Recently, a bowl cavity anti-epidemic video work "Victory's War Drums Beating the Horn in Unison" was widely forwarded by fans, in the video of the old man holding the moon piano, playing and singing by himself, the simple and thick, melodious singing voice tapped the soul, bringing people like being in the mountains and rivers.
"The taste of teacher Fu playing and singing is really strong", "Hearing the music brought me back to the land of Sanqin, comfortable", "The old man's singing voice brings people back to childhood"... Everyone forwarded messages, and Li Mei, secretary of the party committee and president of the Shaanxi Provincial Opera Research Institute, forwarded praise in the circle of friends and said, "It's so good!" ”
The old man in the video is Shi Jingzu, the provincial inheritor of the bowl cavity of Shaanxi East Road. Xiaobian immediately contacted the old man and asked him about the video recording: the original bowl cavity "Victory's War Drums And Trumpets Sound in Unison" was composed by Guo Taibai, who was 70 years old, 79-year-old Shi Jing stopped playing and singing, and his 77-year-old wife recorded. Subsequently, Shi Jingzu shared the video to some bowl and bowl enthusiast groups, which was posted by netizens.
Shi Jing stopped performing photos
Three elderly people who are more than 200 years old are concerned about the epidemic in Xi'an, and this friendship is touching; Mr. Shi Jingshu and his wife are so old, they can still "surf" on the Internet, which makes the editor more surprised and admired. The old man said that since 2016, he began to buy a smart phone and learn to go online, so that he could shoot some video works and send them to everyone, which was also a copy of the information. "I have to keep up with the times, my plays can keep up with the times, usually some of the plays are recorded by your aunt for me, after a while I will send you another work, see if you can use it..." The old man said happily.
Soon, the old man sent a carefully recorded and produced video "Victory over the Epidemic and Reunion", and introduced: "The video I took was seen by Li Li, deputy director of the Linwei District Cultural Center in Weinan City, and she felt that she wanted to record it well, so she drove me to the cultural center for recording." ”
During the chat, the old man told me that he had a third work, but it had not yet been recorded. This work is called "The Epidemic Plagues Xi'an City", he saw a lyric about the fight against the epidemic on the Internet, and felt that it was good, so on this basis, the lyrics were modified according to the characteristics of the bowl cavity, and the lyrics were prepared to be interpreted with the three roles of raw horn, Dan horn and net corner. "A triangular bowl cavity! I can't wait to hear it," I couldn't hide my anticipation. "Okay, XiaoYan, I'll record it and send it to you tomorrow," the old man cheerfully agreed.
The next day, I received a video from the old gentleman and listened to it five times in one sitting. The yueqin sounded like a pearl falling jade disc under the old man's plucking, and the transformation between the roles of Sheng Danjing conveyed the emotions of opening and closing and pouring out thousands of miles, and the last heroic and atmospheric net horn singing sang the determination of the old Shaanxi people to win the fight against the epidemic. This unique charm, such a simple singing voice, let people be mesmerized, repeated thinking!
Introduction to Shijing Stop
Shi Jingshu, born in 1944, is a native of Weinan, Shaanxi, and a provincial inheritor of the bowl cavity on East Road, Shaanxi. Deeply influenced by his father since childhood, he was obsessed with bowl and bowl shadow puppetry, and after graduating from middle school in 1961, he learned to play the second string, and in the second half of 1962, he began to play the second string for Li Yangkai, Xie Delong, Xu Fachao, Li Shijie, Xiao Zhenhua and so on. After the Cultural Revolution, as the old artists grew older, in order to succeed others, Shi Jing stopped being changed to the first one of knocking, playing and singing. From 1994 to 2003, he was hired as the foremost head of the Deqing Shadow Puppet Club in Shaanxi Province, from 2004 to 2014, he served as the vice chairman of the Weinan Shadow Puppet Association and the president of the Weinan Lotte Shadow Puppet Club; and from 2016 to 2016, he served as the coach and art director of the Weinan Deqing Shadow Puppet Club.
Editor: Yan Wei
Review: Mei Wang
Final Judge: He Jun