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Pandora: The Chess of the Sorrowful Gods, the Daughter of Sin on the Edge of Madness

author:The edge leaf is two-dimensional

The main line of Saint Seiya Pluto is about the war between Athena and Hades. The main line seems to be a battle between two gods, but in fact, it is more of a struggle between humans and gods. As a human Saint Seiya challenges the strong, touches the realm of the gods, and finally defeats the gods... In fact, it is also a process in which human beings constantly challenge their own limits and break through themselves.

Pandora: The Chess of the Sorrowful Gods, the Daughter of Sin on the Edge of Madness

However, in the drama "Saint Seiya Pluto", not all humans are warriors against the enemy. Among them is a woman whose way of living is between god and man, whose tragic fate is a reflection of the coldness of the gods, and her own inner struggles and struggles are unique in the drama. The more people dig deeper, the more they will be captivated by this woman's unique charm.

Pandora: The Chess of the Sorrowful Gods, the Daughter of Sin on the Edge of Madness

Pandora - the woman who opens the box of sin and releases all misfortunes into the world. She was loved by the gods, incomparably close to the gods, but her heart was torn between gods and people. Even in the end, her body burst with the brilliance of humanity, but Pandora's life was like the bottom of a dark abyss under the stars, even if the light could occasionally be glimpsed from the bottom of the abyss, but from the beginning to the end, from the age of mythology to the end of the holy war, the woman with this name was completely wrapped in darkness and was never allowed to escape.

Pandora: The Chess of the Sorrowful Gods, the Daughter of Sin on the Edge of Madness

The woman who unleashed gemini, the leader of Pluto's army, the sister of Hades, the king of Pluto—these were her honors and the source of her arrogant temperament. We cannot ignore the basic color of her soul because of her final defection—the blackness of the underworld. In fact, we can also perceive that even if she longs for revenge and misses her family, her own attitude towards human life is indifferent.

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She will not put the lives of her subordinates in the same position as herself, nor will she be touched by it. Pandora has mostly closed her eyes from the beginning of her appearance, just like Shaga, not that she can't see, but that she doesn't need to see, and the near-god side of her soul makes her close the window of her soul, and the senses she uses are not human senses, but the senses of the gods—which is also very much in line with the identity of Hades' spokesperson.

Pandora: The Chess of the Sorrowful Gods, the Daughter of Sin on the Edge of Madness

In fact, the people of the underworld should be regarded as the most attractive villain in the Saint Seiya series. This is actually related to the contradiction between "life" and "death", which is absolutely irreconcilable. Allowing the living to become messengers of death is a very ironic concept in itself, and it also casts a philosophical veil of mystery over the people of the underworld. How they see death, what death looks like in their eyes, what kind of death they experience... These are of interest not only to the reader, but also to the author. Therefore, as long as the villains of the underworld are slightly shaped, they will have a high popularity... Pandora is no exception.

Pandora: The Chess of the Sorrowful Gods, the Daughter of Sin on the Edge of Madness

No matter how close she is to God, to think like God, she is also a human being. As a human being, she is looked down upon by the gods and admired by human beings, and such a distorted identity can tear the human heart in half - fearing the gods but hating the gods, despising human beings but being human... This is probably the origin of the gloomy breath of death that hung over her. This breath of death was not tainted by her long life in the underworld, but drifted from her heart. Familiar with the gods, facing the gods, assimilated by the ugliness of the gods, she directly crossed the step of contradiction and struggle, and gave up the opportunity to fight. The heart that belonged to humanity died early, turning into a cold lead stone, until it saw Yihui and others, and then reborn the heat of the living.

Pandora: The Chess of the Sorrowful Gods, the Daughter of Sin on the Edge of Madness

This heat did not come from the cold soul of the woman named Pandora, but from the little girl in Heinstein Castle who was spoiled by her family. In every generation of jihad, Pandora tries to kill the original human mind in this life. However, as expressed in the spiritual core of Saint Seiya, in the face of God, although human beings are as fragile as paper, their spirit is difficult to extinguish. This is the fundamental reason why Pandora, who is high above and like a god, finally returns to become a human being, which is the inevitable direction of the story, and it is even more tragic that her life at the mercy of others can pass on to us.

Pandora: The Chess of the Sorrowful Gods, the Daughter of Sin on the Edge of Madness

With unwilling tears, sleeping on the earth... Compared with this woman, it is the flower that blooms in the underworld, the most rotten, the most noble, the most unfortunate.

This article is the original of the yuanye two-dimensional element, welcome to like and forward, in addition, please indicate the source.

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