In the woods of the virtual pavilion, the water is surrounded by railings. The trial group sat down, and the leaves sounded cold early.
The author of this poem is Tang Bohu, a talented man of the Ming Dynasty, and describes the scene of sitting alone in the mountains and living in seclusion and contemplation. After Tang Bohu wrote the poem, he painted a landscape painting based on poetry. More than a hundred years later, wang Yi saw this painting in the early Qing Dynasty, and he also painted a painting "Water Pavilion Retreat" to express his respect for Tang Bohu.
Wang Yi inscribed Tang Bohu's poems in the painting, pointing out the main theme of the creation. When he wrote the inscription, he deliberately imitated Tang Bohu's dashing and gorgeous style of writing. Perhaps because Tang Bohu's personal style is too strong, when Wang Yi painted "Water Pavilion Hermitage", he actually had a different style than usual.
Wang Yi Shuiting Secluded
The difference is reflected in three aspects, one composition, two strokes, and three colors. In the impression of many people, Wang Yi's paintings of landscapes are full of water, and they can be airtight. Such a three-stage picture, on both sides of the river, rarely appears in his pen. In fact, as a master of the collection, Wang Yi's techniques are very comprehensive. When he wants to pay tribute, he will draw a different feeling.
Tang Bohu's teacher was Shen Zhou, and both of them had studied the works of Li Tang in the Southern Song Dynasty. Therefore, Wang Yi presented a rigorous and gorgeous style of the Southern Song Dynasty in his creation. At first glance, it looks a bit like the work of the late Ming dynasty painter Lan Ying. The purpose of his adjustment was to give the work a sense of history. Tribute is a very serious subject, and in order to express piety, he wants to draw the edges and corners of the axe and the elegance.
Wang Yi Shui pavilion secluded local
Wang Yi adopted a technique of paying equal attention to color and ink. In the early Qing Dynasty, painters, influenced by Dong Qichang, preferred to paint ink works, thus ignoring the understanding of color. When Wang Yi paid tribute, he was quite rigorous. He managed to restore the color system of the Southern Song Dynasty courtyard, and the superposition and rendering of colors can be seen everywhere in the painting. He didn't use any bright colors, but he presented a colorful and brilliant visual effect, which was quite powerful.
The core color of landscape painting is ink color, no matter what color is used, it must be in harmony with ink color. Therefore, Wang Yi emphasized the subtle changes in color, and used wet pen light dyeing and ink color connection to achieve an elegant and thick effect.
A group of high mountains in the distance adopted the technique of cattle hair, which was the true face of Wang Yi. He essentially prefers the freedom of Yuan Dynasty painters in the use of brushes, and he does not want the whole work to be without freshness. Therefore, he expressed the spatial changes of far and near through two different mountain stone methods. The cow hair has a hazy feeling, which is just in line with the feeling of being moist in the distance.
He did not use too many expressive techniques, "doing subtraction" in his creation, and the picture presented a just right state. For Wang Yi, this is a work with a fresh feeling. No matter what the audience thinks of his attempts, Wang Yi likes his changes. Because the painting presents a relaxed feeling, loose and not scattered, just like prose.
In the painting, the floating clouds and flowing water represent thousands of weather, and Wang Yi hopes to depict the charm of nature on the painting paper. Looking at "Water Pavilion Retreat", you will sigh, and the painting cannot be appreciated by everyone. If someone says that Wang Yi only knows retro and has no thoughts, he can let the other party look at this painting.