Source: Voice of Hangzhou
The copyright belongs to the original author, if there is any infringement, please contact in time
White and frosty, square like chess
Write in a thousand miles, think in a corner
A small piece of paper
But it can carry endless time and space
The world-famous Fuyang bamboo paper
Qiantang oil paper in "The Legend of the White Snake"
The PK of the new Anyu edition with Yuezhou bamboo paper
......
Take paper as a guide
Open this all-encompassing pop-up book in Hangzhou
Get a glimpse of all sentient beings and interesting things in the world
"Hanging in the Paper"
New books are online
About the Author
Xia Sisi was born in 1987 in Tonglu, Zhejiang. Associate Editor. Deputy Secretary-General of Zhejiang West Lake Poetry Society, Director of the Editorial Office of Hangzhou Publishing House. His research interests include editing and publishing, traditional culture. He has won the Zhejiang Excellent Publishing Paper Research Award, the Zhejiang Excellent Editing Worker Award, and the Zhejiang Excellent Publication (Book) Editing Award.
Talk about paper, you must say Fuyang paper
Broadcast | Shen Lin, deputy director of FM89 Hangzhou Voice
Paper is the crystallization of the wisdom of the ancient working people in China, which is not only one of the four major inventions, but also one of the four treasures of the study room. Since its invention, papermaking has undergone various changes at different times and regions. In Hangzhou, the paper is also marked with the unique brand of this side of water and soil.
Drying paper (from "Chinese Paper Art Painting Spectrum")
Since the Northern Song Dynasty, successive emperors have often ordered important scriptures, history books, and medical books to be handed over to Hangzhou for engraving, because the quality of the engraved books in Hangzhou is high and the printing is exquisite, which has a lot to do with the use of paper. At that time, Zhejiang bamboo paper was unique in the world, among which Hangzhou Fuyang was the most important handmade paper producing area in Zhejiang. The book reads:
Written during the Republic of China, "Zhejiang Paper Industry" wrote: "When you talk about paper, you must say Fuyang paper." The book also records that historically, There were many pieces of paper in Hangzhou, such as: straw paper, chiting paper and small well paper from Chiting Mountain in Fuyang County; bamboo burning paper from Nanshanggao in Yuhang County, leather paper from Nanjian, rattan paper from Yuquan Village; yellow and white tea paper from Lin'an Nanxiang, large leather paper from Dongxiang, Yuanshu paper from Nanxiang Taoyuanwu, silkworm paper and mulberry paper from Nanxiang QianzhaiQiao, square manuscript paper from Nanxiang Dahuangwu; Xuqing paper with nine tubes and four tubes from Fenshui (present-day Tonglu Fenshui Town), silver paper with four pipes and seven pipes, and burning paper from Xixiang...
At the latest in the late Tang Dynasty, paper was not only used for writing and printing, but also developed a variety of functions that comprehensively responded to the actual needs of life. It plays a variety of roles in traditional life, such as paper money, paper cabinet, paper tent, paper kite, paper umbrella, paper fan, paper screen and so on.
Put the paper kite
Oil paper affection, Xu Guan's affection for dou first opened
The poignant love story of Xu Xian and the White Lady is familiar to Chinese. The love in the smoke and rain of Jiangnan began with an oil-paper umbrella.
The story takes place during the Shaoxing period of the Southern Song Dynasty, when it is nearly clear and rainy. Xu Xian took the paper money, paper horses and other supplies purchased by his sister to the Baochu Pagoda Temple to burn incense to pay tribute to the ancestors. On the boat ride home, it was raining and two women came on board. The woman in white was beautiful and dusty, the woman in green looked handsome, and there were only three of them in the cabin.
Sitting idly, the two sides reported to each other. The woman in white called herself the White Lady, and her name was Xiao Qing, and she lived in the White House of the Double Tea House, and then there was a pair of chats. The White Lady's bright eyes were good-eyed, Gu Panshengzi, Xu Xian found himself involuntarily attracted to her, wanting to prolong the time they spent together, and then extend it. When the two masters and servants were about to get off the ship, Xu Xian hurriedly took out his own purple bamboo handle oil-paper umbrella and lent it to them. In the book, the author describes the scene of borrowing an umbrella with delicate brushstrokes:
Seeing that the rain was getting heavier and heavier, Xu Xian hurriedly took out his purple bamboo handle oil paper umbrella and lent it to them both.
"Thank you for the kindness of the officials, just borrowed us, how do you go back yourself?"
"Don't get in the way, the little man runs all the way back along the eaves of the house." Of course, Xu Xian knew that there were not so many eaves for him to shelter from the rain, but this umbrella was not lent out, and he was afraid that he would never see the White Lady again.
"So I can't thank you enough. The slave family sent Xiaoqing to return the umbrella tomorrow. The White Lady smiled.
Xu Xian was just about to agree, and then he thought that he still couldn't see the White Lady, and said witfully: "Don't dare to bother the little lady, or the little man will come to the palace to get an umbrella." ”
Xu Xian disembarked from the yongjin gate and sheltered from the rain under the eaves, and the rain was always endless...
Oil-paper umbrella
The next morning, Xu Xian feasted himself on himself and went to the White Mansion to get an umbrella with a nervous and expectant mood. The next story is familiar to everyone.
The world is like chess, life is like a play. Twenty years later, Xu Xian experienced dramatic clutch joy and sorrow. When he escaped into the empty door, if there was anything that made him dusty, it must be that unforgettable love. In the red dust of ten zhang, look back step by step. The smoke and rain on the lakeside that day, and the paper-seeing people at home that night, were the origin of this fate and the softest part of his heart.
And he is like those oil paper, tempered by time, "beaten" and "over-oiled", from less to less, to a stronger heart. The paper umbrella was lightly stretched, surviving the ups and downs of the years.
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Hangzhou Excellent Traditional Culture Series
"Hangzhou Excellent Traditional Culture Series" is a set of popular reading materials aimed at inheriting the historical context of the city and promoting excellent traditional culture, adhering to the principle of "storytelling, light reading, and easy dissemination", and fully presenting the characteristics of the times, the characteristics of the whole region, the characteristics of the story, and the characteristics of openness.
The whole series of books includes a monograph and ten series of more than 100 books, covering urban history culture, landscape culture, celebrity culture, relic culture, dictionary culture, art culture, craft culture, living culture, custom culture, ideological culture and other aspects, which are both comprehensive displays and highlights.
In order to attract more readers, especially young audiences, the series of books has changed the customary practice of taking literary and historical experts as the main authors, invited writers from inside and outside the province to serve as the main creative team, organized literary and historical experts and literary and art critics to check and improve, carried excellent traditional culture with rich historical stories, and contained excellent cultural ideas with delicate dialogues and plots.