization of the "Chinese Dream."
Second, innovative expression, with new, difficult, strange and acrobatics to integrate contemporary avant-garde art elements, the national indomitable spirit of visualization, storytelling, intuitive artistic transcoding.
"Nie Er" seeks a common aesthetic trend in decoding intergenerational segments in the form of fusion innovation, and evokes the youthful memories of different ages with popular elements across time and space. In the stage presentation, it breaks through the traditional positioning of acrobatic visual art, through the symbolic acrobatic skills as the "point", the repertoire story as the "line", the multi-artistic element fusion as the "surface", through the "point" string "line", broaden the "surface" presented by the repertoire, to enrich the expression of the repertoire, therefore, in the acrobatic technology, the innovation of "inverted small top violin", "trampoline flying pole" and other high-difficulty technical skills, in the stage presentation also innovated "stave", "large guzheng", "mobile trampoline" and other new props, Finally, the three-dimensional presentation of the repertoire on the stage is completed. In a relatively limited time, it conveys a strong artistic height and an extremely shocking spiritual brightness.
The large-scale acrobatic stage play "Nie Er" is composed of five acts of "Blood Morning and Dusk", "Nursery Rhyme Li Chun", "Storm Encounter", "Spark Clouds", and "Thick Streamer", in terms of structure, the main story section in "Nie Er" basically follows the trajectory of Nie Er's life, in terms of structural settings, based on the acrobatic profession, there are many limitations in the technical interpretation of the story, for this reason, the team created a scientific deconstruction of the rationality of the presentation, deliberately strengthening the symbolic skills as the operating carrier of the scene expression, at the same time, In response to the needs, a new program unique to the play was also specially created to improve the plot, so that the appearance of the play is more "dramatic". For example, in order to avoid the arrest of the military police, Nie Er's mother, the poor and simple Nie family, had no place to hide, Nie Er's mother was in a hurry, and she shook a piece of coarse woven flower cloth on her son, and Nie Er instantly became a "Dai family girl" (magic "Changing Clothes"). Next, under a beam of light, Nie Er carried a moon harp, carried a simple small wooden box in his hand, knelt down to his mother, the mother covered her face and sobbed, Nie Er left the stage, Nie Er's mother watched her son's distant back and sobbing shoulders... Voiceover:"In order to evade arrest by the military police, the mother decided to let her son leave Kunming overnight for a long trip to Shanghai. Nie Er said goodbye to his mother and hometown from then on, and he did not expect that this walk would become forever. ”
The play, both the group performance of the high-legged unicycle demonstration of the big scene, but also the young students trampoline flying pole to escape the military police pursuit of the meticulous cool run, both Nie Er and the lover Li Chun when in love romantic aesthetics, cello a piece of solo, leading to the violin tender like water pouring, evolved into a duet, the background slowly moved out of a crescent moon; under the quiet moonlight, dry ice, fog laid a layer of dreamy stage environment.
In such a fantastic and mysterious artistic creation, a hollowed-out "stave" shaped platform slowly rotates in the clouds. On the platform, Nie Er and Li Chun sat in a metal freehand chair frame and explored songwriting. There are also in the brutal struggle, Li Chun uses his body to block the enemy's bullets fired at Nie Er, and Nie Er holds the body of his lover in a poignant and poignant double dance.
This novel art form creates the image of the great revolutionary musician Nie Er on the stage, allowing the audience to get close to Nie Er, feel Nie Er, and know a vivid and vivid Nie Er on the stage. The repertoire mainly integrates magic, burlesque, song and dance, drama and other artistic expressions, and innovates in acrobatic techniques, stage props, music production and other aspects, showing Nie Er's revolutionary growth process, both thrilling and exciting chase and conflict scenes, and delicate and rich emotional expression, as well as witty and humorous plot settings, the rhythm of the whole play arrangement ups and downs, is a set of ideological, narrative, artistic, ornamental as one of the fine acrobatic stage plays.
Third, reshape the concept of "breaking the circle", grasp the wall-breaking code of the circle culture and mainstream values, and make a well-made ingenuity to create a blockbuster work.
The large-scale acrobatic stage drama "Nie Er" faces the target group of young audiences in a young state, attracts young people to look back at the glory years of the founding of the party in the past hundred years, reshapes the concept of circle-breaking communication in the process of decoding popularity, truly integrates the theme content and form of different circles of people, attracts the new generation of the network in an innovative way, and finds the wall-breaking code of circle culture and mainstream values.
The large-scale stage acrobatic drama "Nie Er" is well-made. Invited the domestic first-class repertoire team with the famous domestic acrobatic choreographer Dong Zhengzhen as the core to tailor-made, and invited the famous musician Zhang Hongguang to compose the repertoire, invited the domestic top acrobatic choreographer Dong Zhengzhen as the core of the acrobatic choreography team to create, the famous lyricist Yu Yi composed lyrics for the theme song of the play, and invited the Standing Committee of the National Committee of the Chinese People's Political Consultative Conference, the vice chairman of the Hebei Provincial Committee of the Chinese People's Political Consultative Conference, the vice chairman of the China Federation of Literary and Art Circles, and the chairman of the China Acrobatics Association Bian Faji as the general counsel of the play to ensure the quality of art. The actors of the play are mostly the new generation of powerful factions, so that every role shines, and their hands and feet are in line with the role positioning, which is impressive. The musical kimono, costumes, and Taoism of the play all strictly restore the characteristics of that era, and set off a very strong artistic atmosphere of period drama. Especially the epic texture of the performance, the audience has a great experience of watching a phenomenal top music and dance epic and top acrobatics in the theater. Its large-screen film and television effects are realistic, and the whole drama shocks the audience with a new visual art, triggering immersive emotional resonance. Finally, the audience sang the national anthem "We are all united in our hearts and marched forward against the enemy's artillery fire"!
The large-scale acrobatic stage play "Nie Er" uses a new art to interpret the revolutionary oath written by the predecessors with youth, the long road paved with blood, and the monument of the times cast with life, which praises the hero and pays tribute to the great revolutionary musician Nie Er, and sets a new weather vane for the creation of contemporary main theme literary and artistic themes.