Tao Yuanming loves chrysanthemums alone and loves the leisurely self-sufficiency of "picking chrysanthemums under the eastern fence". Zhou Dunyi loves lotus flowers, because of its elegance of "coming out of the mud and not staining". The literati often expressed their own aspirations. Li Qingzhao, as a female lyricist and a representative of the elegant school, loves flowers very much. From these four words about flowers, we can also see Yi An's deep feelings and the sorrow and joy of a lifetime.
Partridge Day Osmanthus Flower
The dull and light yellow body is soft, and the love is far away and only fragrant. Why light turquoise and deep red, it is the first class among flowers.
Mei Ding is jealous, Ju should be ashamed. Paint the opening of the crown Mid-Autumn Festival. Rioters can think ruthlessly, what is not seen in the past.
Li Qingzhao discussed the osmanthus words throughout, and did not hide his preference and praise for the osmanthus at all. The elegance and vulgarity of "love estrangement is far away and only fragrant", which is also the portrayal of the author's unconventional and self-determined personality, so he is particularly sorry for each other.
The first sentence first writes the color of osmanthus flowers, people's impression of yellow is usually dazzling, feminine and moving, and the author's yellow of osmanthus is "dark", "light", "light", light and pleasant. Laurel trees often grow in the mountains, but the aroma has not diminished. "Light blue and crimson red" is a common color of flowers, but it is not necessary for osmanthus flowers, its soft color, rich aroma is enough to become a celebrity in flowers.
The author believes that the lonely plum blossom will also be jealous in front of the osmanthus flower, and the hermit chrysanthemum will also feel ashamed, and in the golden autumn of August, the osmanthus flower is the crown of a hundred flowers. Qu Yuanzhi's article does not see Osmanthus flower, not because Osmanthus is not worth it, but because he does not have enough feelings. This poem was composed by Li Qingzhao and Zhao Mingcheng living in Qingzhou, and those days were peaceful and peaceful, and the work naturally exuded an optimism and self-confidence.
Drunken flowers and mist thick clouds are sad forever
Mist thick clouds worry eternal day, Rui brain dispels the golden beast. Festive and heavy sun, jade pillow yarn kitchen, cool in the middle of the night.
After the east hedge put the wine at dusk, there is a dark fragrance full of sleeves. Mo Dao does not lose his soul, the curtain rolls in the west wind, and people are thinner than yellow flowers.
Chongyang festival, the thoughts are always more profound. This poem was written after Li Qingzhao and Zhao Mingcheng got married, Zhao Mingcheng left home due to official duties, and the author's love was so great that the chrysanthemums in the words were covered with a sense of separation.
The first sentence writes out the weather covered with thick clouds in autumn, and the already depressed mood is naturally even more inexplicable. The word "eternal day" shows how difficult time is for the writer. On the day of the heavy sun, it should have been celebrated with relatives and friends, and the writer could only stay alone in the empty boudoir, allowing the cool breeze at night to invade the pillow bed.
Although unaccompanied, the chrysanthemums bloom so well, and the poets also appreciate the chrysanthemums with wine in accordance with the festive customs, and the fragrance is fragrant. In ancient times, there was a sentence of "Sweet fragrance is full of sleeves, the road is far away", and "there are dark fragrant sleeves" used this sentence to allude to the author's thoughts about her husband.
The west wind rolled up the curtain, and outside the curtain was a delicate chrysanthemum, and inside the curtain was a woman who was haggard because of the thought of her relatives. The contrast between the two is that "people are thinner than yellow flowers", and under the layers of rendering of the season and environment, the reader has empathized with the lyricist and is placed in the realm of the lyricist's portrayal. With such pen power, it is no wonder that it can become a good sentence for thousands of years.
Good thing near the wind settled flowers deep
The wind is set and the flowers are deep, and there is red snow outside the curtains. After the begonias bloom, it is the spring season.
The wine song strikes the jade and the sky, and the green jar is dark and clear. The soul dream is unbearable, and it is even more of a bird.
There are countless poems of wounded spring in ancient and modern times, and what is very special about Li Qingzhao's words is that she does not see the hurt of things, but feels the withering of nature in the boudoir. When the writer saw that the wind had lived in the house, he knew that the outside of the curtain was already red and white, just as in the "Dream Order", even if he got the reply of "Begonia still", he also sighed that "it should be green fat red thin".
After the first two sentences, it is natural to enter the scene, and the "long note" shows that many sad things often come to mind, although it does not specifically describe what happened, and the faint sadness has been poured into the pen. The next film naturally writes out the lyricist's self-pity, lonely and lonely feelings. The feast is over, the song is finally scattered, leaving only the lyricist alone to face the empty wine glass, and the green lamp where the fire will breathe. Such a silent picture, even if the words of the lyricist's demeanor and actions are not mentioned, you can imagine how sad her mood is. Even in the dream, there is infinite resentment, not to mention the cuckoo crying when the dream wakes up.
According to researchers, this poem was composed by Li Qingzhao in the spring of the second year after Zhao Mingcheng's death, and the nostalgia for the spring light and the passage of life is read with pity.
Ching Ping Le Nian Xue Li
In the snow every year, plum blossoms are often planted and drunk. Exhaust the plum blossoms without good intentions, and win the tears of the clothes.
This year, at the end of the cape, Xiao Xiao's two sideburns are full of life. Look at the late wind, so you should look at the plum blossoms.
This poem is the work of Li Qingzhao in his later years, intercepting the different states of mind of young, middle-aged and late plums, borrowing plum blossoms to pity himself and tell the ups and downs of his life.
The film recalls the past, when I was young, the lyricist and the husband enjoyed plum blossoms together, folded plum hair, people were as bright and moving as plum blossoms, and the sweet and happy time was fascinating. Then the husband and wife often live in a different place, the writer is full of the pain of parting, and in the following years, the two families have suffered disasters one after another, and the hardships of life have also consumed the poet's interest in appreciating plums, often folding plum branches, rubbing petals boredly, tears and petals falling down, falling all over the clothes.
The next film returns to the present, at this time Li Qingzhao has gone through drifting. The black hair of the hairpin flower has become gray. The last two sentences not only borrow the late wind, plum blossoms withered and lamented their turbulent and displaced lives, but also worried about the worries of state affairs. The fate of the individual and the country is in turmoil, the future is uncertain, and the sad state of mind of the writer can be imagined.
Mr. Wang Guowei once wrote: "Looking at me with things, everything is my color." Li Qingzhao's flowers are like a mirror, reflecting her emotions and moods at different stages, and also achieving classics that have been passed down from generation to generation.