(1) Pingzheng
"Pingzheng" is what we often call "horizontal and vertical", which is a basic principle of the structure of pointillist painting. But it should be noted that the "flat" of "horizontal and vertical" is not the general flat, but the flat with oblique potential, because the two eyes of the person, the vision is not balanced, the horizontal painting is really drawn flat, due to the illusion of the eyes, it looks like falling to the right (see Figure 22), so the horizontal painting must carry the oblique, but it must not be excessively oblique.
(2) Symmetrical
"Uniformity" refers to the appropriate arrangement of each word and stroke according to the stroke of the glyph, rather than the meaning of "uniform". Because the glyphs have the length and length, the size is different, the number of strokes, the difference in the obliqueness, such as each word is according to the square, written in the same size, each stroke is written the same length, uniform is uniform, but it does not look good.
In general, if there are more strokes, it is advisable to write thinner; those with few strokes should write fatter; in each word, the arrangement of dot painting should be appropriate. Try to take the example of a word with a lot of horizontal and straight drawings (Figure 26):
(3) Coherence
"Coherence" means that the momentum between the dot paintings is connected and echoes each other, and there is an organic connection between the brush strokes, rather than each stroke being single-handed and unrelated. Pay attention to the coherence between the strokes, you can make the whole word appear imposing and vivid. Try to use the example of "points" (Figure 27).
(4) Diversion
"Diversion" refers to the fact that the dot paintings that make up the words want each other to want each other, and complement each other, so that the words with more strokes do not appear dense, and the words with few strokes do not appear empty.
For example, the "words" in the "mantle" are drawn short, giving up position to the "millet" on both sides; the "force" in the word "discernment" is written down, giving up status to the shoulders of the "Xin" characters on both sides; for example, the words next to "horse", "糹" and birds must be written straight on the left side to give up status to the right half word; other words with left and right sides are also deduced:
(5) Changes
"Change" means that there are more than two strokes of the same stroke in a word, and the shape should be changed to avoid similarity, as shown in the following figure:
(6) Size
Larger glyphs are written larger, and smaller glyphs are written smaller; those with more strokes are written larger, and those with few strokes are written smaller, which is called appropriate size. For example, the difference in size between the characters "Day" and "Guo" cannot be written as large; the characters "one" and "two" have few strokes, nor can they be written as large as words with many strokes, such as "儀" and "Worry".
(7) Length
"Length" is to arrange different knots according to the length of the glyph itself. If the glyph is longer, write longer; if the glyph is shorter, write shorter. For example, the characters "East, Self, Eye, Ear, and Fur" have relatively long glyphs, and the characters such as "West, White, Day, Mortar, and Four" are relatively short, so they cannot be uniformly arranged.
(8) Wide and narrow
"Wide and narrow" refers to the appropriate arrangement according to the fatness of the glyph itself. Words with more strokes should be written fat, and words with upper and lower structures should be written thinner, making them wide and narrow.
(9) Oblique positive
"Oblique positive" refers to making different arrangements according to the oblique and positive of the glyph, such as the "friend" glyph oblique, the "party" glyph is positive, and the oblique strong twist cannot be twisted into a positive, and the positive and reverse are written as oblique, and it is also appropriate to obliquely correct.