Beijing, 13 Jan (China News Network) "The mainstreaming of online literature, in my understanding, refers to the mainstreaming of spirit and values, and it should be a powerful, very prominent, and clear reflection of the fundamental values of our times and the nation, and reflects our spirit." Talking about the development of online literature, Li Jingze, vice chairman of the China Writers Association and director of the Museum of Modern Chinese Literature, said so.
On January 12, the "Literature Illuminates a Better Life - 2021 Searchlight Annual Book List Release and Reading Famous Artists Series Seminar LaunchIng Meeting" jointly sponsored by Literature and Art Daily, China Modern Literature Museum and Institute of Literature of Chinese Academy of Social Sciences, and co-organized by Tencent Group and Reading Group, landed at the China Museum of Modern Literature.
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Zhu Xiaofeng, director of the Digital Information Office of the Institute of Literature of the Chinese Academy of Social Sciences, said: "In the process of Chinese culture going to the world, online literature is playing an increasingly important role, Chinese online literature has been regarded as one of the 'four wonders' of the contemporary world cultural industry, online literature has become a cultural business card of 'speaking well of Chinese voice and exporting Chinese ideas', we will help the development of online literature with literary research." ”
At the first seminar, Xu Zechen, a writer who won the Mao Dun Literature Award, had a face-to-face exchange with the platinum writer of reading group, "The Squid Who Loves Diving". The former's work "If the Snow Closes the Door" won the Short Story Award of the Sixth Lu Xun Literature Award, and won the 10th Mao Dun Literature Award for "Going North". The latter's representative works include "Extinction Catalogue", "Arcane God Seat", "Martial Master", "Lord of Mystery" and so on.
Xu Zechen believes that if you want to write a good life in the present, a very important path may be to turn back. He believes that "this retro is not a simple retro, nor is it a rule, a chapter body, we (should) find something for us to deal with the current life from the traditional literary narrative resources, folk narrative resources, and cultural resources." ”
"Squid who loves diving" shared: "We Chinese like family warmth, family feelings, handle things in a softer way, and tend to be more introverted." Therefore, I hope to gently construct the image of the protagonist through Oriental philosophy by extracting the typical personality of the individual and the people around me, the typical way of doing things for people. ”
Cong Zhichen, associate professor at Peking University and visiting researcher at the Museum of Modern Chinese Literature, commented that the creation of "squid who loves diving" is more in storytelling and structuring the world, and in the process of world architecture, there will be some kind of refinement of reality unconsciously.
Yang Chen, vice president and editor-in-chief of Reading Group, believes that the creative process of "Squid Who Loves Diving" is a continuous exploration of new themes in online literature, and also seeks inspiration in real life, which is very representative of the online literature writer group. In fact, his creation reflects the changes of the times and the changes of society. I think online literature is naturally the most suitable way to portray the times. ”
As the host of the seminar, Yang Zao, a researcher at the Institute of Literature of the Chinese Academy of Social Sciences, concluded: "Chinese writers are taking a relatively unique path of their own. All literature comes. Together, it will constitute the spiritual life of our time. ”
According to reports, in the future, the seminar will also be held a number of seminars, covering Peking University, Tsinghua University, Chinese University, Beijing Normal University, Fudan University, East China Normal University and other 20 first-class universities in China, inviting young students, experts and scholars, online literature writers to participate, and discussing the development of online literature and literature industry in the context of the new era. (End)