China's Speed, Chongqing Passion, Revolutionary Story, Fashion Expression - Song Rui

Song Rui is the director of the Tourism Research Center of the Chinese Academy of Social Sciences, a researcher and doctoral supervisor of the Institute of Financial and Economic Strategy of the Chinese Academy of Social Sciences, a distinguished expert of the Expert Committee of the World Tourism Cities Federation, and a judge of the National Social Science Foundation. He has long been engaged in tourism industry policy, sustainable development and leisure research. He has long served as the editor-in-chief and anonymous reviewer of "China Tourism Green Paper" and "China Leisure Green Paper". He has presided over 2 national social science funds, more than 20 projects entrusted by the Chinese Academy of Social Sciences, the National Development and Reform Commission, the Ministry of Culture and Tourism, the United Nations World Tourism Organization, etc., and participated in nearly 20 entrusted projects such as the General Office of the State Council and the European Union as deputy team leader, and has been a visiting scholar at the University of Gothenburg in Sweden and Pennsylvania State University in the United States.

Song Rui, director of the Tourism Research Center of the Chinese Academy of Social Sciences

After watching this drama and understanding the basic situation of this project, my evaluation is: "China's speed, Chongqing passion, revolutionary story, fashion expression". In such a short period of time, to build such a thing from architecture to overall design to final presentation, I think this may really be only China can do.

Most people may think that the red story is a traditional and preachy, but I think this drama is expressed in a very fashionable way, very breakthrough, very innovative.

What I feel particularly deeply about this play is that it highlights the four "sexes".

First, scientific and technological. I used to study engineering, my graduation project is about the stage, the lifting stage, more than 20 years ago the lifting and rotating stage I already feel very complicated, watching this stage, too dare not imagine. The overall scheduling and control of the seven major systems is not easy from a scientific and technological point of view.

Second, artistry. Under normal circumstances, people's expectations for the artistry of tourism performances are not so high, but this drama will greatly change people's perceptions, it is refreshing and eye-catching. It artistically integrates and uses various resources of the stage to the maximum, and artistically tells a heavy, serious story, allowing people to appreciate the beauty of art while being moved by the story.

Third, the story. For revolutionary themes, we are too accustomed to grand narratives, too accustomed to that stereotypical way. However, in the case of this subversion of the traditional narrative mode and the change of the habitual viewing relationship, it still pays attention to its storytelling, character relationship explanation, emotional entanglement, and dramatic expression of contradictions and conflicts in many small details.

Fourth, modernity. From the theater to the stage, from the sound and light to the projection of stage props, the play shows its modernity and even foresight.