Around 2000, a number of controversial writers emerged on the Internet.
Among them, the most famous and controversial are mainly three female writers, they are: Mian Mian, Wei Hui, and Jiu Dan.
The controversy in them stems from their labels and the avant-garde, avant-garde or distinctly alternative ideas presented in their works.
Cotton cotton is a cotton cotton known as the "avant-garde beauty writer".
Wei Hui is a Wei Hui who is known to write in the "body".
Jiudan is Jiudan, who considers himself a "prostitute writer".
Around 2000-2001, they published works that best represented their writing styles.
Cotton and cotton representative as a novel "Sugar", published in France, Germany, the Netherlands, Italy, the United States, Spain, Brazil, Portugal, Greece and other more than a dozen countries.
It is said that his novels can concentrate on reflecting the problems of the social era, and the whole mood is dark but passionate, and he is regarded as one of the best writers of the younger generation.
Wei Hui's representative work is the semi-autobiographical novel "Shanghai Baby".
The book was launched in September 1999 by Shenyang's Chunfeng Literature and Art Publishing House, and sold more than 110,000 copies in half a year (not counting pirated copies), which triggered a wide range of controversies in the Chinese literary circles, swept the Chinese younger generation, and attracted international media coverage.
However, the book was later banned for containing a large number of content that was officially judged to be "decayed and degenerate and poisoned by Western culture".
Jiu Dan's most influential work is "The Crow", which depicts a group of mainland girls with green card dreams, studying in Singapore as an alternative study abroad.
Of course, this "The Raven", like the works of the two previous authors, has also caused a long period of widespread discussion and controversy among various groups from China to Singapore.
To say that the three of them have in common, they are probably all more topical online female writers at the beginning of this century. Darkness, depravity, depravity, struggle, lust, the unbearableness and suffering of special classes of people, decadence or depravity, almost all exist in their novels.
They are also subjected to heated discussion, criticism, ridicule...
However, there is a chain of contempt between them.
Among the three people, Wei Hui has the highest education, graduated from the Department of Chinese of Fudan University in Shanghai, with a large number of works, some of which have been translated into 31 languages, and have been in the top ten of various best-seller lists in Japan, English, Italy, Germany, France, the United States and Spain, Argentina, Ireland, Hong Kong and Singapore.
Here's how they say about each other:
Wei Hui said, don't mention cotton to me, this person has nothing to do with me. When I make friends, I first look at academic qualifications...
Mian Mian said that I wrote "Wei Hui Did Not Copy Me" only one purpose, I am a reader of "Shanghai Baby", I hope that the author will not treat the reader as a fool next time, she wants others to respect her, she herself has to respect others.
Jiu Dan said that Wei Hui was not worth talking about at all.
In any case, however, they are still very representative female writers.
I remember being sixteen or seventeen years old at the time, passing by the book stall, seeing Jiu Dan's book, and being attracted by the cover.
The cover is herself, wearing a hat, with red lips and unique eyes. On the back of the book there are her wild and uninhibited words, to the effect that every reporter who wants to interview her must sleep with her before interviewing her. After watching it, it was as if he had been struck by lightning, so he jumped up and left.
Perhaps many people at that time were also like Xiaobian, for some aspects, as if it was taboo, the color of the conversation changed. The wind of the times is blowing, and now, everyone's attitude towards the same things has changed.
Perhaps it is the ideological progress brought about by social progress, but who can say clearly, perhaps it is related to the works and works that they were at the forefront of the times and the things presented in their works, these ideas and concepts first detonated the eyeballs of Chinese, and then used time as a chemical agent to slowly ferment.
No change in concept can be achieved overnight.
In this respect, they have some value in which they and their literary works exist.
Now that more than ten years have passed, they are still living their lives in this world, and I hope that everything is fine for them.
The text is original, and the pictures come from the internet.