"On the river"! Don't eat ginseng fruit as a radish

"On the river"! Don't eat ginseng fruit as a radish

-- Refuting the ignorant nonsense of "Jiangshang" with a professional eye

A so-called "Jiangshang" (real name Zhou Chunguo), who has long sold cultural relics and personally participated in tomb robbery, concocted an article titled "Chongqing University Spent 6.7 Million Yuan to Build a Fake Museum?" Self-media network article. Throughout the text, he uses jokes and ridicule, deliberately eats ginseng as a radish, cannot distinguish between noble and lowly, stigmatizes the exhibits in the museum, violates the minimum common sense, talks nonsense, pretends to be a posture, creates a false situation, acts as a "teacher' grandfather" for the melon crowd, like a shaman and a shaman to redeem the blindness of the masses, under the banner of "anti-corruption for the people", behind the scenes, uses the water army, uses the flow accumulated by bubbles, uses the bad media belonging to public instruments and private organs, forms public opinion, throws dirt on schools and unpaid donors, and finally achieves their goal of cooperating with anti-China forces at home and abroad to insult China and black China.

In the words of "on the river": the whole museum is a fake, irresponsible nonsense. Using his expertise, the main exhibits of his fingering are refuted as follows:

First, "on the river" said: ".... The following pile of glass products is really a bit out of line, because they tamper with the history of glass development and push the history of transparent glass forward for thousands of years in one breath. "In the end, someone else has pushed the glass mouth forward for thousands of years in one breath", or "Jiangshang" lacks knowledge and lacks knowledge, patronizes and sells cultural relics, and has no time to read books and understand the minimum common sense!

First of all, look at the book "Ancient Chinese Glass" published in Taiwan, Professor Qi Dongfang of the Department of Archaeology of Peking University said in the preface: "At least before the Song Dynasty, Chinese glass was more precious than jade, gold and silver. Those shiny, transparent, crystalline glass, magical, even priceless. Chinese the history of starting to make glass is not late, according to the current archaeological findings, the Spring and Autumn Warring States have appeared earlier... ”

Take a look at the Warring States Dragonfly Eye Beads in the illustration on page 2 and 9 of the book:

Here, we also quote the article of Mr. Zhang Fangshuo published in the "World Journal", and excerpt a paragraph: According to the "experts" consulted by "Jiang Shang" and "The Paper", among the few pictures of the limited collection that were "fake to absurd", the contemptible people ate half a leopard bile today, and said here: There are several pieces that are not only not fake, but also really not, one of which is a number of warring Han dragonfly eyes (old glass beads), one picture is the Han Dynasty blue glass phoenix cup, which can be referred to the Metropolitan Museum of Art in New York, the Louvre in Paris, If you feel that you have run too far and are reluctant or unable to afford to spend the same collection of similar collections at the Royal Ontario Museum of Canada, then take a trip to the Shanghai Glass Museum and the Hebei Provincial Museum. That blue transparent glass phoenix cup, in the Guangxi Hepu Museum can find a pair of "more outrageous" Western Han Dynasty blue spiral glass ware, if it is too far, take a trip to the Beijing Glass Research Institute." Authoritative professional research results are that in the Western Zhou Dynasty more than 3 100 years ago, along with the development of the bronze smelting industry, glass appeared. As a derivative of bronze smelting, it entered the ranks of ancient Chinese artworks. In the time of Emperor Wu of the Han Dynasty, there was a "shrine to the shrine house", with "glass as light, light can penetrate". The historical record is so clear. "Jiang Shang" said: "The history of transparent glass has been pushed forward for thousands of years in one breath." In the face of real history, how pale you look to be "on the river"!

Second, the "electroplated" gold and silver inlaid gem-encrusted turtle-shaped vessel that was fingered by the river. It is also a typical example of anonymous "experts" who are also sought out by some media to say that they are "outrageously fake".

"Jiangshang" is good at nonsense, stealing concepts, Ming Xiu Zhan Dao, and darkness Chen Cang. Deliberately using contemporary "electroplating" to confuse the ancient craft of "gilded gold and silver", because it wants to achieve the purpose of spilling, use "electroplating" to make fish eyes and beads to stimulate the mood of the melon public. Use foolish means to achieve his political ends. To describe the "gilded" of a Han Dynasty gilded and treasure-encrusted turtle as a contemporary "electroplating" metaphor is a forgery, and this clumsy technique is very good at playing "Jiangshang".

If "Jiangshang" does not like to read and likes to make trouble, (he once scolded the experts of the Forbidden City and the National Museum over and over again), then we ask netizens to put the wrong gold, silver and copper dice excavated from the Mancheng Han Tomb, the inlaid gold and silver leopard-shaped town, the gilded jade copper pillow, and the gilded jade tiger and bear-eating copper town excavated from the Han Tomb of Dayun Mountain, all of which are displayed in the Nanjing Museum and the Meixiu Museum in Japan. The comparison between the two compartments is really self-evident.

Third, "JiangShang" has ulterior motives to use the collection of different utensils and different ornaments to seduce the melon-eating masses there with the usual methods of Zhang Guan and Li Dai. It's like deliberately mixing Beijing's Tiananmen square with Di'anmen. The major museum displayed is a YuanQinghua "Three Gu Maolu Pattern" jar, which is used to compare with the "Xiao He Yue Under the Moon Chasing Han Xin Pattern" plum vase excavated in the tomb of Mu Ying, a great general in the early years of the Ming Dynasty in Jiangning, Jiangsu Province, in 19599. From the content of the ornamentation: one is Three Gu Maolu, the other is Xiao He Yuexia chasing Han Xin, not leaning on anywhere, but "Jiang Shang" pulls them together, which fully explains his unlearned and unskilled nature. It is not interpreted from the shape and ornamentation of the exhibits, nor from the hair color characteristics of the Su lai ma ni green material (also known as Su Ma Li Qing and Su Bo Ni Qing) used in the exhibits. Meta-blue flowers are imported from Persia to sulemani, and are characterized by halos, dark spots, concaves and tin. The ornamentation of the Three Gu Maolu Jar not only has these characteristics, but also has a condensed bead on it. Moreover, the carcass of this jar is thick and heavy, the glaze is milky white, the body is covered with brown eyes, the outer wall of the circle foot is obliquely cut, and there is a clear flint red on the bottom. Judging from these characteristics and the sense of maturity and use of the inner chamber, it is fully proved that it is a typical device of yuanqinghua.

In addition, you can tell "on the river". I have been studying Yuan Qinghua for more than twenty years, in order to study in depth, I specially went to the Topicapa Palace in Istanbul, Turkey, and the National Museum of Iran in Tehran, Iran, to investigate the two most important and authoritative places in the world, and then to the British Museum dozens of times to see the standard instrument "elephant ear vase" of Yuan Qinghua, and also invited friends in the collection to go to the Shanghai Museum to see the "Yuan Qinghua Special Exhibition", and the well-known "Ghost Valley Downhill Pot" to come into close contact, and repeatedly watch and discuss with friends. And I photographed all the details. "On the river"! Do you have my experience and spirit of study?

The picture above shows two pictures of the Blue and White Jar of Yuan San Gu Maolu on display at the Chongqing University Museum

On the left is the inner chamber of the jar and the details of the bamboo. On the right are bubbles in the sole foot and in the sulayani material on the can

Fourth, in the "Jiangshang" online text, there is such a paragraph of wanton attack: Three colorful hanging orchids, the value is continuous. This big and friendless sancai fat woman not only hangs orchids, but also hangs orchids that are only available in modern times, which is more orchid than ballpoint pens. That persimmon cake face, that pair of fighting cock eyes, also greatly broke through the lower limit of the Tang Dynasty's aesthetics, really a god fart, extraordinary. "

Seeing this, I first copied a netizen's comment to you as follows: "Ignorance and fearlessness are still supremely glorious" "No culture and love to run out and charge big tailed wolves..."

Here, I ask: Is this Tang Sancai? One look at the female characters are classified as Tang Sancai, which is also too strange and ignorant, right? At this level, you have also run out and sprayed everywhere, becoming a "professional" person and "authority" in the eyes of the melons, which is also too sad in this world.

As long as we have a straight heart, people with a little knowledge of cultural relics will say: This is a Tang Dynasty hanging tire female figurine, you can't even distinguish between Sancai (the professional name is "color glazed pottery", commonly known as Tang Sancai in the Republic of China) and hanging tires, pretending to be a ghost here, and deliberately talking about the difference between hanging tires and glaze there. Stranded tire is a professional title passed down since ancient times, also known as "stirring mud", "stirring tire porcelain", "flower-permeable porcelain". Usually with white or brown, yellow and other different porcelain clay, respectively, made of color mud, and then twisted together, made of new mud, and then pulled blank molding, poured a layer of transparent glaze, there are also made of mud cut into sheets for inlay.

Due to the cumbersome process and repeated processing, the blank body presents a pattern formed by two kinds of porcelain clay mixed together. There are annual rings, feathers, pheasants, plum blossoms, etc., and there are also flowing water clouds, with ingenious ideas and many changes.

At first glance, this female figurine is twisted with cobalt and black, forming a pattern of clouds and flowing water, and from the small upward warp features of her body, it can be seen that she has experienced historical changes. As for the "bluer than the ballpoint pen painted" on the "river", it was determined that he was colorblind and could not even distinguish the hue. In particular, JiangShang judged the antiquities with the habitual eyes of the bubble girls, saying: That persimmon cake face, that pair of fighting eyes, also greatly broke through the lower limit of the Tang Dynasty's aesthetics. People with a little knowledge of art history know that the Northern Wei Dynasty advocated thin bones and clean faces, and the Tang Dynasty was popular for plump and fat bodies. Here, the French v & A Museum, the Senucci Museum, the Jimei Museum, the Tang Dynasty Ladies in Xi'an and the murals in the tomb of Prince Zhanghuai in Qianxian County, Shaanxi Province, are displayed here. Basically, it is "plump fat body". Not only are they "cockfighting eyes", but also "Mimi eyes" and "big bulging eyes" are far from the girls you want to bubble. In your words: what an "extraordinary fart"! Writing this, I quickly covered my mouth.

In addition, whether it is textbooks or literature, even the folk customary name is called "hanging tire", because the appearance is the same, called "the gentleman in porcelain", starting from the Tang Dynasty, to the peak of the Song Dynasty, "Tang Sancai" is a meditative vessel, which is for the dead, and the "hanging tire" is for the living. But you don't know how to pretend to understand the mysterious show that it should be called "hanging glaze", how can the hanging glaze be "consistent in appearance"? In order to achieve the shameful slander purpose, you also said that there are imitations in the "Nanshishan Village in Henan". Tell you! There is a place to imitate Tang Sancai and Northern Wei pottery figurines, because the cost is too high, there is no imitation of "hanging tires", and there is no "Tang Dynasty hanging tire riding figurines" that are blind to you.

Sixth, after trampling on the museum's collection, you have used up all the slanderous vocabulary. For the Tang Sancai camel carrying figurines, "the camel carrying figurines excavated from the Xianyuting Tomb now in the National Museum have been found in Chongqing for its long-lost brother." "What do you mean by that?" Its brother refers to this exhibit and the one of the national expo is born of the same mother, flesh and blood?! Why do you say that the whole museum is called a museum of counterfeits? Here I show you another piece of music figurines in the album "Tang Sancai" of the Shanghai People's Fine Arts Publishing House, is it also a long-lost brother. Regardless of what "Jiang Shang" means by saying this, let's first analyze it in real terms:

First of all, the tire quality of this collection is delicate, loose, and there are corrosion marks, showing rust spots such as calcium, and upward warped pieces, and the surface layer of the exposed tire has a sandy pit (commonly known as sesame glaze), the glaze color is deep and soft, there is a sense of luster, and there are flow lines like silkworm spit filaments in the glaze, and the soil rust on the surface is natural.

VII. "Jiang Shang" named the "secret drama figurines" "rogue figurines," which shows his mentality and said: "I seem to have seen it in a certain shop specializing in fake goods in the Three Gorges Antique City, and it turned out that Professor Wu bought it." This is the museum's temporary "Elephant Tangible - Chinese Classical Plastic Arts Exhibition" to welcome the 90th anniversary of the school, because the collection is not enough, borrowed from other collectors, which shows how much "Jiangshang" spilled on Professor Wu! "Jiangshang" must be pointed out that it is the shop in the Three Gorges Antique City that specializes in selling fake goods, and we must ask the industrial and commercial departments to investigate and deal with it. Please also visit the National Museum to see such collections! Gain some insight and learn to speak objectively later. Also remember Lu Xun's words: "Don't speculate on people with the greatest malice"

VIII. "Jiangshang" also said: "The mini version of the Red Mountain C-type Dragon, (the Jade Pig Dragon written on the exhibition label), regardless of the authenticity, can we first distinguish between the dragon and the pig?"

Writing here, I would like to quote a sentence from a netizen to answer: "How is this different from an embryo that has not yet formed to evaluate whether an adult's walking posture is correct?!" Here we answer with various editions of authoritative books: it is also called "Jade Pig Dragon" on page 5 of the Jade Scroll in the Encyclopedia of Chinese Art Collection And Appreciation. In the Complete Collection of Jade Unearthed in China, pages 1 35, 1 3 6, 1 3 7, 1 3 8 Pages The full name of the Hongshan culture unearthed in Inner Mongolia is jade pig dragon, so why do you deliberately confuse the position here, misplacing the labels of "jade dragon" displayed above and "jade pig dragon" below, and then talking nonsense here, maliciously slandering.

IX. "Jiangshang" also refers to the "Han Dynasty Qinghuangyu Jade Pattern Phoenix Bird Zun" with sneering sarcasm, Fake: Falling Soup Chicken Version; Han Dynasty 'Jade Phoenix, although born with a look of bad luck like a fallen phoenix is not as bad as a chicken, but everyone has an eagle's mouth, be careful to peck you! "Is this the ridiculous description of your judgment of the authenticity of a collection?"

This collection of topaz texture, fine and shiny, partially qined with ochre red spots, phoenix in the shape of prone, looking forward, grasping the ground with both feet, the joint feathers into a cirrus pattern, the tail upturned, using the carving technique to express the cirrus pattern feathers, from the back of the chamber, the mouth is square, and the wings are covered by a circular carving technique, and the mouth is fastened with the mouth of the mother. The whole body is mainly made of line relief phoenix pattern, decorated with fish scale-like feathers, neck out of the halberd; pipe diamond marks decorated garden, the overall momentum is straight and beautiful, the yin carved lines are strong and powerful, and the mysterious abstraction of a change of warring states turns to a style of realism and exaggeration, both gods and shapes, and the sense of sculpture is very strong. This collection, in terms of materials, qin spots, carving techniques and artistic style, should be a fine piece of Han Dynasty jade. The picture below on page 1 32 of the large-scale album published after the auction at Beijing Zhongjia Auction Company (the title of the album is "The Essence of Han Jade", foreworded by Zhou Nanquan, an expert in the study of jade in the Forbidden City), is very similar to this exhibit for judging and comparing.

10. A jade kneeling person in the late Spring and Autumn period and early Warring States period in the exhibition, the jade is transparent, the pulp is thick, the figure sits on his knees, his hands are on his knees, and the cirrus pattern made of milled clouds is covered with clothing, showing a gorgeous and noble atmosphere, his face eyebrows are curved, and his eyes are staring at the front and bottom. It shows the character's hasty mentality, and uses a more realistic way to express the image, proportion, expression, charm, etc. of the characters just right, especially for the study of the costumes and hairstyles of the time, which provides extremely valuable historical materials. And "Jiang Shang" actually used the perverted psychology of hippie to depict this jade artifact as: Han Dynasty 'toad essence, Heavy Bo said that the jade kneeling man came. "

11. "Jiangshang" is accustomed to pulling things from east to west, making mistakes, and then drawing absurd conclusions, clearly writing on the exhibition signs: "Warring States Six Rides The Wrong Silver Carriage." He had an ulterior motive to say: "The modified copper carriage is huge, and the whole body is wrong silver." In the shape of the horse and the standard of the car, completely imitate one of the bronze carriages and horses in the mausoleum of Qin Shi Huang, although the type system is somewhat awkward, the workmanship is quite rough, and the details are not very exquisite, but there are many horses, two more horses than Qin Shi Huang, four before and after, a total of six horses, strong horsepower. Qin Emperor Han Wu, where to lose is just Literary Cai"

People with a little historical knowledge know that the middle period of the Warring States period is the heyday of the development of chariots and vehicles, with the number of horses and the quality of the vehicle to measure the strength of the military strength and the strength of the country, elite, whether it is a car or a chariot, the perfection of its manufacturing technology, the rationality and precision of the design concept, not only in the structural design, but also in the materials used, the decoration of the car are the pursuit of comfort and luxury, is a peak in history.

In the Qin Dynasty, due to the rise of cavalry, the rapid mobility of cavalry combat far exceeded that of chariots, especially the advantages of being less limited by the geographical conditions of the battlefield, which dwarfed the chariots, and the chariots were gradually eliminated from the battlefield. At this time, the chariot was far inferior to that of the Warring States period. According to records and archaeological findings, in the case of horse-drawn carriages, "a single-boat car needs at least two horses to drive, and can sometimes be driven by six or eight horses." "

This exhibit is borrowed from a collector's collection, and the overall appearance of a thick sense of history, the workmanship is very exquisite. The roof cover of the car has dozens of inscriptions and very exquisite patterns, which is majestic. Here we quote the original text of professor Zhang Wuchang, a well-known economist in Hong Kong (1 9 59 years, at the University of California, who received a doctorate 8 years after studying with the founder of the modern property economy; later became a professor at the University of Washington, and returned to Hong Kong in 1982 to serve as the dean of the School of Economics and Finance of the University of Hong Kong) as follows: "I saw an article on the Internet saying that Chongqing University was donated by Professor Wu Yingqi's collection to build a museum. The web article was long and questioned whether it was a fake museum.

I'm not going to get involved in the controversy here, but one of the exhibits that don't look very clearly online is a bronze carriage with six horses, and the author raises several questions. I think this set of cars is a product of the Spring and Autumn Warring States (Eastern Zhou) period. Because the wrong zinc used (the experts of the auction house all mistakenly mispronounced silver) began in the Spring and Autumn period and flourished in the Warring States, and then became rare. In other words, I think that the set of Qin Dynasty bronze carriages in the Terracotta Warriors and Horses in Xi'an today is modeled after the Warring States of the early hundreds of years, and we should not look at it backwards today. "

XII. "Jiang Shang" in the whole text, like this, reverses time and space, transgresses the number of rituals, uses Zhang to say Li, self-written and self-acting, deceives others, and uses absurd logic to verify absurd conclusions. Without real identification methods and the spirit of pragmatism, it is deliberate to pull together the two different utensils of the "Shang Dynasty Animal Face Pattern Ding" and the "Houmu Peng Ding" in the exhibition hall, just like comparing Fan Bingbing and Song Meiling, although they are both women, but the two unrelated women, origins, and social states are fundamentally different, and the similarities between the two Dings are only Ding (there are too many Ding types in China) are bronze. But their size, ornamentation, and experience of working in the country (such as use, casting master) are not the same, does Fan Bingbing have to be like Song Meiling to be a woman?! You kind of Hula quilt chaotic felt deduction, no professional knowledge, actually here to say three or four, don't you feel reasonable!

XiII. This time, "Jiang Shang" did not use the god of Zhang Guan Li Dai to operate, but accused there in pure ignorance: these two monsters called dragons. "You see it three points like a dragon and seven points like a dog, is it eloquently corroborated; the dragon gave birth to nine sons' The truth of this legend?

He is ugly, "eloquent", "corroborating" why do you always behave like this?! You clearly wrote "Chongqing University spent 6.7 million yuan to build a fake museum?" " has come to a conclusion, come to play another one? He became a butcher and pretended to be a vegetarian.

These two glass dragons of the Han Dynasty, you can understand everything by looking up the books, in the bronze volume of the "National Treasures" series of books, "Han Dynasty Lux Riding Dragon Toju Boshan Furnace" (now in the Palace Museum) and the British Museum's "Han Dynasty Lux Riding Dragon Toju Boshan Furnace". Here's a general understanding of this, this is the early Chinese "Wolong", this Lux rides the Wolong (see illustration factory and major museums of the Han Dynasty glass dragon is consistent. And these two Pieces of Han Dynasty Glass Wolong are the products of a long period of time.

"Jiangshang" deliberately used front and back inversion, inverting black and white, Zhang Guan Li Dai. "One" and other techniques are extremely harmful to evil words, and the knowledge is pale, but it is full of insiders there. In order to gain eyeballs, we do not pay attention to the merits and demerits at all, how to stimulate public opinion, how to be chaotic, to cater to the tastes of some irrational and hateful melons in society (hatred of officials, hatred of the rich, hatred of the police, hatred of knowledge, hatred of society), creating tearing emotions, triggering the public who do not know the truth and attacking, and causing social insecurity factors.

What is particularly important here is that according to the investigation, the "Jiangshang" person did not go to the Chongqing University Museum at all, but you said in the article: "There is another person who looks like a leader who came to ask: Are you here to see the exhibition?" Is it Chongqing University? I felt very surprised, and later compared with the online photos, I learned that this is the Wu Ying riding mentioned above. "Tell you "on the river", Professor Wu Yingqi opened on October 7, 2019, and went to the field to do business, and has not been to the museum. Where did you meet "Wu Ying riding in the form of a leader". Under the blue sky, you actually lie and slander publicly.

On the afternoon of 1 January 4, after the "Jiangshang" online article was issued, the "Beijing News" and the "Surging News" distributed the online article to the whole country on the morning of the fifteenth day, which was obviously prepared in advance, intensively, and meticulously planned. Then he reported hearsay, short flights, and nonsense as fact. Using public opinion to smear the situation, using water forces to suppress the situation, using the Internet to spread, using wave after wave of so-called revelations, and using human flesh to search, exposing generations of the Wu family, the speed is also accelerating the purpose of exposing your conspiracy to frame. You have used the public power of the state, the public instrument of the state, and the distinction between black and white, and you have used a very bad public opinion to throw dirt on Chongqing University, and at the same time to crack down on an old professor who donated free of charge out of public conscience. I'm telling you guys! The Internet and the media are not extralegal areas, and the use of the Internet to splash and frame is a crime, and you will inevitably be liquidated and punished by the law.

Text/Green Frost Sword