Fu Shan, the word Qing Lord. Students who have read more martial arts novels are very familiar with "Fu Qing Lord". Everyone's impression is that he is a strange old man, and "anti" is one of his main characteristics. Everyone says that calligraphy should not be political, so let's leave this aside.
In the history of calligraphy, Fu Qingzhuo was also deeply influential. Today's book style, the pursuit of strange ways, has his influence. But now there's a hat called deconstructivism. As we talked about earlier, his theory of "Four Nings and Four Noes" is simply a guideline for the eccentric style of writing.
However, the shallow ones are reluctant to mention that he still served Zhao Songxue in his later years, and behind the "fragmented" aesthetics he proposed, there is still a deep classical conservatism foundation.
This is a part of a poem written by Fu Shan to sun Qifeng, the great Confucian of the early Qing Dynasty.
Obviously, this is different from his kind of flying body, the pen is fine and restrained, very beautiful.
Fu Shan's calligraphy has Yan and Rice, Han and Jin, which can be called Zhengyi and Qi, but it is also blended without a trace.
In his frenzied years, Fu Shan declared that his calligraphy was "Qingtian Wanli", which means to walk alone in the world. Visit all the famous mountains to seek monuments, walk out of the way different from the thesis, and extend the history of epigraphy in later generations. "It is better to be clumsy than skillful, it is better to be ugly than flattering, it is better to be fragmented than to be light and slippery, and it is better to be straightforward than to arrange." It is not so much a calligraphic view as a political view.
But Bai Qianshen said, "He was the last cursive master before China entered modern society." ”