Zhang Hai
Mr. Zhang Hai has made outstanding contributions to the prosperity of China's calligraphy industry, actively advocated calligraphy innovation, took the lead in promoting calligraphy innovation, and personally practiced calligraphy innovation. At the beginning of the eighties, he was still old and futuo, which can be described as an evergreen book art. Zhang Hai calligraphy is derived from Lishu. In the early 1980s, on the recommendation of the famous mr. Wang Xuezhong, Zhang Hai's calligraphy was exhibited in Japan. It is highly rated by the Japanese calligraphy community. Commenting on Zhang Su's book: The heart has a sharp mind. After returning to China, Zhang Zhi's reputation for calligraphy gradually increased. Later, Zhang pursued innovation and was keen on personal style. Calligraphy critic Yang Jiping said: Zhang Hai's calligraphy character is not high because the evaluation of reading too little is reasonable. After Zhang Hai became the chairman, the level of calligraphy declined, because there were fewer or no more pro-postings, and people around him would no longer put forward his shortcomings and suggestions for improvement. Later writing styles are natural to borrow from the source of the book style, such as some people write with seal meaning, Yan Zhenqing Xingshu, HuaiSu cursive writing has seal meaning, Chu Suiliangkai has a seal meaning, and So on. Zhang Hai used the back of the book to transform the source of the book, such as writing in italics, cursive method, the end of the upside down, it seems inappropriate. No one is perfect, and gold is not perfect. Mr. Zhang Hai's calligraphy is unique and profound, and it can be said that Zhang Hai is the most successful calligraphy activist, outstanding calligraphy organization and leader of contemporary times, and these comments are also the only great calligraphy skills in today's calligraphy.
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Zhang Hai was born in September 1941 in Yanshi City, Henan Province. A famous contemporary Chinese calligrapher. He was the chairman of the Chinese Calligraphers Association and the dean of the Academy of Fine Arts of Zhengzhou University. Members of the Standing Committee of the National Committee of the Chinese People's Political Consultative Conference and experts with outstanding contributions approved by the State Council. He once served as a deputy to the 8th, 9th and 10th National People's Congress, the chairman of the Henan Provincial Federation of Literature and Literature, the chairman of the Henan Calligraphers Association, a senior consultant of Art China, and the president of the Henan Provincial Academy of Calligraphy and Painting.
Some netizens said: Zhang Hai's calligraphy, as the top chair of the Zhongshu Association, is at best the four different appearances of Wen Taishi's mount. Not a class, with the intention of writing Han Li in calligraphy, using Fei Laozhi's left pen to write the line book drop, a vague pursuit of flying white with a golden wrong knife pen method into the hanging needle hanging dew, suspected is the chicken pen meaning is actually no rhyme to god. The divine color is supreme, so that the viewer has more than enough to play, and he will not get tired of watching it. Asking Zhang Haili how his book is, it is yet to be commented on by the public. Since Zhang, the book world does not talk about the solid four-body skill, and the big tree has gathered ink to form, because of the wild black monster of the character body, which deviates from the inheritance of Chinese calligraphy and the lack of tradition. It is the sadness of the national essence of Chinese character culture.
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