In the past two days, Ningbo Cixi Haitong Art Museum's "First Exhibition of Eclectic Contemporary Art" is being exhibited and broadcast live online, "cloud meeting" with everyone, and at the same time free of charge to the public. This exhibition exhibits the works of Mao Zongzhong, Zhang Wenbin, Wang Bo, Qiu Zhuoqi, Sun Zhou, Pang Bin, Fu Wenwei, Shan Hao, He Chaobing, Fu Qiyi and a number of new artists with considerable strength, who have unique personalities in artistic creation language and schema, including the curatorial team of this time, which is also composed of a group of young people.
This is an art museum opened in the Haitong factory area, and the previously opened Haitong Exhibition Hall and Haitong Science and Technology Innovation Museum complement each other to form the Cultural and Creative Park of Haitong Food Group.
Fu Qiyi, the curator and artist of this exhibition, hopes that this exhibition can bring everyone to think about the different dimensions of the work of art, inspire everyone to break their original thinking mode, try to establish a psychological link with the work, and find empathy with the author in the work.
This is a highly high-level contemporary art exhibition. Based on the background of China's post-industrial society, the exhibition explores the complex social issues stimulated by the current rise of China's economic network information and the favor of fashion culture consumption. Born in the 1970s and 1980s, these cutting-edge artists who are not bound by colleges and traditions have innovated and made breakthroughs in the form and language of artistic creation through in-depth study and exploration of Eastern and Western art, expressed their inner pursuit of the current reality and human nature, and provided a way and thinking angle to face these social problems.
Mao Zongzong's works are named after "Time and Yin", which integrates the abstract concept of time into the abstract color plasm, and the works are superimposed with layers of stretch cloth with tension spandex mesh to create a three-dimensional space on a two-dimensional plane, breaking the boundaries of painting on the shelf. It shows the persistence and uninterruptedness of time, and there is an endless and very thick force.
Sun Zhou's "Stone Breaking the Sky" adopts the expressive language of ink art, truly portraying the dynamic and changing state of different forms and textures of stones, and through the construction combination of the picture, the points are formed into lines, and the lines are formed into surfaces, forming a resonance resonance, just like the grandeur and magnificence of the big bang in the universe, so as to reflect the mysterious and broad of the oriental spirit.
PangBin's work "At That Time and ANother Scene" attempts to transform the elements of traditional Chinese artistic conception, and combines it with the form of spatial division, creating a unique spatial atmosphere, and using some people or animals to make emotional substitutions. Artists select, appropriate, reassemble, and add their own life experiences from ancient paintings. And this is a lot of time and space experiences at present.
Wang Bo's "Relics" series of works not only reconstructs traditional Chinese landscapes, but also interprets classic patterns in Western art history. The picture extracts elements from different images from China and the West, juxtaposing or superimposing colors, spaces, rhythms, and touches, using the abstract composition of horizontal and vertical lines in the Mondrian style to form an image with new sensibility, both the memory of time and the space that can be touched. The "A Book" series of works is his exploration of the relationship between words and images, using rhythmic visual expression to bring a new layer of visual aesthetic meaning to boring words and words.
Shan Hao creates around the life feelings of the only child generation and the ambivalence of self-thinking. In works such as "Who Am I", the paper-slivered human face is the main logo, through folding, mixing, and twisting, to show the emotional entanglement of individuals and the sense of disorder from time and space, and to convey a sense of loneliness and absurdity through the "thinness" and "deformation" of paper.
In the Internet age, people are separated from each other, but more transparent. The public's voyeuristic desire and curiosity will never stop, and Fu Qiyi's works reveal the desire to peep deep in everyone's heart. How many of those perfect human beings are real?
Affected by the epidemic, all the participating artists from Beijing, Hangzhou and other places were unable to attend the scene, but used video connection to interact with the live and online live audiences.
EDIT: Zhang Chi