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Heart-to-heart feeling - Cai Maoyou Xin ugly year ink fairy crane works appreciation

Heart-to-heart feeling - Cai Maoyou Xin ugly year ink fairy crane works appreciation

Admire the painter Cai Maoyou's "Heart-to-Heart Feeling Crane Dance", the painting is dotted with white plums, black and white, before and after, a swaying pine branch interspersed with it, showing the delicate posture of white plums. An ink-colored crane, leisurely stopping in the pine branches, looking out at the blooming petals, is a scene full of vitality. The blooming flowers and the cranes in the standing crisscross each other, and the processing is complicated and not chaotic, and this beautiful realm gives people unlimited reverie. This work uses a unique artistic language to fully express the artistic conception of Songhe Yannian.

Heart-to-heart feeling - Cai Maoyou Xin ugly year ink fairy crane works appreciation

Most of the painter's works have a new atmosphere of the new era, especially the crane theme he chooses to break through the traditional barriers, draw the essence from the traditional Chinese meaning, and express the auspicious and auspicious spirit of the new era. "Songfeng Crane Rhyme" is completed by double-hook coloring and straight writing, which is rich and colorful, and has the gist of freehand ink painting of flowers and birds. In the middle of the painting, there are two cranes, standing proudly on the pine branches, one with a slightly wary look in his eyes; the other looking down to find the pine branches, with a leisurely posture, as if playing with the flowers and plants around him. Through the vivid depiction of these two animals, one relaxed, one still and one moving, the artist reproduces the brilliance and charm in nature.

Heart-to-heart feeling - Cai Maoyou Xin ugly year ink fairy crane works appreciation

The painter took a lot of thought out on the layout of this picture of "Plum Crane Love". Below is a faint grass, slightly rubbed, the right side of the protruding plum branches, the crane body and the background of the light color almost blended together, a good display of the crane's noble artistic conception. From the layout point of view, in the painting, the plum stem is from right to left, vigorous and powerful, and the cranes are nestled with each other but from top to bottom, and the two are compared, which increases the momentum of the picture. From the perspective of expression techniques, plum branches, plum blossoms, and cranes all have a strong sense of volume, especially the treatment of cranes, the feathers are orderly, concise and neat, more and not chaotic, with the crane's own structural transition and thickness is different, it is obvious that the painter's unique ink plastic art characteristics.

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