Han Yu was one of the eight masters of the Tang and Song dynasties, and also the "head" of the eight masters of the Tang and Song dynasties, which could give the Tang Dynasty enough face. Why? Because among the eight masters of the Tang and Song dynasties, the Tang Dynasty literati accounted for only two: Han Yu and Liu Zongyuan, and the others were All Song people.
However, although there were only two Tang Dynasty literati among them, the word "first" was taken away by Han Yu, who broke the cattle. Therefore, in this way, it is not an exaggeration to say that Han Yue fought for enough face for the Tang Dynasty.
Han Yu advocated the "Ancient Literature Movement" and put forward the idea of "the unity of literature and Taoism", because Han Yue was good at writing prose, so he also liked to "take the text as poetry", and the works were often characterized by "strange and strange", and even ugly as beauty, pursuing the majesty of momentum and the strangeness of imagery.
Because of this, the fresh and natural poems that Han Yu occasionally writes are particularly precious. Then what Shi Xiang brings to you in this issue is a fresh and beautiful work of Han Yu, and its title is very long, let's look at it together.
With the Ministry of Water Zhang member foreign Qu Jiang Chunyou sent Bai Twenty-two People
Han yu
The desert is light and cloudy and opens at night, and the blue sky and white sun reflect the terrace.
The water of the Qujiang River is full of flowers and trees, and it refuses to come when it is busy.
Qujiang Spring warm scenery qingming, Han Yue's interest is high, invited his friend Bai Juyi to enjoy the scenery together, did not expect That Bai Juyi retreated because of the muddy road after the rain, and missed Han Yu's appointment. However, When Han Yu wrote this small poem, it was not all about "blame", but allegorical to the scene, so that we could see the beautiful scenery at the same time, but also experience the author's lovely and life-loving poetic heart.
Beautiful verses originate from a beautiful mood, reading will always make people feel comfortable, the first sentence of the poem will play this effect as soon as it comes up: desert light yin evening self-opening; desert, misty, broad appearance, used to modify the "light yin", the weather state after the rain is vividly portrayed. And this "light yin" dissipates on its own in the evening, which again presents a clear scene and brings people a clarity of mind.
In the first sentence, the poet not only lays the foundation for the next sentence by introducing the weather, but also hints at his own mood through a simple description of the weather, because with this mood, there will be a series of beautiful cuts in the back, which belongs to the typical expression of literature.
The light shade is dispersed, the natural weather is also sunny, then in the sentence, the author has outlined along a "sunny" word: the blue sky and the white sun reflect the terrace; the blue sky, the warm sunshine, shrouded a building in front of the eyes. This picture is warm tone, it through the selection and collocation of objects, the color blend in, "blue" and "white" is a sharp contrast, and a "day" word is a powerful embodiment of "warmth". When we see this picture, we feel that there will be infinite sunshine in our hearts, and the mood can't help but become relaxed and happy.
The first two sentences are pure scenery copying, which is the specific expression of the author's "Yue", but the friends he invited did not come, and there will be some regrets, so in the last two sentences, this layer of meaning is expressed: the Qujiang River is full of flowers and trees, and it is not willing to come when there is a bottom busy. Reading the sentence "Qujiang River is full of flowers and thousands of trees", we find that the author only cut the "Qujiang" in the title here to point out the location.
As a description of the scenery, the cut in the sentence is more beautiful and attractive than the second sentence. The winding river side of the rain is full of thousands of trees and flowers, this picture is both grand and beautiful, the colors are more vivid and charming, it contains unlimited spring opportunities, the splendid and unrestrained release of spring and readers, it is really pleasing to the eye, not tired of watching ah!
And the author arranged such a beautiful scenery in the third sentence, which not only played a "ignition" effect, but also prepared for his own emotions: refusing to come when he was busy? Cut to the characters, the main idea is fully revealed. He asked Bai Juyi, what are you too busy to come? The author has a bit of a reproachful tone in this sentence, but it is more of an expression of inner regret. Because of such a beautiful scenery, it is a pity that Bai Juyi did not see it, although the author himself has already seen it, but the beautiful things have not been shared, of course, there will be a regret. Here, the author's true and lovely image and his love of life are also perfectly displayed.
Combining the two sentences, we will understand the author's profound intention: he wants to use the most beautiful scenery to express the deepest emotions, and wants to use the deepest emotions to reflect the most beautiful scenery, so that the two can form a sharp contrast at the same time, but also integrate with each other, foil each other, unify each other, and finally achieve super high artistic charm.
Looking back at Han Yu's poem, its emotions have undergone a sublimation process from plain to rich, step by step, step by step, slow but not urgent; the description of the scenery has been promoted from quiet to bright, adding and enriching. Let the reader enjoy and infect from both the visual and sensory aspects, so is it a good poem? Absolutely.