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Treasures | Huang Gongwang's masterpiece: This book is like a bird depending on people, and it is gratifying
Yuan Dynasty calligrapher and painter Huang Gongwang Xingkai inkblot "Bao Zhao Mengfu Linhuang Tingjing" on paper, 140 words, written in 13 lines, the book was written in March of the fifth year of the Zhizheng, this is the most representative work of the Huang family' only remaining handwriting.
Huang Gongwang looked forward to this book, the font is well gathered, the opening and closing are clear, and the pen is used for dot painting, all from the Jin and Tang Dynasties. While absorbing the charm of Zhao Ziyan's beauty, it also increased its vigor. In terms of chapters, it is contrary to the habit of Zhao Shu's Gu Pan being light and skillful, and the character posture is mostly taken in the left scattered oblique style, and when the character is concluded, the skimming and the main horizontal painting are exaggerated and elongated. Between the words and lines, they can not only intersperse Gu Pan, but also take into account the size changes and the overall style, with a sense of elegant stretching, show energy and elegance, clear style, and pleasant to the eye.
As The Ming Dynasty Zhang Ugly commented on Huang's calligraphy: "Like a bird depending on people, it is gratifying to fly."
【Interpretation】
In recent times, people have studied books, from small to small smears, to grow up to understand things, which is a book of learning the Law, and they have to be disordered by the vulgar pen.
When Song Xueweng learned to write when he was in the skull, he began in huangting, and he did not know that there were thousands of books.
In middle age, he received Zhong Shaojing's inkblots, his penmanship was sloppy, he was not informal, and he was a "special medicine" book, and Wen Shaojing was different, which was seen by Shi Delian (that is, Wang Guoqi, Zhao Mengfu's son-in-law, and Wang Meng's father), and this ben gai was the one that Lao Tzu was interested in, and it was advisable that other ben could not reach it.
On March 12, 2005, due to the visit to Yuan Cheng, after the inscription, the great fool Huang Gongwang, the auditor prayed again, and was careful.
This interpretation is strictly written by Huang Gongwang, and the general idea is clear. The most valuable thing is that Huang Gongwang believes that Zhao Mengfu learned calligraphy, starting from the right path, starting from a high starting point, and starting from Wang Xizhi's "Huang Ting Jing", and thousands of times of practice, he finally obtained the true meaning and cultivated the right results. Ordinary people, on the other hand, only smeared at random when they were young, and only when they grew up did they learn the Fa books, so they became vulgar pens and were troubled by customs.
I think this is the key to learning calligraphy to find a "master", not a so-called "famous teacher", who misleads others and harms others and harms themselves.
Huang Gongwang (1269-1354), whose original surname was Lu, was named Jian, and was later a member of the Pingjiang Changshu ren clan; later he succeeded Yongjia Huang as a righteous son, because he changed his name, the character Zijiu, the number Yifeng, and later entered the "Quanzhen Sect", also known as the Great Fool Daoist and so on. "Daozang" is included in a volume of Jin Yueyan's compilation and Huang Gongwang's "Paper Boat Mr. Quanzhen Zhizhi" and a volume of "Three Secrets of Holding a Letter", expounding the principles and exercises of the Quanzhen Sect Neidan. At the same time, he wrote "Landscape Tips", expounding the theory of painting, painting methods and layout, artistic conception, etc. There are "Fuchun Mountain Residence Map", "Xishan Rain Intention" and so on.
Huang Gongwang's calligraphy works are mostly calligraphy, and a few are small calligraphy, all of which are natural and spontaneous, and they are similar to the paintings. Huang Gongwang's inkblots generally appear in inscriptions for his own paintings or for others, with the fewest surviving handwriting in the four houses. Judging from the inkblots on Huang Gongwang's inscription "Tianchi Stone Wall Diagram", "A Thousand Characters of the Book of The Book of Pai Zhao Mengfu", "Pai Zhao Mengfu Linhuang Tingjing" and other inkblots, Huang's calligraphy was influenced by zhao Mengfu, a contemporary and older leader of calligraphy and painting.
Looking at Huang Gongwang's calligraphy, on the one hand, he taught the pen, knot and chapter method of the Jin and Tang Dynasties, and on the other hand, he actively absorbed some elements of the calligraphy art of The Contemporary Zhao Mengfu and formed his own personality characteristics. Just like his pioneering style of painting in landscape painting, which is elegant and rich, it shows the artistic style of the ancient and self-innovative.
Yuan Dynasty calligrapher and painter Huang Gongwang xingkai inkblot "Bao Zhao Mengfu Linhuang Tingjing" super Qing appreciation
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