Text/Sheshi
Ma Dong took advantage of the east wind of Li Tian's "Talk Show Competition" to produce the "Comedy Competition", not only the audience can find the similarities between the two programs, Ma Dong also said to the camera that the show is indeed learning some good production directions of the "Talk Show Competition".
The production of variety shows is like this, and only continuous learning can ensure that they have a higher market influence.
Judging from the presentation effect of the "Comedy Competition", compared with other comedy type competitions, the quality of the program works is more outstanding, as for the aspects in which the program group learns the "Talk Show Competition", it is not difficult to find through the output content that "fried CP" is an area that Ma Dong has not tried in the past in the program producer.
"Snow Country Train" helped Wang Jianguo and Li Xueqin, two stand-up comedians, successfully get out of the circle, and on the stage of the "Comedy Competition", the audience also began to see CPs between some contestants.
The "love" group composed of players Shi Ce and Wang Hao, or the "spitting" group composed of Dasuo and Sun Tianyu, can make the audience look forward to the follow-up competition more through the presentation of the works, and among the stage performances and actors, the "elite baby" composed of Jin Jing and Liu Shengying has received more attention from the audience.
Is the quality of their stage work outstanding enough? This is not the case in terms of results.
If you analyze the audience's votes, Jin Jing is afraid to stop at the first round of the "Comedy Competition".
As the only contestant in the competition to participate in the Spring Festival Gala performance as the protagonist, Jin Jing got the expectations of many players and the audience before taking the stage, after all, the Spring Festival Gala stage is a sacred performance occasion for most comedians, and being able to perform on stage is the greatest recognition of their ability.
This is also the fundamental reason why Jin Jing's works are expected by mentors, players and audiences.
It is even said that in the eyes of many contestants, Jin Jing, who has become a representative figure in the industry, does not need to participate in the "Comedy Competition", and the program team is also deliberately amplifying this point through editing, highlighting Jin Jing's popularity in the comedy circle, so as to make her elimination appear more dramatic.
Sure enough, after the results of the competition came out, the voice of the market audience questioning Jin Jing again appeared, and the dissatisfaction was still focused on Jin Jing's performance style: although it was impressive, it also made her work appear too monotonous.
However, judging from the grouping of the "Comedy Competition" team, the program group does not intend to give up the group of performers Jin Jing and Liu Shengying, for the simple reason that the program needs heat, and Jin Jing can help the program provide corresponding heat.
Whether the quality of the work is good or not is left to the market audience to judge, and whether the market recognizes or denies Jin Jing's performance, it will be the program group that will finally reap the benefits of the fisherman, after all, it will help the program gain attention.
In the case of the first round of performance overturning, how does Jin Jing think about his own market positioning?
The conditions that helped Jin Jing on the stage of the Spring Festival Gala at the beginning were his exaggerated expressions and actions, and now there is a situation of elimination in the first round of the competition, still because of these performance characteristics that helped him become famous, Jin Jing will inevitably have self-doubt.
Has the aesthetics of market audiences changed? Or does she really need to adjust her acting style?
Judging from the presentation of the works of the second round of the team competition, Jin Jing did not give up the exaggerated expression and action performance, but in the polishing of the script, the screenwriter deliberately enlarged Jin Jing's exaggerated expression to show it, so that he completely "let go of himself" on the stage.
What was the result of the vote? Jin Jing's performance ranked second among the three works, and the decent results were not commendable, because Jin Jing magnified his own characteristics and invited almost the entire group of players to assist, and the result was indeed not ideal.
In fact, the second round of works is more like Jin Jing's self-judgment of the market, and she needs to re-examine her market positioning through voting and audience feedback: Does the audience like this way of performing? Does the so-called aesthetic fatigue arise?
The results of the game or the audience evaluation after the broadcast of the program seem to point to a problem, Jin Jing's exaggerated expression is indeed not very pleasing, otherwise there would not be so many questioning voices.
Leaving aside the script reasons, Jin Jing's performance method can impress the audience at the first time, but this performance method is more like "forcibly controlling" the audience's feelings: when Jin Jing appears exaggerated, the audience knows that this place is a burden.
It's not that this way of performing is not good enough, if it is really bad, CCTV Spring Festival Gala will not invite her to participate.
It's just that for the audience, it will indeed produce aesthetic fatigue, which is also the fundamental reason for the continuous decline in the reputation of Jin Jing's performance.
The more times he appeared on the camera, the more the audience would dislike Jin Jing's exaggerated performance, so after the Spring Festival Gala stage, Jin Jing's stage performance repeatedly overturned.
Jin Jing's style has not changed, but the aesthetics of the audience and the needs of the market have changed.
At this time, there is another problem that Needs Jin Jing to choose: bow to the market or insist on himself.
Proofreading/Wang Xixi