Yan Huizhu (1919 – September 11, 1966), originally known as Zhongming; Mongolian flag people, ancestral home of Beijing, Peking Opera performance artist, Peking Opera, Kunqu Danjiao actress. At the age of 12, he learned art from Jiang Shunxian and Cheng Yujing. In 1935, he debuted on stage to perform "Hujiazhuang", and then performed in Shanghai and Tianjin successively, and in 1943, he worshiped Mei Lanfang as a teacher in Shanghai - only Li Shifang and her were the only two who could get Mei Lanfang's true teachings; After the founding of the People's Republic of China, he was ostracized, teaching at the Shanghai Opera School in 1957 and remarriing Yu Zhenfei in 1960; Criticized after the outbreak of the Cultural Revolution; Committed suicide in the early morning of September 11 in the bathroom hanging beam; Representative works include "Xi Shi", "Tai Zhen Wai Biao", "Life and Death Hate", "Chun Xiang Biography", "Overlord Farewell", "Phoenix Returns to the Nest", "Wall Head Immediately" and other dramas.
Tong Zhiling (August 21, 1922 – July 6, 1995) was born in Nanchang, Jiangxi Province, born in Tianjin, a famous Peking Opera performance artist, Peking Opera actress, Gongdan. Tong Zhiling is the fourth sister of the famous Peking Opera performance artist Tong Xiangling, and Tong Xiangling, together with the second brother Tong Shouling, the fourth sister Tong Zhiling, and the fifth sister Tong Baoling, made the 'Tong Family Class' famous in the Peking Opera circle. Tong Zhiling's play path is extremely wide, informal, delicate in performance, and good at portraying characters. Her voice is sweet and feminine, her singing voice is full of emotion, she sings, with the hearty and beautiful of the 'Xun Pai' as the keynote, properly kneading the elegance and luxury of the 'Mei Pai' and the subtle euphemism of the 'Cheng Pai', which is delicate in the bold, dignified in the feminine, making people feel fresh and chic and unique. Her recitation is profound, full of emotions, rhythmic and touching. Her performances are informal, and she is good at combining the use of traditional techniques with the portrayal of characters to create a variety of women with different personalities. Her extraordinary versatility has always been praised by the world.
In 1942, Yan Huizhu and Li Zongyi performed in Qingdao, and it was mid-autumn when they returned to Beiping. On this day, she was resting at home when she suddenly saw a young girl carrying a whirlwind in. Yan Huizhu fixed her eyes on it, and it was Tong Zhiling, who was as tall as herself. Tong Zhiling was originally a famous man in Jinmen, because she worshiped Mr. Xun Huisheng, her family moved north, rented three rooms in the school yard outside Xuanwu Gate in Beiping, and happened to live next to Yan Huizhu and became a small regular visitor to the Yan family. Tong Zhiling did not wait for Miss Yan Er to speak, and then she excitedly told Yan Huizhu that Zhang Jingshou, the manager of the Shanghai Empress Theater, sent someone to Beiping to invite a corner, specially hired Tong Zhiling to pick a class, the second card was Chi Shigong, and the bottom of the team was Li Baohuai, He Peihua, Guan Shengji, and Ci Shaoquan. Tong Zhiling's pianists Shen Yucai, Cui Yongkui and second brother Shou Ling all went south with them. Who knew that Yan Huizhu listened to the laughter and bent down to say that there was such a coincidence under the heavens, and she and Li Shengzao also accepted the offer of Shanghai and cooperated with the double-headed brand in the Golden Theater. A pair of little sisters who knew each other were going to fight on the beach.
On December 23, 1942, after the winter solstice, Tong Zhiling took the lead in opening the gong in the Empress. She posted two days in a row. The first day was "Shilang Visiting Mother" with Chi Shigong, and the next day was posted double-out, preceded by "ErjinGong" by Chi Shigong and Qiu Shengrong, and the main axis was "Wu Song and Pan Jinlian" by Gao Shenglin. Judging from the drama of these two days, Tong Zhiling is well-intentioned, she specially selected three very different roles of The Iron Mirror Princess, Li Yanfei, and Pan Jinlian, intending to fully show her talent of Qingyi, Flower Shirt, Hua Dan and Spicy Dan, she Tong Zhiling is not only spinning cotton.
On December 24, Yan Huizhu, who called on Meipai Qingyi's beautiful Kunling, fired a cannon in gold, and the drama was also "Shilang Visiting Mother". Yan Huizhu attacked after the attack, and its intention is well known to everyone, and it is comparable to the queen's "Visiting Mother". She knows that Tong Zhiling's Iron Mirror Princess is handsome, her voice is crisp and bright, and a Beijing film is like a warbler, which is very popular with the audience. However, the insiders who watch the doorway are accustomed to listening to the charm of Mei Lanfang and Huang Guiqiu's main palace Qingyi, and they still can't help but evaluate Tong Zhiling's singing skills, saying that if required from the perspective of Da Qingyi, Tong Zhiling's singing is rare to have high scores. And the Iron Mirror Princess of her words and wisdom pearls is well known. On singing, Mei Paiqin Saint Xu Lanyuan personally taught, Mei Yun mellow; on making a table, Zhu Guifang actually taught Mei Pai, raise their hands and feet, do not deviate from the norm. Shomiya Susei Ji Yuliang, who had been a long-term partner with Yan Huizhu and Tong Zhiling, once told people that "Shilang Visits His Mother" has been sung countless times, and the princess who cooperates on the stage is only Huizhu the best. Listening to her Jingbai is the authentic Manchu flag flavor, only she plays the Iron Mirror Princess, and which Kunling good horn in the north and south is not as good as Yan Huizhu. Coupled with Empress Xiao of the hibiscus grass, known as the living empress dowager of the Jutan, this imperial style on the stage is amazingly handsome. This mother-daughter partner, old and young, has not been looked up to for decades. The old man who watched Yan Huizhu's performance at that time recalled that Yan Huizhu's singing was really a good, authentic plum taste. In this first round, Yan Huizhu had the upper hand.
The next day, December 25, Yan Huizhu still took mei pai zhenzong as the call to launch all the famous mei pai dramas "Overlord Farewell". It is said that every time Yan Huizhu put on makeup, she will put a still of Mei Lanfang next to her, Yu Ji's appearance, she is following the path of Mei Pai, wearing a ruyi helmet, wearing a light yellow Xiutuan phoenix, embellished with rose red small broad pieces, and Bei Ji changed her fish scale armor. This costume was worn on the graceful Yan Huizhu and became more and more radiant. Yu Ji's sword sleeve was taught by Zhu Guifang from beginning to end, and Yu Ji's desolate mood was fully expressed through the poignant sword dance. On the third day, the post was still a Mei Pai drama, and Yan Huizhu and Mei Lanfang's old partner Jiang Miaoxiang performed a play "Yutang Spring". These three days of cannon drama, it can be seen that Yan Huizhu is accurate to the psychological context of Shanghainese people watching the drama, although the majority of Shanghai audiences, but people's general hearts have always taken the Beijing school as the top product.
However, the empress's boss was a little overwhelmed, tong Zhiling after acting in "Red Lady", "Red Chamber Eryou", "Great Hero Jielie", "Yutang Spring" and other Xun Pai dramas, the empress first posted the "Damingfu Yu Qilin", "Qinhuai River Greedy Newspaper" trailer, the poster specially marked Henan pendant, Jingyun drum, popular songs, Yangyang Grand View, sixteen words, full of commercial flavor. Immediately after throwing out the killer "New Spinning Cotton", in fact, Tong Zhiling's Xun Pai drama is quite distinctive, at least eight or nine seats, especially the whole book "Yutang Spring" and "Red Lady" are full as soon as they are posted. And the boss's appetite is a bottomless pit, he knows that Tong Zhiling broke into the beach in early 1940, a play "Spinning Cotton", famous, addictive, better than Wu Suqiu at that time. Now as long as you use this killer skill, you can keep the queen's business prosperous for a long time. Therefore, not only a new word is added to the advertising words of "Spinning Cotton", but also the content of the advertising words is constantly renovated and exciting. The boss hated Tong Zhiling for using three heads and six arms, eighteen martial arts.
Tong Zhiling has been posted for two consecutive days, the first day in the whole book "Yang Family General" as Princess Qinglian, tied up a big reliance on the wind; then wearing a specially customized style of qipao, pedaling luxurious and exquisite high heels, perming a most fashionable hairstyle on the beach, a good meeting, when the mouth reads, when the family is not at home, when the daily thought of him, a wink, and a full of color.
The next day, he first played the second imperial lady in the whole book "Bead Curtain Village", although the role was not heavy, but it was very flattering. This was followed by "Spinning Cotton", learning what new and bizarre things to do during the day, and putting it into the play immediately at night. The two spinning cottons spun the boss to the eyebrows and smiled, Tong Zhiling was hesitating and full of ambition, and there had been a new action on the gold side.
Yan Huizhu's sticker in "gold" is double out. In front of it is all "Double Jiao Strange Edge", followed by all "Dragon and Phoenix Chengxiang". Putting two big plays in one night, few people except "Kirin Boy" dare to do this. Advertisements in newspapers usually see such an advertising slogan: Buy enough. In "The Strange Adventure of Shuangjiao", Yan Huizhu came to catch up with one and two, playing Sun Yujiao in the front and Song Qiaojiao in the back. One is Hua Dan Yinggong, dressed delicately, making a delicate expression, and playing a young girl or flexibly; the other is Qingyi Yinggong, a large set of Xipi singing voices, showing Yan Huizhu's skill in vocal cavity art. In addition, Li Shengzao's Zhao Lian, Yuan Shihai's Liu Jin, Sun Shengwu's Jia Gui, "Furong Grass" Hou Liu Matchmaker, liu Binkun's Liu Gongdao, each has a unique skill, and sings a play "Double Jiao Strange Edge" very hot. Later in the "Dragon and Phoenix Chengxiang", Yan Huizhu played Sun Shangxiang, wearing a phoenix crown and wearing a palace costume, after the eight palace girls stood side by side, she stepped on the "passing door" of the Xipi slow board, and the graceful and generous typhoon showed the solemn identity of the county lord and the joy of the new marriage appropriately. This evening, Yan Huizhu plays three characters with very different identities, statuses and personalities, showing her skills in Beijing school art in an all-round way. Fans of shanghai beach who are keen on the art of "Jing Dynasty School" are all addicted. That night's eye-opening for Yan Huizhu was the post-Liu Matchmaker played by "Hibiscus Grass". Before Zhao Tongshan ("Hibiscus Grass"), the role of Hou Liu Washibo was also worked by a clown, commonly known as "Cai Dan". By Hua Dan anti-string Liu Mediawo, from the "hibiscus grass" figurine. Yan Huizhu never missed any opportunity to "steal" the play, especially the exquisite talent of Mr. "Hibiscus Grass", which is the best model for Yan Huizhu to broaden the path of drama and be compatible with the north and south. When she saw Liu Zhongbo of "Hibiscus Grass", wearing tight pants on the inside and shoulders on the outside, a slender figure, a witty figure expression, a full singing of Jingweier, plus the two-foot-long dry cigarette bag, it was simply unimaginable that the original eight-sided and mighty Empress Xiao had turned into a vulgar and impatient city woman. Yan Huizhu looked stupid. She looked at the side of the curtain and remembered in her head, "stealing" this trick of the husband. Later, after posting "Double Jiao's Strange Origin", Yan Huizhu was the first to create a catch-three.
Yan Huizhu is a smart person. The eyes of the big horn travel through time and space, enveloping all levels of society. "The northern sect moment, the south takes the spirit", is the artistic direction set by Yan Huizhu for herself.
For some reason, Tong Zhiling's "Spinning Cotton" only sang twice and then closed. Next, all the Xun Pai dramas "Xiangluo Belt" were posted. On the last day of the end of the year, Tong Zhiling also posted a double out, in front of which was all of He Chi Shigong's "Xue Pinggui and Wang Baojun", which was the regular big Qingyi drama criticism; followed by Qiu Shengrong's "Qinhuai River Greedy Newspaper", the poster read: "Southern cavity and northern tone, popular songs, all kinds of juggling, everything." Yan Huizhu insisted on performing Mei Pai dramas, posting "Lian Jinfeng", "Fan Jiangguan", "Feng Hui Chao" and "Xi Shi". In these eight days, Yan Huizhu posted ten plays, all of which were Meipai classics and traditional bone old dramas. From the perspective of the market, yan Huizhu certainly attacked others with his own strengths; from a cultural point of view, it also showed that the national culture still maintained sufficient self-esteem in the occupied areas trampled by the iron hooves of the Japanese Kou.
Careful people will find that Yan Huizhu's drama path is changing. If "Picking Jade Bracelet", "Fishing and Killing Family", and "Proud Edge" still belong to Hua Dan and Daoma All the Way, then the Zou clan in "The Great War of Wancheng" has always been represented by the Xiao (Cuihua) faction, and there are many "pink" plays of Si Chun in the play, and the authentic Meipai Qingyi has never been involved in such plays. As for the scenes along the way of "The Great Split Coffin", Mei Pai is even less involved. This shows at least two points: from the perspective of artistic laws, Yan Huizhu hopes to be eclectic and open up the way of drama; from the perspective of market laws, Yan Huizhu cannot but consider the tastes of Haipai audiences. If not, she would most likely lose the ring in front of her.
"Shanbaozhuang Sighing Skull Butterfly Dream" is commonly known as "Big Split Coffin". The story is found in the Legend of caution, The Legend of the Ancients and The Legend of butterfly dreams. Narrated that Zhuang Zhou had the road, the road encountered a new widow who could not stop fanning the grave with a fan. Zhuang asked him why he was in charge, and only then did he learn that the new widow fan tomb was for the sake of the tomb and so that he could remarry as soon as possible. Zhuang Zhou occasionally received a revelation, and when he returned home, he disguised himself as a sick and dead man, and transformed into a mercurial Chu Wangsun to test whether his wife Tian Shi was loyal to him. When Tian Shi saw The King of Chu, he immediately fell in love and had two feelings. On the night of the cave, King Sun of Chu suddenly cried out for a headache, saying that it must be cured by the brain marrow of a newly deceased person. Tian Shi then held an axe to split the coffin to take Zhuang Zhou's brain. I didn't want Zhuang Zhou to suddenly jump up from the coffin and scold Tian Shi. Tian Shi committed suicide in shame, and Zhuang Zhou abandoned his home and left. The play is a play that Hua Dan "sacrifices wine" Xiao Cuihua has repeatedly performed. Among them, the "Tian Sichun" fold has a delicate psychological depiction, and the "splitting the coffin to take the brain" fold is even more amazing. Of course, the pornographic and homicide performances are also obvious. Yan Huizhu Zongmei, He once studied this kind of drama, it must be to fight with Zhiling, and now he is learning to sell it. It is estimated that at that time, the only person who could teach this play to Yan Huizhu was Mr. "Drama Basket" and "Hibiscus Grass", who was also the head of the north and south. And Mr. Liu Binkun's "two hundred and five" was originally a must on the beach. The paper man he dressed as floated leisurely, standing for tens of minutes at a time, making people unable to distinguish between true and false. With these two people standing up to help each other, words and wisdom pearls are like fish in the water.
The market has thrown a pleasing curve to Yan Huizhu, and at the same time lurks a slash that makes people feel crisis. The complementary and intergenic relationship between the many elements formed by points, lines and polygons constitutes the living space of people.
"Gold" has used the number of years, how can the "queen" give up? The boss Zhang Jingshou said to Tong Zhiling: "Miss Tong, don't forget that the enemy is at present, Li Shengzao and Yan Huizhu can defeat you at any time in 'Gold'. Tong Zhiling could hear anything, but she couldn't hear a single word of "defeat." Although she broke into the beach for the second time, she had not yet lost at the hands of anyone. With the repertoire and "magic-making" skills she has accumulated over the years, what work does she dare not take, and what drama does she dare not perform? Therefore, in addition to the New Year's Day, Tong Zhiling and Chi Shigong co-starred in the whole book of "Shilang Visiting Mother" during the day, and performed the full book of "Red Lady" in the evening, and the next few days were double-performed to the audience. On the 2nd, all "Mu Guiying" and "Wu Song and Pan Jinlian" were posted; on the 3rd, "Xin An Yi" and "Daxi Huangzhuang" (Zhiling Anti-String) were posted during the day; the night show was all "Pan Qiaoyun" and "Qinhuai River Greedy News"; on the 4th, all "Horse Traders" and "New Spinning Cotton" were posted; on the 5th, all "Yang Jiajian" and "New Spinning Cotton" were posted; and "Amazing Trailer": "Shanbaozhuang Butterfly Dream Big Split Coffin" "Awakening Drama, Upcoming Performance".
The two beautiful women fought, and the strength of the fight also spelled strategy.
Sure enough, Yan Huizhu's "Butterfly Dream" has not yet been sung, and all of Tong Zhiling's "Big Split Coffin" has appeared, and in front of "Big Split Coffin", there is also a "Jade Bracelet Picking". To talk about the route of "splitting" and "spinning", Yan Huizhu was not Tong Zhiling's opponent. Yan Huizhu Zongxun (Hui Sheng), who also received xiao (Cuihua) road, performed spicy and free, plus her Peking Opera foundation, drama recitation, life performance, to the stage good at improvisation, the performance of a "Big Split Coffin" is hot and fierce. The old man who watched Tong Zhiling's "Big Split Coffin" can still describe the wonderful performance of Tong Zhiling's "Split Coffin" in a picturesque way: a fiery red jacket and pants, with a waist placket at the waist, biting a strand of hair in his mouth, holding a sharp axe, and his eyes were bigger than Tian Luo's; although it was not as good as Xiao Cuihua's swooping kung fu (Xiao Performing the splitting coffin, "snatching the back" from the table, and then walking a row of "oolong strands"), tong Zhiling performed the complex mentality and almost deformed horror expression when tian's coffin was taken, Let people see it once and remember it for a lifetime. Lenovo Tong Zhiling played Sai Guanyin in the movie "Nightclub", sprinkling and rolling, personality acting skills, won high praise from the film industry including Mr. Huang Zuolin. No wonder how many Kun Ling plays "split" and "spin", except for Tong Zhiling, who is not called "king".
The "Queen"'s "Big Split Coffin" was on fire, and Yan Huizhu immediately used "Male and Female Drama Fans" as a call to attract the audience. In the play, Yan Shaopeng's big drama fan played the piano on the spot; Yan Huizhu's opera fan doctor sang and waved on the spot; Yuan Shihai's old opera fan learned to play the "dancing sword" of Mei Pai's "Farewell to the Overlord"; the fan mother of the "Hibiscus Grass" learned to sing the Qi Pai "Chasing Han Xin"; and another Yan Shaopeng's second opera fan, who collected the essence of more than a hundred old dramas, learned the masterpieces of the great masters, and each one was exquisite. In particular, Huizhu's anti-string words sent the old student's singing voice of "Let Xuzhou", which had to be inherited by himself, the most evocative, a song of fang, full of colorful sounds. The performance market on The Beach provides a space for people to fully display their talents.
"Golden" three days of "Male and Female Drama Fan Rotation" has not yet been sung, "Queen"'s "New Drama Fan Miss" is also in full swing. The advertising words in the newspaper were even more eye-catching: "The old-style family suddenly changed into a great theater; the modern Lady was crazy at once; the stubborn mother sang Xipi Erhuang; the country girl actually joined the box office; the shengdan net ugly song big drum; the big drama and small songs totaled more than five hundred..."
Ten Mile Ocean Field is a gold cave. To gain a foothold in the Songtai Dance Hall, it is difficult to conquer the audience without a little housekeeping ability. The actors have gone through a long period of life training and market tests to find their own way of survival.
Yan Huizhu saw tong Zhiling followed up with "Miss New Drama Fan", and immediately turned the horse's head and posted the Meipai classic "Mulan". Yan Huizhu knew that no matter how she "split" and "spun", she was not Tong Zhiling's opponent. It is better to re-sacrifice the Meipai banner and the Beijing pie, and maybe the "queen" can play a draw. "Mulan" is both literary and martial, and it is also necessary to reverse the string of small students. Not an all-rounder who is not blocked by Wen Wukun, he is very worthy of this play. Yan Huizhu's "Mulan" benefited from zhu Guifang's teachings and fulfilled the true meaning of Meipai. Immediately after that, Yan Huizhu successively launched the whole book "Life and Death Hate", the whole book "Roselle", the first and second books of "Taizhen Wai biography", "Red Line Thief Box" and other Meipai classics. All of "Double Jiao" and "Dragon and Phoenix Chengxiang" and acted well, and they did not hesitate to turn over and re-enact.
The "Queen" side is still the same, "The Big Split Coffin", "Spinning Cotton", "New Drama Fan Miss", "Eighteen Pulls" continues to turn over. Then he launched the new play "Yutang Chun" "Three Trials of Liu Bingyi", which was a gimmick at first glance. ZhiLing also adapted Bai Yushuang's posthumous work, "Haitang Hong", into Peking Opera, and fashion staged, which set the great achievement of the southern cavity and the northern tone. The advertisement of "Killing Children" is even more eye-catching: "The child artist specially plays the role of Wang Xu's family, changing his style: spicy, vicious, fragrant, romantic..." Unlike Yan Huizhu, Tong Zhiling seems to pay more attention to the aesthetic psychology of Shanghai citizens, with her customs, and the elegant court of the "Beijing Dynasty School".
Shanghainese are just bustling. But like Yan and Tong, which are becoming more and more lively and interesting, Jutan is rare to hear several times. In the middle and late January, the competition between the two sides has almost reached a thrilling level. Yan Huizhu posted the full book of Mei Pai's famous drama "Life and Death Hate"; Tong Zhiling posted "Shilang Visiting Mother" and "New Drama Fan Miss" double out. Yan Huizhu posted the full book of "Roselle"; Tong Zhiling crossed Zhou Yu in "The Heroes Will Borrow the East Wind", and then appeared as "Miss New Drama Fan". Yan Huizhu posted all the "Red Thread Theft Box"; Tong Zhiling posted "Xue Pinggui and Wang Baojun" and "Daxi Huangzhuang" double out. Yan Huizhu posted, two copies of "Tai Zhen Wai Biography"; Tong Zhiling posted all of "Mandarin Duck Tears", with Feng Suhui in the front and Du Literature in the back. Yan Huizhu posted "Da Cui Ping Shan" and "Male and Female Drama Fans" double out; Tong Zhiling posted "Butterfly Dream Big Split Coffin" and "New Spinning Cotton" double out. Yan Huizhu posted "Double Jiao Strange Edge" and "Dragon and Phoenix Chengxiang" double out; Tong Zhiling continued to fight with "Butterfly Dream Coffin" and "New Spinning Cotton". Yan Huizhu posted "Shanbaozhuang Sighs Skeleton Butterfly Dream"; Tong Zhiling posted "Wu Song and Pan Jinlian" and "New Drama Fan Miss" double out. Yan Huizhu also shot both with "Shanbaozhuang Sighing Skeleton Butterfly Dream" and "Male and Female Drama Fan Turn"; Tong Zhiling still competed with "Butterfly Dream Big Splitting Coffin" and "New Spinning Cotton". Yan Huizhu posted "Fishing and Killing The Family" and all "Peacock Southeast Flying" double out; Tong Zhiling posted all "Song Ten Times" and "New Drama Fan Miss" double out. Yan Huizhu simply also posted "Spinning Cotton", nine cavities and eighteen tones, all-encompassing; Tong Zhiling posted the whole book "Red Lady" and "New Spinning Cotton".
The volatile market induces unlimited desire. Both beauties acted crazy.
Waiting for the words "emotional intelligence" and "retention" to appear in the newspaper means that the most exciting moment has arrived. Since ancient times, China has been said to be "crested head, pork belly, leopard tail". No matter what kind of competition, what form of ring, the final stage is the most exciting. Because this was the final contest of the overall quality of the two sides of the decisive battle, not to mention that standing in front of the ring were the two beautiful Kunlings with the highest popularity index at that time.
On January 29, Yan Huizhu posted "Spinning Cotton": learning from Henan Zizi's "Wang Erjie Wrestling Frame"; learning from Xie Ruizhi's personally taught single-string quick book "Returning to the Boat in Wind and Rain"; learning from the Four Famous Dans and the Yanmen Ben Sect; and having a full range of Zizi, Jingyun big drums, and so on; and Liu Binkun's Zhang Sanmiao to Qiu Miao. Tong Zhiling responded with "Butterfly Dream Coffin" and "New Spinning Cotton". On the 30th, Yan Huizhu posted "Shanbaozhuang Sighing Skeleton Butterfly Dream" and "Male and Female Drama Fan Turn" double out. Tong Zhiling won the double victory with "Serial Set" anti-string Huang Tianba and "New Drama Fan Miss". On the 31st, Yan Huizhu posted "Spinning Cotton" during the day, and the night drama pastes the whole book "Shilang Visiting Mother" and "Male and Female Drama Fan Turn" were doubled, and the traditional bone old drama and entertainment joke drama appeared at the same time, thus drawing a satisfactory end to her performance in the thirty-nine days of "Golden". Don't want Tong Zhiling's sword to take the side of the front, suddenly strange moves, "split" and "spin" appear at the same time during the day, and paste three times in a row at night: first in the whole book "Yang Family General" to play Princess Qinglian; in the middle is "Miss Drama Fan"; later posted "Three Iron Roosters", Tong Zhiling anti-string Zhang Jiaxiang. This kind of road that does not play cards according to common sense makes the Shanghai audience stunned, but also appreciates the talent and wisdom of "child boldness".
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