This "Winter Landscape" is the work of the Qing Dynasty painter Qian Weicheng, whose more important identity is that of the Qianlong Dynasty and a close subject of the emperor. Some people use "all the way to hang" to describe Qian Weicheng's life, when he was a child, he was "someone else's child", and when he grew up, he was a role model for readers. It is difficult to imagine how many talents can feel ashamed of how many talents can read well and draw well.
From a technical point of view, "Winter Landscape" learns the style of painting in the Courtyard of the Song Dynasty, combined with the orthodox style of Wang Yi in the early Qing Dynasty, and depicts the ethereal tranquility of the winter landscape. Looking at the landscape in the painting, it is easy to think of, "chaotic mountains and snowy nights, lonely candles and strangers". Fortunately, Qian Weicheng is a champion, he is a master in expressing the feelings of the literati, and his paintings of snow scenes express the pure temperament of the literati.
Qianwei City Winter landscape
Compared with the traditional snow landscape, Qian Weicheng painted many sets of stone beams when composing. Generally speaking, the horizontal stones in landscape paintings can be called stone beams, not specifically the stones connecting the two peaks. Qian Weicheng handled it this way for two purposes. First, he made the paintings look good. This painting is a horizontal composition, and if it simply shows the majesty of the mountain, there is no advantage. The layout of the details can only be determined according to the composition. Second, structural changes can highlight inner feelings. The stone beam increases the depth of the picture, and is more conducive to Qian Weicheng's lyricism.
Some people may ask, a snow scene, how do you see that Qian Weicheng wants to express the upright temperament of the literati? The ancients painted landscapes and looked for subjects in their daily lives. The different landscapes of the four seasons of the year are the best themes. In the history of the development of landscape painting, painters have formed an aesthetic taste of "things and I are the same". In this way, landscape painting can express human qualities.
Qianwei City Winter landscape local
The use of snowy landscapes to express the noble feelings of the literati did not begin with Qian Weicheng. While inheriting the aesthetic tastes of the ancients, he carried forward the advantages of traditional techniques and formed a style of emphasizing formal beauty. In the era of Qian Weicheng's life, this style was the new style of landscape. It can be said that he defined a new realm of beauty in landscapes.
As a close courtier of Qianlong, Qian Weicheng had considerable respect for court painters. At that time, a famous landscape painter named Dong Bangda accompanied Qianlong to the south of the Jiangnan River many times to depict the beauty of Hangzhou. Qian Weicheng humbly asked him how to sketch the scenery. Over time, Qian Weicheng's creative ability has been greatly improved.
This improvement can also be seen in "Winter Landscape", and his snowy mountain dead wood is beautiful with a pen, delicately portrayed, elegant and gorgeous. The right decorative style of painting led to the style of court painting. It is said that during the peak of Qian Weicheng's creation, his family raised many ghostwriters to help him complete his daily social interactions.
Heavy decorative techniques, it is easy to lose the thick appearance. Coupled with the beautiful pen and ink, it is easy to make the snowy mountains in the painting weak and weak. Once these ills appeared, Qian Weicheng could not express the pure temperament of the literati. He is very clever, and uses the thick ink of the center in the painting, and uses pen and ink to make up for the momentum.
The Qianlong Emperor was very fond of Qian Weicheng's style, and often inscribed poems on his paintings. It can be inferred from this that Qian Weicheng's painting style was influenced by the "farmhouse aesthetic", and if there were some shortcomings, he could not complain about the painter himself.