The film and television circle swept away the atmosphere of traffic stars, clear moments, big waves of gold panning, acting schools, and old drama bones have taken the stage to interpret the tragic and joyful life. Among them, the Mesozoic acting school carries the youth memories of the post-80s .90s and returns. Before saying that the remake of "The Legend of the Paladin Sword" was not seen for exact news, this time the "Blossom" trailer was launched, and our old Hu came back.
Directed by Wong Kar-wai and starring Hu Ge and Ma Yili, the film "Blossoms" is adapted from the novel of the same name by Shanghainese writer Jin Yucheng, which depicts the city from the 1960s to the 1990s in Shanghainese, telling the shanghai past of the three protagonists, Ah Bao, Hu Sheng and Xiao Mao. In the 1990s, the spring breeze of reform blew all over the ground, and the Shanghai business district was full of merchants and merchants, and the lights were bright. The scenery is infinite, such as the merchant Bao Zong in the day, li Li, the owner of zhizhen Garden, dabbling in many fields, joining hands several times, pile trading, sensational on the beach. Bao Zong and Li Li have long cooperated and gradually developed feelings.
The business circle is so big, the partners may not only be Li Li. Bao Zong spring breeze triumphant, peach blossoms blooming, the hotel owner lady Lingzi, foreign trade company Miss Wang, each holding a branch, is not lively. The real estate boom, the wind outlet unexpectedly, the relationship between businessmen has become delicate. Bao Zong and Li Li are the same. There is no sword in the love field, but it is the same hurtful. There are always people who talk nonsense in front of Bao Zong and stir up dissension. Some people said that Li Li was greedy for Bao Zong's money and wealth, and Bao Zong said that he was very helpless. Finally, finally prove their hearts, whether it is love or business, trust is always the first meaning.
The personal trailer of "Blossoms" is more like the autobiography of Bao Zong in the context of the times. Under the thick yellowed retro painting style, the mature and stable silhouette of Lao Hu has become more and more flavorful. On the roof of the Shanghai Beach Orthodox Church, the merchants who drink the sunset, the streets and alleys where merchants gather, riding iron frame bicycles, leisurely passing by Baozong, is a unique portrait atlas of the times.
The epitome of the magic capital of Shanghai in the 90s, the golden years reflect the taste of life, fireworks in the world, the ups and downs of the business circle, and the life experience of businessmen is always different. The yearning in the memories of youth, the clouds in the sky, the trees on the ground, time is like water, bringing people and things, and taking them away together. Over the years, like goldfish, why not just someone who has traveled? Bao Zong's inner monologue, with open-mindedness, hidden wisdom, but also with a faint sadness.
Privately, I think that the heaviness of some works is difficult for the new generation of actors to interpret in place. Sometimes the technique cannot support the background of the story, and it is reduced to a formality. The history and culture of old Shanghai, the ups and downs under the changes of the times, it is difficult to bear the weight of non-vicissitudes. Lao Hu returned with his works, and saw how Lao Hu expressed the life of a businessman. The trailers are all online, and the positive film is online quickly!!