radar
Sensitive cavity endowment
When Yu was young, he listened to the Qin Cavity Records of Shanghai BAIDAI Records and was obsessed with Minlu. The record turns, and it must be known: "Emily Company specially invited Mr. Li Zhengmin, the authentic Qin Cavity, to sing..." Its language is still clear and refreshing. Listening to Yang Fenglan's "Wang Baojun" VCD disc singing segment today, I deeply feel that Fenglan Cavity has not only faithfully inherited the characteristics of min cavity, but also has creative development, making it more beautiful and intoxicating. After repeated chewing, taste and endow.
The Qin cavity is authentic, only the Tui Sensitive Cavity.
Broadcasting in the northwest, throughout the city and countryside.
Flower sound bitter tone, both long.
More important than charm, especially good at sadness.
The flowers are beautiful and cheerful.
Flying flowers and butterflies, full of energy.
The bitter sound is like crying, and the heart is rubbing the intestines.
The change of palace is touching and sad.
Slow board slowly, tight board exciting.
Short tones are urgent, long tones are long.
The downward melody is a masterpiece.
Euphemistic and graceful, the rhythm is steady.
It's like a spring, natural and smooth.
Soft and delicate, the aftersound is wrapped around the beam.
The tone is kitschy and the accent is strong.
Suddenly resting, the mood is sad.
Repeated emphasis, intended to be exaggerated.
Depression and frustration, one relaxation.
Pay attention to language, according to the words and lines.
The four voices are distinct and the sound rhymes.
One and the same, soft and rigid.
Singing and singing, intoxicating.
Faithful to inheritance, expensive in the cavity.
Soft accompaniment, also a long.
Stand out for personality and be unique.
Learn from various dramas, abandon the short and promote the strengths.
Old and new songs, spread all over the world.
The art has been passed down to future generations, and it has shaken all directions.
--Radar in December 1998
Yang Fenglan's "Wang Baojun" singing style collection
Editor/Liu Jun Review/Yan Wei Final Review/He Jun