Mi Fu is historically recognized as a master of calligraphy. In his lifetime, he left many works, which can be described as a golden mountain and jade sea. In particular, his writings can be described as another peak after the Second King and the Duke of Lu. "The Post of The Value of rain" is a letter written by Mi Fu. The artistic characteristics of the rice characters such as calm and happy, wanton and bold, and eight-sided fronts jumped on the paper.
Interpretation: The head of the dragon. See you early. Value rain. carelessly. I don't know what the axis is. Can be exchanged for approval and approval. Now and Chisna. Emperor Fu (Trepidation) was terrified. Bo Chong defensive platform to sit. How to go under the stone in the court. Go live for only a few days also.
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Mi Fu wrote the book very seriously, not like others imagined, without thinking about it. Mi Fu himself said: "Yu wrote the Haidai Poems three or four times, with one or two good words in between, and the letters were also difficult" (Ming Fan Mingtai's "Mi Xiangyang WaiJi"). A poem, written three or four times, there are only one or two words to satisfy himself, and the bitterness in it is not the hand of a middle-aged expert, but also the rigor of his creative attitude.
This post has a unique understanding of the distribution, structure, and pen use of calligraphy.
In the change to achieve unity, the wrapping and hiding, fat and thin, sparse and dense, simple and complex and other opposing factors are integrated, that is, "bone, flesh, fat, wind and god are complete, just like a jiashi also." In terms of chapters, we attach importance to the overall charm, take into account the perfection of details, become bamboo in the chest, and change with the encounter in the writing process.
The characteristics of the pen are mainly good at forming a flowing and super momentum and a calm and painful style in the positive side, leaning back, back, turning, and sudden setback. The beginning of the word is often quite heavy, slightly lighter in the middle, and when it encounters a turn, the pen is raised and the side of the pen is turned straight down. There are also many variations in the pen, the focus of the next pen is sometimes in the beginning, sometimes in the pen, sometimes in the middle of a stroke, for the longer horizontal painting there are twists and turns. Ticks are also distinctive.
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