Exhibiting visitors
Sichuan News Network - First Screen News Chengdu, January 25 (Reporter He Jiaxin Intern Wang Ying Photo Report) China has a great etiquette, so it is called Xia; there is the beauty of the dress chapter, called Hua. On January 25th, the "Yunxiang Clothing - Silk Road Costume Culture Special Exhibition" was opened at the Chengdu Museum.
In this exhibition, Chengdu Museum takes silk road costumes as the theme, and unites the China Silk Museum, Gansu Provincial Museum, Inner Mongolia Museum, Yunnan Provincial Museum, Fujian Museum, Hunan Provincial Museum, Shandong Museum, Ningxia Hui Autonomous Region Museum, Ningxia Hui Autonomous Region Guyuan Museum, Gansu Jianmu Museum, Qinghai Provincial Institute of Cultural Relics and Archaeology, Gansu Provincial Institute of Cultural Relics and Archaeology, Beijing Institute of Fashion Institute of Ethnic Costumes, Jingzhou Museum, Luoyang Museum, Hanjing Diyang Mausoleum Museum, Xi'an Museum, Qingcheng County Museum, Gaotai County Museum, Jiayuguan Great Wall Museum, Yanchi County Museum, Turpan Museum and other 186 pieces/groups of precious cultural relics from more than 20 cultural institutions in 11 provinces, 3 autonomous regions and 1 municipality directly under the central government, through silk fabrics, costumes, pottery figurines, portrait bricks, etc., lead the audience into a magnificent and magnificent world of clothing, feel the vitality from ancient costume art. It is understood that the exhibition will last until May 2022.
Exhibits
"Traditional Chinese culture emphasizes that the Spring Festival is to change new clothes. I hope that everyone will wear new clothes to visit the exhibition during the Spring Festival and feel the changes in traditional Chinese costume culture. Wei Min, curator of the exhibition, introduced, "Yunxiang Clothing - Silk Road Costume Culture Special Exhibition" through the interpretation of the development and change of clothing culture along the Silk Road, explores the continuous development of traditional Chinese costumes in national integration, and highlights the artistic achievements of the Chinese nation as the "Kingdom of Clothing and Crown".
The brocade robes with flower patterns from the Warring States Tomb in Mashan, Jingzhou City, tell the story of the development of China's silk weaving industry in the pre-Qin period; the dragon-shaped gold necklaces and gem-encrusted gold crown ornaments unearthed in Inner Mongolia, and the gold fangqi excavated from Ningxia Yanchi, etc., empirically prove the exchange and integration of foreign culture and Central Plains costume culture; the picking mulberry silk painting bricks unearthed in Gaotai County, Gansu Province, truly depict the local textile production technology in the western regions of the Wei and Jin Dynasties, showing the spread of central plain textile technology along the Silk Road.
The reporter learned that this exhibition concentrates the characteristic historical and cultural resources of Chengdu and the cultural and cultural units along the Silk Road, not only the classic collection of provincial large museums, but also integrates the fine cultural relics of a number of small and medium-sized museums in places that have rarely entered the public eye before. For this cooperation model, the curator said that this not only satisfies the needs of Chengbo as a curator, gathering more cultural relics and concentrating on presenting a good exhibition, but also promotes the exchange of collection resources of local museums, so that its collection of exquisite cultural relics can be fully displayed; at the same time, it can also meet the audience's viewing needs for new exhibitions and optimistic exhibitions, and can appreciate the style of exquisite cultural relics in different regions, achieving mutual benefit and mutual benefit and win-win results for all parties.
Throughout the ages, clothing culture has been an important vein in traditional Chinese culture. With the theme ideas of "The Belt and Road", "Ethnic Integration" and "Technology and Cultural Exchange", the exhibition shows the historical trajectory of the integration and development of multi-source costume culture on the Silk Road through themes such as "the early opening of the Silk Road and the western transmission of Han Jin", "the integrated development of national costumes" and "weaving technology and style innovation", and outlines a splendid picture of the continuous and thriving chinese national costume culture.
Affected by the epidemic in Xi'an, some exhibits from Shaanxi had to be postponed. To this end, the exhibition specially launched immersive historical images to bring everyone a unique viewing experience.
The audience will see that the multiple projectors in the center of the exhibition hall reflect the overlapping frames, reflecting on the curved wall in front, reproducing the exquisite story paintings of Dunhuang, the images of painted figures, the animal head brocade excavated from the Loulan site in Xinjiang, and various colored embroideries from the Niya site... The flashes of light are like walking into history alone, personally experiencing the changes and changes of Yangyang Chinese costume culture.
(He Jiaxin, intern Wang Ying, photo report)
(Sichuan News Network)