Ming · Tang Yin's book "Burning Incense and Silent Sitting Song"
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Tang Yin was a well-known talent in history, but before his death, he had a bad fate, a bumpy life, and was poor and sad. He was born in Shangjia, congenitally insufficient, although intelligent and studious, at the age of twenty-nine, that is, the first in the township examination, won the middle xieyuan, but in the following year when he entered the Beijing examination, he was involved in the science field leak case and was arrested and imprisoned, and after redemption, he was "deposed as a servant", so "the jade was destroyed, the indecent was difficult, and the evil was returned." "Relatives and friends have white eyes, neighbors have denigrated, and they have tasted the hardships of the world." After that, he mistakenly entered the residence of King Ning, and almost bore the heavenly crime of participating in the rebellion. Since then, he has been depressed, indulgent, and arrogant. He is good at painting, landscapes, figures, flowers are handsome and elegant, otherworldly, as if heaven has taught. Also good at books, Zhao Mengqian and Li Beihai are beautiful, quite beautiful, just like their people. Long in poetry, Wang Yang is wanton and arbitrary, "lyrical and informal." The friend Wang Pet called it "the wizard of the modern world", which is not excessive.
Although Tang Yin was self-congratulatory and wild and uninhibited, he was upright and upright, always self-sufficient with calligraphy and painting, and "did not make evil money in the world." "Burning Incense silent sitting song" is to write his introspective words in his later years, the so-called "for people to be able to answer the mouth, filial piety and faithfulness from this beginning." The rest of the small virtues or in and out, Yan can grind Ne wu to stop." Only by grasping the big moral concept without being informal, and being consistent in heart and mouth, can we "see Mr. Face without shame." He attacked the villains who had different hearts, "yin is not good and yang is hidden", and who have no conscience. This axis of calligraphy, fluent and free, soft on the outside and rigid on the inside, the wind god is nicknamed. Like his poems, in the popular and easy, it contains a handsome and elegant bookish atmosphere. Out of nature, without pretense, this is the beauty of Tang Yin's character, but also the beauty of his poetry, calligraphy and painting art. He was sought after by future generations, not just because of his legend. This scroll was acquired by Mr. Wu Hufan in 1938, and is recorded in the Diary of the Ugly Man and the Records of Wu's Calligraphy and Painting. (See Wu Hufan Manuscripts, pp. 231, 405) is his pen. Tang Yin's works have not been passed down much, and the handwriting is particularly rare, so it is extremely precious, and those who know it love it.
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