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Wen | Shanjin Original debut
Li Shangyin was a poet of the late Tang Dynasty, and Du Mu was called "Little Li Du", and he occupied an important seat among the many poets of the Tang Dynasty. Those who study him hope to understand his untitled poems, but whenever they enter Li Shangyin's poetry world, it is like entering a foggy palace, and they want to get a glimpse of the whole picture inside; they want to find a path and exit, and they are also at a loss. Indulge in it, go around like a dream.
The previous article shared Li Shangyin's "Untitled Two Pieces of One · Anchovy Xiangluo Thin Several Weights", which interprets the love and desire in poetry. How to interpret the love and desire in Li Shangyin's "Untitled Anchovy Xiangluo Thin and Heavy"
Today, I will share the second song "Untitled Two Songs, Two Heavy Curtains Under the Deep Mo Sorrow Hall".
Heavy drapery is deep under the Mo Shuo Hall, and the night after lying down is slender and slender.
The goddess's career was originally a dream, and the little sister-in-law lived in the ben wulang.
Fengbo did not believe that the lingzhi was weak, and the moon dew who taught the laurel leaf incense.
Straight lovesickness is useless, not hindered by the fear is pure madness.
Vernacular:
Layer after layer of drapery hung deep in Mo Shuo's hall (in my room), and (I) lay alone in the boudoir, feeling the silence of the night even more, long and difficult.
The life that used to be like the goddess of Wushan turned out to be like a dream, and the sister-in-law's residence was also alone, and there was no Lang Jun.
Fengbo does not believe in the weakness of the rhombus branch (and it is still necessary to destroy it), and the moisture of the moon dew can make the leaves of the laurel tree more fragrant (but the moon dew is not moist).
Even if acacia is of no use, even if it is because of acacia, it does not matter, let (I) be mad again.
The poem uses plot fragments to present a woman's inner world, but it is foggy to read.
A thousand readers have a thousand Hamlets, and readers also have different opinions on how to interpret Li Shangyin's untitled poems. Here are three common interpretations.
The first interpretation
It is believed that this poem is Li Shangyin's thoughts about the female crown Song Huayang.
The first link is to write about Song Huayang's life in the Taoist Temple, lonely and lonely. The second link is a comparison between the past and the present, comparing the lingering life of Wushan Yunyu in the past with the current solitary Xiaogu Temple. The third group writes Li Shangyin's pity for Song Huayang, she is as weak and helpless as a lingzhi, whether she can still be as fragrant as a laurel leaf. The fourth couplet wrote Li Shangyin's heart, even if the thoughts of Song Huayang were bitter, they were willing.
The second interpretation
This is considered to be the work of the first boudoir grudge, writing about the pain of women's lovesickness and the hopeless bitterness of lovesickness.
The poems mainly write about the psychological activities of the woman, showing her love experience. The first link is to write that the woman is alone, depressed, and depressed. The second link deeply shows her loneliness and sadness, as well as the psychology of disappointment. The third couplet writes that the woman suffered misfortune, but was still able to unswervingly adhere to the beautiful quality of love until death. The fourth link strengthens the woman's fidelity to love. This theory holds that Li Shangyin's poems are lamenting his life and praising loyal love.
The third interpretation
This is li Shangyin's thoughts of his deceased wife.
The first couplet writes about the lonely situation of the deceased wife in the boudoir, and the second couplet writes that the beautiful life she once had with her wife has become a dream, and compares the deceased wife to the goddess of Wushan and the little sister of Qingxi. The third couplet writes that Li Shangyin himself lost his wife like a lingzhi that was destroyed by the storm, and there was no laurel leaf moistened by the moon dew. Although the last couplet did not help, he was still obsessed.
These three interpretations are seen by the benevolent and the wise are seen by the wise. Li Shangyin's poem is written about the loyalty of thoughts and love, and each version basically agrees with this, but the interpretation of the protagonist in the poem and the object of her/his thoughts is different. Li Shangyin's "untitled poems" are confusing, and it is difficult to examine the specific identities of the characters in the poems.
Don't bother with which real historical figure the character in the poem is, just look at the love written in it, when every word in the poem is spit out from the lips, Li Shangyin's warm, secret, and gorgeous emotions slowly flow out with the words.
Inheriting the interpretation of "Untitled Two Pieces of One of them, The Phoenix Tail Xiangluo Thin and Heavy", the first poem expresses strong love and hidden desire; the second song still has a strong love, and the desire is more direct. I think the second song is about the situation in which the heroine leaves home after marriage, her husband leaves home, and she stays alone in an empty boudoir; it may even be the situation that the husband does not return home for a long time after empathizing with each other.
The narrative chronology of this poem is different from the actual chronological order. The actual chronological order should begin with the third verse: "The goddess's career was originally a dream." Our heroine, in the silent night, wakes up from a dream in which she and her husband (once her lover) walk in the clouds and rains. When you wake up and see the cascading draperies hanging deep in the room, the opening paragraph is very heavy, and the opening of the first song is still much lighter. The heroine wakes up from the dream, can no longer sleep, immersed in the dream just now, and feels that today's night is particularly long. The first verse is like the heroine's sinking heart, and the second verse is like her long sigh. The first co-written space-time is in the room, in the present.
The second link is a fantasy, the former goddess career, it turned out to be a dream, and when it woke up, it dissipated. The second sentence also made a comparison, comparing her own situation with the "little sister-in-law", the little sister-in-law is also a person on such a night, and there is no Lang Jun, she has always been such a person, what can I sigh? These two poems are quite self-deprecating and sarcastic, and perhaps our heroine is still talking to herself as "pretentious". The contrast of this conjunction begins with a twist, and the time written is in the past.
The third link, "Wind Wave Does Not Believe in The Weak Branches of the Ling, Moon Dew Who Teaches Gui Ye Xiang" undertakes the previous league, continues to make a turn, and paves the way for the next link, which is Bixing. This combination of rhombus branches and laurel leaves is actually intended to show the husband's lack of pity; the laurel leaf is of high character, implying sublime and chaste, which means the protagonist's loyalty to her husband.
The fourth link is the part of the whole poem, although acacia has no benefit at all, and it adds to the pity, but love is love, how about a crazy time! The first part of this poem is heavy, the second is dreamy, the third is expressive, and the fourth is warm.
After reading this poem, I fell in love with this lovely heroine and loved her straightforward personality. Although Li Shangyin's untitled poems are written secretly, bold expressions of desire can still be read from the verses. Bold dreams, although alone in the empty room, lonely and sleepless, but our heroine can face the real self, "I am lovesickness, what's wrong!" ”
The heroine of the poem loves so passionately that whether her husband is at home or not, she insists on the beautiful and fierce love that she has received in the first place.
"I love you, and how I love you is my business; whether you love me or not, that's your business."
Such a choice is also a meaningful life, and people who can love passionately will not spend their lives empty.
Li Shangyin's untitled poems are too difficult to understand, and perhaps using the Western interpretation mode of "spirit and flesh" can provide a direction for thinking.
What is your interpretation of this poem? If you were the heroine of the poem, how would you make the choice?
Feel free to leave a comment and share your thoughts.
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Note: The picture is from the network