In 2020, Korean dramas carried out the popularity of marriage relationship types in the marriage drama "The World of Couples", and then continued to 2021"Penthouse" in the power struggle in marriage to ignite the topicality, those who are greeted by love and hate, are the ashes of family characters; but at the beginning of 2022, LINE TV's "Work City" on the shelves of Korean dramas, integrating the elements of two popular dramas, and starting from the "endless desire of human nature", saw the protagonists show the class duels between the powerful in high society. It also touches on the three elements of "political struggle", "suspenseful reasoning" and "desire for revenge", creating another layer of marriage storm drama with a "cinematic sense", saying the dark wounds that exist in the gray side of people's hearts.
Set against the backdrop of the Sungjin Group Art Museum, which shakes the political circles of the Republic of Korea, the drama tells the story of women who want to ascend to the highest position in Korea because of their desires, including the director of the art museum " Yoon Jae-hee " , the director of the museum " Seo Han-sook " , and the museum's narrator " Kim Yixue " , each calculating each other's highest interests in containment and exploitation. In addition to the brain-burning plot, it is also mixed with thrilling and suspenseful elements, so that in the plot of seeming desire and revenge, the ugliness and bloody real humanity that expands the sense of reality are more expanded, and under the desperate situation of many desires, the true color of the critical moment is to abstain from the only remaining conscience.
The "19 forbidden" scale once again captured the heat of the audience's discussion
The drama is centered on female characters, Soo-ae plays Yoon Jae-hee, and Kim Kang-woo plays star anchor Jung Joon-hyuk, who is also Yoon Jae-hee's husband; the two actors from the film café perform together this time, the dog blood element is played to the extreme, and it is precisely because of the mother-in-law, the cheating plot, the open struggle between the main palace and the third, the revenge of each other and the suspenseful plot, which captured the audience discussion heat when it was broadcast in South Korea.
Jin Kangyu brought two works last year, "New Year's Eve" and "Memories", box office results are open to the red disk, this time showing the charm of a light and mature man, in addition to the picture of a strong body, and the hot C scene of Xiu Ai or the object of Y, it is closer to the 19 ban, completely cutting to the main axis of "desire". In the play, he was also privately called the "illegitimate son" of his father's extramarital affair by outsiders, so that he has been lingering this painful label in his heart. But with a repressive personality, in order to get close to the peak of power, he can always reveal the perfect image of being an anchor and a good husband, and as everyone knows, these acting skills can still be detected by the most intimate other half in marriage.
Xiu Ai becomes the Great Devil, and when the first lady decides that poverty will devour love
But the real Big Devil is not a male character in this play, but Yoon Jae-hee, played by So-ae, who is the representative of the power desire in the play, in order to be the kenneth helper of the rich family, and the old kilometer Yingwai is pregnant with a son, and step by step for the camp to help the other half become the presidential candidate, the purpose is to make herself the future first lady.
In her heart, believing that poverty will swallow love, the position of the second daughter-in-law of the Progressive Group makes her willing to abandon her old lover and engage in a political marriage, and at the same time, in order to make her husband the president, she joins forces with the next prosecutor general to go to war with the mother-in-law of the center of power, Xu Hanshu. And in the Sungjin Art Museum, which can shake the Korean political and business circles, he swallows his voice and serves as the head of the office, ambushing various wire reports and traps in order to climb to the highest position.
"You confirm your satisfaction through my flaws, strengthen your achievements through my inadequacies, and my misfortune only makes your good deeds shine more." Although I once lit up your world..." But she still has a vulnerable side, this monologue reveals the frustration of her heart, not willing to be poor, can only face up to her own desires.
Han Meinu is also coming! "Homicide" adds to the level of thriller reasoning
In addition to the mutual acting skills of the male and female protagonists, the highlight actor is "Jin Shupi" who played the "Korean beauty" in "The Squid Game", this time she is not like the role of Han Mei, and the neat shape shows her introverted acting skills. In addition to becoming Seo Han-sook's right-hand secretary in the play, she also realizes that her life policy is silence, and she knows that if Han Shu is the library that keeps the Korean authorities' strategies to get rich, then her existence itself is Han Shu's way to get rich.
Yoon Jae-hee, who is interpreted by So-ae, and "Seo Han-sook", who is also the mother-in-law played by Kim Mi-sook, shows the most wonderful mother-in-law and daughter-in-law killing duel of the play. Because the mother-in-law always distinguishes people by "use", as long as it is useful to her, it can ensure that he can live a comfortable life, but everything that fails, whether it is something or a person, will be ruthlessly and cold-bloodedly removed.
In particular, she let Yoon Jae-hee suffer all kinds of humiliation and humiliation in the Sung Jin family because of Jung Joon-hyuk's status as an "illegitimate son". This includes the need to confirm the true identity of DNA when pregnant, and at the same time there is no voice at home, and promises that if she has a son, she will be given a business to run, but she also rebelled after she gave birth to a son.
To this end, Yin lurked silently in Xi xi, using his connections, and mastered the mother-in-law's efforts to make a large number of false accounts in order to make her son the first heir of the family group. After receiving the evidence, Jae-hee joined forces with the anchor's husband to fight back against her mother-in-law with an "exclusive report of the bribery scandal at home". The two high-handed mother-in-law attack and defense battles, in addition to the dialogue of shooting arrows everywhere, extend the unexpected "murder case", making the play more advanced at the level of horror reasoning.
Jin Kangyu inherits the heart of the wind and the danger of stealing in the marriage relationship
It turned out that in order to become the most powerful chaebol family in South Korea, the mother-in-law's family had built an archive containing the secrets of the powerful people of all sides, and in addition to easily controlling government officials, they also had the privacy of the chaebols. Jae-hee approaches the prosecutor's wife in order to attack her in-laws, and thus has more private information, but this move ushers in the death of the prosecutor's wife, and this murder creates a conspiracy to find out who the murderer is, and in a funeral, everyone can be the murderer.
In addition to the atmosphere of reasoning unfolded by the plot, the layers of marriage relationships are also crises that have been triggered since the previous generation. Including the illegitimate son "Jeong Joon Hyuk", who was born to Duke Hee and the object of the affair, she and her husband became a thorn in the mother-in-law's eye, but Jeong Joon Hyuk did not take this as a warning, but inherited the heart of the wind. The seemingly beautiful married life in the outside world, but driven by the man's lust, he could not control his lower body, and the accidents under the constant mercy of everywhere also repeatedly broke into the life that was laid out in Xi's original.
Kim Kang-woo's flower-hearted husband character directly and badly disseminates his charming acting skills of playing a leg-splitting man when facing love Y, especially in the dangerous emotional game of the forbidden line, which also highlights the dilemma of his growing background. He has worked the various plots of the affair, highlighting different levels of inner desire.
Xiao San attacked, but he also lost himself under greed
And Jae-hee, who is supposed to hate Xiaosan, also staged a "tearing up Xiaosan" action scene to vent his anger for the murdered prosecutor's wife. It turned out that Jae Hee, who had lost her support for the struggle, saw the prosecutor Xiao San at the funeral, and she followed Xiao San to the bathroom and pressed her head into the pool, but she also found that the mercurial prosecutor was not only Xiao San, but also knew that the increasingly chaotic situation hid more ulterior secrets.
But when the xiaosan storm also spread to his own marriage, in order to assist the other half to become president, step by step to the stage of power, he had to bury his own unwillingness and endure the other half's flowery and grassy and broken marriage loyalty.
The drama is also from marriage to the desire for power to expose the greed and corruption of the heart, although the extramarital affair is the old terrier of Korean dramas, but "Work City" still exerts the dog blood element to the extreme, so that the cheating plot, the open struggle between the main palace and the third, and the plot of mutual revenge are staged one by one. The various characters driven by greed also show whether they can find their lost selves under the distortion of people's hearts. However, the costs that create the dark edge are already an unbalanced burden in dangerous marital relationships. Text/Pan Yihao