The spy war drama "Spy War Deep Sea Sting", which has just concluded the finale, can be described as a sister article of "Sparrow", from the screenwriter Hai Fei to the main actors Zhang Ruoyun and Kan Qingzi, and even to Miss Tang, Tao Dachun and other supporting roles are the original team.
In terms of plot, "Sting" and "Sparrow" are also inextricably linked, such as the male protagonist Chen Shan played by Zhang Ruoyun, and the heroine Zhang Guo played by Wang Ou lurking in the Shang Mansion of the Japanese, cue to the "Familiar Yellow Couple" in "Sparrow", that is, Tang Shanhai played by Zhang Ruoyun himself, and Xu Bicheng played by Zhou Dongyu, I suspect that the name "Chen Shan" is a fusion of Chen Shen and Tang Shanhai in "Sparrow".
For example, when Chen He covered Zhang Li's escape, he asked her to find a person named "Sparrow"—yes, even the Sparrow himself came out.
However, the female number one Wang Ou has nothing to do with the previous "Sparrow", and her famous work is another spy drama "The Pretender". In "The Pretender", which can be called the originator of the idol spy drama, the villain supporting actress she played, Wang Manchun, the director of the Intelligence Department of the Wang Puppet Government, can only be regarded as the fourth female number, but she is beautiful and obsessed, and finally the ending is tragic, which is remembered at once.
In the "Langya List" broadcast after "The Pretender", the female strategist she played was as weak as Qin, and the role was not much, but it was also very stunning.
In fact, after becoming famous, she also acted in many plays as a heroine, such as the two plays "Weekend Parents" and "Mang Huang ji" that she cooperated with Liu Kaiwei, such as "Sesame Alley" with He Bing, "Push hand" with Jia Nailiang, and "Fox Hunting" that is being filmed with Wang Kai.
However, what impressed everyone seems to be the supporting role.
For example, in "Tiansheng Long Song", she played Hua Qiong, and the costume once again surprised many people.
For example, some time ago, the popular "Kyushu Muyi", she played Su Shanggong halfway down the line, many people said that they did not look at the head to abandon the drama.
Many netizens are puzzled: Is it that some actors are only suitable for playing supporting roles, but playing the main role is not popular?
Just like in "Sting", compared to Zhang Li, who she played, it seems that the female number two Yu Xiaowan played by Kan Qingzi is more pleasing.
Indeed, from the perspective of human design, Yu Xiaowan is petite and willful but dares to love and dare to hate, first in Chongqing with Chen Shan's disguised "Xiao Zhengguo" came to a first marriage and love, and then for Chen Shan to chase from Chongqing to Shanghai, but also met Zhou Haichao such a perverted suitor, her plot line has many attractive highlights.
As Wei Guangzheng's underground party, although Zhang Li is a heroine with more drama, her plot line is far less rich, as if it is only a prop to assist the male protagonist Chen Shan to upgrade and fight monsters, and guide him to join the party when necessary.
Her plot line can't be as free as Yu Xiaowan, very boring, the only thing that is a little complicated is that she still has a relationship with Chen Shan's brother Chen He, but this relationship looks too much dog blood.
Such a heroine, like Cheng Jinyun in "The Pretender" and Xu Bicheng in "Sparrow", seems to have no effect except to add chaos, which is particularly offensive, compared to these two, Zhang Li is actually already good.
Why is that?
In fact, for actors, although most people definitely want to play the male lead or heroine, the main role is really not so good to play.
Just like Wang Manchun in "The Pretender", as a supporting role, she only needs to be responsible for her own line, does not need to be the protagonist of the whole series, and does not need to intersect with most of the characters for this purpose, and derives many boring scenes for this, so the plot of the supporting roles is often more compact.
But once it becomes the protagonist, it is "the greater the ability, the greater the responsibility", the role is often multifaceted, if the screenwriter is not good, it may also be lost, it seems that the role is very chaotic, so the requirements for the actor are higher, on the one hand, the actor's image temperament is more suitable, on the other hand, the actor's acting skills can control a more complex character relationship.
In most of the male perspective of the spy drama, the heroine's personality is particularly easy to be bored, in many cases they are often just a gender balance props, or to guide the male protagonist's indicator, lack of their own distinctive characteristics, which completely depends on the actor himself to dig the cuteness of the role to enlarge it, but at present, the actors who can do this are too few.
On the contrary, supporting roles like Yu Xiaowan, their way of existence is much more flexible, people have bright spots, and as long as the actor's acting skills are not too dragging their feet, they will basically be very brilliant.
This is also considered to be "gains and losses", playing supporting roles is brilliant, but this drama is a flutter or a burst and has little to do with supporting roles; playing the main role is boring, but after all, it is also a stroke that can be written on the resume.