He was ordered to hold on and was ordered to break the old
Collision VS Opportunity
Art and the vitality of jewelry
The art of Nepalese jewelry handiwork, known for its exquisite craftsmanship, is a rare design in contemporary times. Tradition and modernity divide the two generations in a dividing line, but they are like a bundle of fairy ropes that tie the vitality of Nepal's jewelry art creation.
On the one hand, traditional craftsmen strictly follow traditional skills and reproduce the ancient jewelry culture of thousands of years. Because Nepalese mainly marry jewelry, in the form of products: people still maintain the design route of gold raw materials, and they are not used in the middle.
Or simply stay in your own workshop, make silver bracelets, and then use expensive man-hours to calculate the value of jewelry, ignoring the beauty of the material and the merits of creativity.
On the other hand, due to the impact of foreign culture and the influence of world fashion trends, people began to advocate gemstones, so a large number of jewelers purchased gemstones from Pakistan, India, Sri Lanka and other countries to Nepal. Craftsmen also saw the "new charm" of gemstones, began to combine the raw materials themselves to do carving, but never lost the "old rules" printed on the back of the body and printed in the bones - according to the traditional way of setting, the works were built into hard-designed contemporary jewelry, without seeing the inheritance of traditional craftsmanship, let alone the advantages of ancient skills in emerging things.
In the name of the family for 30 years, some people were ordered to stick to it, and some people were ordered to break the old. In this part of Nepal, there is no shortage of ancient civilizations and modern rebirths.
Hari Napit, a nepalese who has a superb understanding of both traditional and contemporary crafts, is the most authentic Nepalese who has studied in Italy for many years, and everything is quietly changing after returning from his studies.
Putting aside the old-school craftsmanship, he blended his understanding of Nepalese and Italian craftsmanship and innovatively applied it to his design. Combining nepalese traditional fancy with Italian metal craftsmanship, a new school of Nepalese jewelry art is opened up, and Nepal's best silver products are re-woven through Italian re-weaving, into a new Nepalese jewelry art with both fashion interpretation and ancient heritage, just like a gorgeous and solemn song and dance era.
Hari Napit combines the Buddhist culture with gold and silver craftsmanship, creating this representative work of contemporary Nepalese religious jewelry art through modern exaggerated and fashionable shapes combined with exquisite Nepalese craftsmanship.
Traditional Quack series
Hari Napit is famous for its spanning design by refining traditional Nepalese cultural and artistic symbols and processing them with the techniques of gold and silver and filigree inlay.
Filigree symbol series
Hari Napit combines traditional filigree craftsmanship with Italian minimalist design, and shows a pure sense of fashion through filigree weaving of gold and silver, and the extremely simple craftsmanship is particularly suitable for contemporary tastes.
Woven filigree series
Every time Heart of Nepal visits Hari Napit's studio to see him, he always makes the best Italian coffee to serve and then starts a very lighthearted conversation. He often goes to participate in public welfare activities and even stays in school to teach children to draw. Perhaps because she has been in contact with children for a long time, Hari Napit always laughs happily and realistically. When it comes to his design and Nepalese jewelry, he will be proud and proud, and he will be honest and undisguised.
The inheritance of all cultures is supported by its inner strong spirit, and in HariNapit's silhouette full of Nivar, it is a pure heart for Nepal and design.