Correction of the Red Chamber 226: Jiaotong Huaigu, Xue Xiaomei Riddle Yongzhi, fame and fame, Jia Tanchun overseas Yang
Xue Baoqin's ten nostalgic poems have been interpreted, and after analyzing them throughout, the second "Cross-toe Huaigu" mystery is always dissatisfied!
Interesting Kan Red Chamber 226 issue, Junji Yakan Red Chamber believes that "Jiaotong Huaigu" borrowed horse aid to shock a foreign country, highlighting the story of Jia Tanchun's distant marriage overseas fame and fame.
Zhang Liang's allusion, through the story of "Bolangsha Thorn King of Qin" mistakenly hit the vice car, metaphorically Lin Daiyu and Jia Tanchun imitated Xiao Xiang's concubine Zi'e's daughter Ying'er to marry together.
Lin Daiyu is the main one, and Jia Tanchun is the wife. It can be called "main car, secondary car".
Although Lin Daiyu was forced to marry far away, she would not commit herself to others, and soon died in tears. However, Jia Tanchun was blessed with the misfortune of "red apricots on the side of the sun", and was lucky to get the favor of the king on behalf of Daiyu, and after giving birth to a prince, he was rich and blessed for a lifetime. First as a princess and then as the empress, she became famous in a foreign country, echoing the story of Ma Yuan from beginning to end. It can be called "mistakenly hit the second car"!
"Cross-toe Nostalgia" foreshadows Jia Tanchun's brilliant overseas life and is not bad. The problem lies in the interpretation of the mystery.
At that time, it was believed that the mystery of the "common thing" should be one of the hammer or the carriage. Because Ma Yuan was once a big cattle herder. Zhang Liang hired Hercules to smash Qin Shi Huang's deputy carriage with a 120-kilogram hammer, speculating that the mystery was that the probability of the carriage was greater. It seems too sloppy now.
Looking at all the mysteries of the ten nostalgic poems, the carriage and the hammer are a bit out of place. Gein Xue Baoqin's ten nostalgic poems are independent and interrelated.
The riddle of "Chibi Huaigu" is "River Lantern"; the riddle of "Zhong Shan Huaigu" is "salt"; the riddle of "Huaiyin Huaigu" is "rice"; the riddle of "Guangling Huaigu" is vinegar"; the riddle of "Taoye Du Huaigu" is "tea"; the riddle of "Aozuka Huaigu" is "sauce"; the riddle of "Ma Song Huaigu" is "oil"; the riddle of "Pudong Temple Huaigu" is chai"; and the riddle of "Plum Blossom View Huaigu" is "Tuan Fan".
"River Lantern" begins, using the Battle of Chibi Cao Cao and Sun Quan and Liu Bei to fight for power and profit within the Han Dynasty, telling the unrighteous dispute of "the encounter of tigers and tigers". The allusion satire on the rise and fall behind the Jia family's raid on the family in "Dream of the Red Chamber" is the greedy essence of the parties competing for interests.
"Chai rice oil salt sauce vinegar tea" as the opening of the door seven things, is a daily life must, referring to "life".
Whether people are rich or poor in their lives, they are inseparable from the seven things of "chai rice oil salt sauce vinegar tea". The poor have the way of life, and the rich live the way of life.
"Chai rice oil salt sauce vinegar tea" is a figurative life, a soul torture and irony of fame and greed, which fits into "Good Song".
"Tuan Fan" ends, representing "scatter".
The end of the Jia family's home being raided is like the destruction of Zhen Shi's hermit family, and the family was burned into a "white land" by a fire in the Hulu Temple, leaving a "white expanse of the earth is really clean".
The "river lamp" represents the unbreakable struggle for fame and fortune, and also represents the Jia family, the four kings and eight dukes, and even the emperor and other obsessives who are willing to die for fame and fortune.
"Chai rice oil salt sauce vinegar tea" represents a lifetime, but "seven small things", obsessed with the so-called where does it come from?
"Tuan Fan" represents that life will eventually die, and obsessive death is like Du Liniang's "lovesickness". Only by breaking through fame and fortune is the life of "resurrection from the dead".
"Plum Blossom View Huaigu" ends with the story of "Peony Pavilion", and Cao Xueqin has undoubtedly been carefully considered.
In this way, you will find that there is a lack of a sober "mystery" that can break through fame and fortune, which undoubtedly points to "Cross toe Nostalgia".
"Chibi Huaigu" satirizes the obsessive utilitarianism and alludes to Jia Yuanchun. Represents the essence of "death".
"Cross-toe Nostalgia" alludes to Jia Tangchun. Represents the essence of "Xing". It is time to reveal the "awakening" of the deafening!
Jia Yuanchun was originally the hope of the Jia family, but the result was indeed desperate. She was sent to the palace as a virtuous concubine, which was a blessing for the Jia family and herself, and eventually led to the destruction of the family.
The "citron" in Yuan Chun's judgment represents unwillingness. It shows that the Jia family was disloyal to the emperor, involved in the affairs of the Northern Jing King's party and disobedience, and finally failed and was raided.
Jia Yuanchun is the embodiment of the Jia family's unbreakable fame and fortune.
Under the western wall of Jia Tanchun's room, "there is a big ding on the case. On the left rosewood shelf is a large plate of a large kiln, which contains dozens of delicate yellow and exquisite Buddha hands. On the right side of the lacquer rack hangs a white jade flounder, next to which hangs a small hammer. ”
"Dading" represents the inheritance of the throne.
"Rosewood" stands for Royal Noble.
"Daguan Kiln" represents the Imperial Official Kiln.
"Dozens of delicate yellow and exquisite buddha hands" represent decades of royal wealth and happiness.
"Foreign lacquer" stands for overseas.
"White Jade Flounder" represents the love of husband and wife.
In particular, note that "bergamot" is a variety of citron. However, it is different from citron "unwilling in heart", which means that the happiness and longevity are long.
Jia Tanchun's "Blessed Life (Bergamot)" and Jia Yuanchun's "No Blessing Shou". From the fact that both of them were "princesses", Yuan Chun died because of fame and fortune, and Tan Chun was obviously born out of awakening.
Later Wen Jia Tanchun assisted Rong Guofu in reforming the Grand View Garden. When inspecting the Grand View Garden, he angrily rebuked the Jia family for "dying", which was a kind of "awakening".
Therefore, as a riddle to allude to Jia Tangchun, the riddle should be a kind of "reminder" thing, and it is common in daily life, at least in the Jia family!
Cross-toe nostalgia for the second
Copper cast gold Yong Zhen Ji Gang, sound spread overseas broadcast Rong Qiang.
Ma Yuanzi is a great credit, and the iron flute has no trouble saying the sub-room.
When we decipher and decipher several other nostalgic poems, we find that they all have one thing in common, that is, the "eye" of the mystery, which is often in the first sentence and at most combined with the second sentence.
The third and fourth verses of the poem are often about the character stories that the poem foreshadows.
The mystery of "Cross-toe Nostalgia" will undoubtedly be in the two sentences of "Copper Cast Gold Yong Zhen Ji Gang, Sound Spread Overseas Rong Qiang".
"Copper cast gold Yong Zhen Ji Gang," the ancients used fine copper to make a gorgeous bell, used to remind the world of the national law and discipline.
The bronze "golden yong" refers to the gorgeous bell. The bell is the "reminder" thing.
"Zhen Ji Gang" means to maintain the discipline of the law.
Han Dynasty Zhang Heng's "Tokyo Fu" Yun: "Palace Hanging Gold Yong"; it means that the palace hangs a gorgeous bell and is used as a reminder of the time.
At that time, Buddhism and Taoism had not yet flourished, and temples and Taoist temples were not popular. Bell towers and drum towers, which are used as timekeeping, are often the timekeepers of the imperial palace. The bell tower, in particular, is a tool for reminding people of the hour.
When Emperor Wu of Qi in the Southern Dynasty, he ordered people to hang the golden bell in the Jingyang Palace, and the palace people heard the bell and dressed up, in order to set it as the palace discipline!
The "Golden Bell" fixed-point chime is the thing of the Zhen ji gang. As a result, the mystery of "Cross-toe Nostalgia" seems to be about to come out, that is, "Bell"!
However, at that time, the Jia family did not hang the "Golden Bell" except for the "Twilight Drum Morning Bell" that li Cui'an might also have. It can be seen that the answer is by no means the hanging Chinese bell that we know. The mystery is also combined with the second sentence.
"Voice spread overseas." The original meaning of this poem refers to two great achievements that Ma Yuan once made.
First, Ma Yuan went south to quell the rebellion of the Zheng clan sisters. "Cross-toe Nostalgia" originated from this.
Second, Ma Yuan was too punctual in Longxi, defeated the invading Qiang people in the northwest border around Jincheng, and raised the national and military prestige of the Han Dynasty.
Here we should ignore Ma Yuan, but combine the "bell" of the previous sentence, how can we "spread the voice overseas to spread Rong Qiang"? We put down here and did not express ourselves, and we want to go back to the sixth time When Grandma Liu entered the Rongguo Mansion.
(The sixth time) Grandma Liu only heard the sounds of "clucking" and "clucking", which seemed to be like the screen surface of the cabinet, and it was inevitable that she could not help but look east and west. Suddenly, there was a box hanging on the pillar in the hall, and there was a scale-like object falling underneath, but it did not stop the chaos. Grandma Liu thought in her heart, "What kind of love is this?" What's the use? When he was staying, he only heard the sound of "dang", and like a golden bell brass chime, he did not prevent the opening of his eyes. Then there were eight or nine in a row.
The "box" that Grandma Liu saw in Sister Feng's room was a Western clock. It was introduced to China by foreign missionaries.
This object can be called "copper cast gold Yong Zhen Ji Gang, sound spread overseas Rong Qiang." "There is both a deafening sound and a reminder that people abide by the role of time zhen jigang.
The "bell hammer" swing also corresponds to Zhang Liang's "Bolangsha Thorn Qin King" and Hercules' hammer "mistakenly hit the traffic jam". The key "clock" can also be connected with nine other enigmatic metaphors.
The clock representative reminds that the loud noise is sobering. Jia Tanchun was exactly the person who was rarely sober in the Jia family.
"River lantern" refers to the obsessive heart of fame and fortune, which needs "clocks" to make people "awaken". Life is just "chai rice oil salt sauce vinegar tea", three meals a day, after all, there must be a "fan (scatter)".
Obsessed and unenlightened people are like the "Good Song" pointed out, can not let go is really "scattered"!
The Jia family finally raided the house, just like Zhen Shi hid his daughter Zhen Yinglian, and their ending was really "scattered".
Awakened people like Qin Keqing, Jia Tanchun, Li Feng and Xiao Hong, who soberly realize that "there is no unbroken feast in the world", and they must plan ahead of time before they will "die and be reborn", just like Du Liniang's "soul memory".
At that time, western clocks were already "common tools" used by the Jia family. As the mystery of "Cross-toe Nostalgia", it also alludes to Jia Tangchun's marriage to Western overseas, which is more perfectly in line with the mystery of ten nostalgic poems.
"River lamp", "Western bell", "chai rice oil salt sauce vinegar tea", "fan", are the mystery of the ten nostalgic poems.
Of course, there is also a point to pay attention to, for example, "sauce" may be "soy sauce", "oil" may be the osmanthus oil used by the daughter. "Tea" may be flower tea, etc., and it will not be pursued one by one.
Apologies to readers and friends for the mistake of the 226th issue of the Red Chamber "Cross-toe Nostalgia" "Carriage or Hammer" for the previous article, and apologized to the readers and friends, which was sloppy before. Junji Yakan read in the Red Chamber, but also studied, thought and often revised his views every day. It must be more important in the future!
The following article will continue to interpret the story of the fifty-first time, to know what happens later, and to see the next decomposition!
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