China Youth Daily Client News (China Youth Daily, China Youth Network reporter Shen Jiequn) a few days ago, produced by Zhejiang Film and Television (Group) Co., Ltd., based on Fu Yao's novel of the same name, directed by Zhang Li, Yang Yang as the chief producer, Sang Minling, Lu Yue as the producer, Chen Kun, Xin Zhilei starring in the emotional workplace drama "Win or Lose" held an expert seminar in Beijing.
Zhang Li, director of "Win or Lose", said that "Win or Lose" tries to depict the fate of the protagonist and show the wrestling and game between market competition and moral calling in the real society with high technology as the forerunner and the Internet economy as the new growth point. "Any kind of market competition as a new economic order must have its corresponding moral norms, but this new moral norms are always lagging behind and need to pay a lot of costs to form." What this TV series wants to express is that the market competition supported by the Internet tends to be fairer, more benign, or more cruel? The film raises many questions, in this white-hot competitive environment, what about morality? What about dignity? What about love? What about affection? Where are they located? ”
Post-production director and sound director An Wei said that "Win or Lose" tries to use audiovisual language to present the inner world of mature professionals in the fierce commercial competition environment such as male and female protagonists, in order to gain the resonance of the audience, how to get more and broader "acquaintances" for the series is a proposition that the creators need to consider and think about repeatedly.
Li Zhun, former vice chairman of the China Federation of Literary and Art Circles and a well-known literary and art critic, spoke highly of the value of the times contained in "Win and Lose" and believed that "Win and Lose" dialectically analyzed the game between market competition and the norms of human nature. He mentioned that there is an old Chinese saying that "the world is bustling for profit, and the world is bustling for profit", "Win or Lose" very sharply interrogates economic and philosophical issues, carries out in-depth dialectical thinking on the boundary relationship between competition and norms, and effectively explores the social value of workplace dramas.
Yin Hong, vice chairman of the China Literary and Art Critics Association and professor at Tsinghua University, believes that the theme of "Win or Lose" is pioneering, showing the re-recognition of the value of the workplace by new professionals in the new era, providing a new space for the same type of creation; the genre is innovative, and on the basis of the distinctive characteristics of typology, there are many types of innovative integration, which is a three-in-one work of workplace, business warfare and love, using the type assumptions and vivid image of the common emotions of society to shape the characters, reflecting the profound social meaning.
"The theme has a modern nature, showing win-loss speculation, conforming to young people's values, providing a space for discussion and new inspiration for modern value concepts." Yin Hong said.
Zhao Tong, deputy director of the China Federation of Literary and Art Television Art Center, believes that the drama is based on the present, pays attention to reality, and uses individual fate to drive progressive thinking about corporate forms, corporate mentality and corporate values, and the attitude of thinking about reality, the present and the times is particularly worthy of respect.
Source: China Youth Daily client